Too late for a proper garden but unable to resist the temptation of growing something to eat, two large pots on my deck are home for a single pumpkin and zucchini plant. In less than sixty days six inches have become five feet of winding vines weaving among annuals planted in layers of flower boxes. Yellow blossoms dot the strands of green, signs of tasty goodness to come.
Plants in all seasons of the year are a promise of renewal, a continuation of life. Plants Can't Sit Still (Millbrook Press, a division of Lerner Publishing Group, Inc., August 1, 2016) written by Rebecca E. Hirsch with illustrations by Mia Posada presents their fascinating methods of motion. You'll be ready to focus on flora with new eyes.
Plants don't have feet
or fins or wings,
yet they can move
in many ways.
Look closely and you'll discover
They begin beneath the ground twisting and turning their way upward toward their essential needs; heat and light. Some roots form a chain sending up new plants from a central point. A single plant may grow many arms reaching over the ground. Vines may need other plants or structures to spread vertically or they contain hidden strengths.
Branches on plants can act as hands repelling and capturing enemies. Plants can have internal clocks. Have you ever walked outside after dark to see how they shift and change?
Doing different dances, partnering with air, seeds spread on the ground or from high places. They can burst forth from small pods attached to plant bodies. Seeds can be sneaky attaching to unsuspecting animals or people. Sometimes seeds become a vessel transported on water until they discover new ground. Every place they land, regardless of how they move, gives seeds a chance to begin anew.
An array of action words, verbs, selected by Rebecca E. Hirschportrays the movements of plants in ways readers might not initially notice. She takes us beneath the ground, along the ground, and upward, always upward. Their amazing survival techniques and hidden clocks are descriptively depicted. Like real life, Hirsch brings us full circle providing us with information on seeds and how they are spread. The More About Plants pages at the book's end gives readers a conversational overview of plants in general but also supplies us with more in-depth information about twenty particular plants, including their scientific names. You will be pleasantly surprised by what you learn. Here is another sample passage from the book.
A seed is a plant
built for travel.
Seeds can whirl
or float on
or glide on papery wings.
Readers are greeted with a rainbow of color and plants performing many movements in the collage on the front of the matching dust jacket and book case. Their lifting, dropping, popping and shifting surround the title text which appears to be in motion too. To the left, on the back, readers see a scene from nighttime, moonflowers opening and raising their faces to the light. On the opening and closing endpapers, looking from left to right, seven individual illustrations on a pale blue background represent the cycle of a dandelion from parachuting seeds, to tiny sprouts, a small plant, yellow blossoms and back to an old plant ready to release seeds. Morning glory vines and flowers frame the verso and title pages.
Rendered in cut paper collage with watercolor eight of the eighteen illustrations created by Mia Posada span from left to right across two pages. Ten of the images are on single pages but they appear together intricately bound by background color and the type of plant pictured. The use of light and dark and layers generate a life-like texture.
The perspectives are varied as we view the places these plants move. Tucked in each illustration are other creatures; a blue butterfly, a bird enjoying the seeds from a sunflower, creeping caterpillars, moths, a mouse and small red ladybugs to name a few. It's as if we are surrounded by the worlds Posada makes for us.
One of my favorite of many illustrations is of the exploding pods attached to a squirting cucumber. From left to right pale green leaves, portions of vines and pale yellow blossoms spread. On arched stems hang the pods. One of them is shooting out seeds crossing the gutter from left to the right zooming over a full bloom. A small green frog sits on one of the leaves.
Plants Can't Sit Still written by Rebecca E. Hirsch with illustrations by Mia Posada is a way to discover movement secrets of plants more commonly known and seen by readers. We can walk in the wild world, our neighborhoods or in our backyards to discover these truths. In addition to the More About Plants section there is an author's note, glossary and more information through books and websites. The time lapse videos at one of the websites are amazing. It might be fun to pair this title with Rooting for You: A Moving Up Story written by Susan Hood with pictures by Matthew Cordell.
To learn more about Rebecca E. Hirsch please visit her website by following the link attached to her name. She also maintains a blog linked here. At the Lerner website Mia Posada participates in a short Q & A. In a longer interview Rebecca E. Hirsch answers questions at Lerner. To get a glimpse at interior pages please visit the publisher's website.
Be sure to stop by Kid Lit Frenzyhosted by educator Alyson Beecher to read about the other titles chosen by bloggers participating in the 2016 Nonfiction Picture Book Challenge.
Heroes come in all shapes and sizes, human and non-human. They can be ordinary individuals placed in extraordinary circumstances, the victors in an unexpected challenge. Some heroes have remarkable skills or characteristics unknown to others until a situation demands their use. Heroes can be a part of everyday life or come from the pages of fiction.
For a moment let's agree on two things. Dogs' lives are simply too short. Not all humans use their brain power to its fullest capacity. In the wonderful, wacky realm of "What-If" from the marvelous mind of a beloved author and illustrator a new hero is born. Dog Man (Graphix, an imprint of Scholastic, August 30, 2016) written and illustrated by Dav Pilkey is a hilarious collection of four adventures penned by those creative comedians George Beard and Harold Hutchins.
... It's a box full of old Dog Man comics we made when we were kids. Hey, I forgot about these!!! They read for hours Ha Ha Ha Ha I crack me up. Look how you used to draw! Old school! And look how bad you used to spell!!! Well, what should we do now? Let's make a new comic book. ...
The first chapter begins with a bang and the origin of Dog Man. Officer Knight and Greg the dog are caught paw-handed sleeping on the Chief's brand new couch. Banished for the moment, their presence outside the police station is noted by villain Petey, a striped-cat, who leaves a bomb for them to disarm. When the smoke settles, the only thing left for medical personnel to do is to stitch brilliant Greg the dog's head on the physically strong body of not-so-smart Officer Knight. The Chief is not fond of the doggy kisses he now gets and Petey acts quickly to build a gizmo guaranteed to get rid of this Dog Man.
Seen racing from his Secret Lab riding his invention Petey's words give Dog Man an idea. Sometimes what you swallow can be your downfall. Sometimes you can't claw your way out of trouble. Rats! It's off to cat jail for Petey. Readers beware. No jail can contain Petey for long.
An evil mayor, an equally evil Dr. Scum and a robot on the rampage clash with Petey and his can of Invisibility. With cleverness, instinct and knowing how to use a cell phone Dog Man wins the day once more. Back in cat jail with too much time on his paws, Petey begins a campaign to uncover the truth of Dog Man's intelligence.
His discoveries lead him to use his latest creation the
The results are not exactly what Petey wanted. In fact a real stink leads to his downfall.
For some reason, Petey continues to be allowed uninspected mail while in jail. His latest package eventually leads to his undoing but not before rampaging hot dogs, little fires, a giant gyro (or is it a Philly cheese steak?), and a bunch of bones play parts in an outrageously funny episode. In a crashing conclusion everyone gets exactly what they deserve as the Chief surprises even Dog Man.
Dav Pilkey's signature wit and wisdom shine on the pages of his latest graphic novel. He thinks like George and Harold and a dog with one ridiculous phrase, conversation and piece of action after another. Word play abounds with conversational exchanges like this one between injured Officer Knight and Greg the dog.
How do you feel, old friend? Ruff! Me too!
His use of exclamation points, capital letters in bold and words full of meaning make reading about Dog Man like Saturday morning cartoons.
...and it won't stop until he gets sucked up!!! HAW HAW HAW YEEE HAW! ZOOOOM
As readers turn the pages they become a part of the adventure. They can assist the hero but enjoy the crafty, non-stop inventive thinking of the adversary. They might also wonder more than once how Dav Pilkey thinks of these things.
Resisting the front image on the book case (I am working with an ARC for which I am grateful super librarian Becky Caldaza provided to me.) is futile. Dog Man standing on a box in the center of city buildings at night beneath a starry sky, the slight smile playing on his mouth, has the look of a hero's hero. Of course without reading the first chapter readers might be wondering about the stitching from the head to the body.
Each page full of panels is perfectly paced. Even when we move from one part of town to another, it is flawless. On a single page we go from the chief's office where Officer Knight and Greg the dog are getting a verbal reprimand to the two of them wishing they could find favor with the chief and then to Petey and his sidekick spying on them through binoculars. The expressions on all the characters' faces contribute to the comedy. The range of emotion on Dog Man is particularly splendid.
One of my favorite set of illustrations is when Chief first talks with Dog Man. He very clearly, in his usual loud voice, warns Dog Man who patiently listens to the tirade. When Chief finally says
Well? What do you have to say for yourself?
Dog Man looks at the chief and does what a dog would do. He gives him a doggy kiss and grins. Guess what the chief does?
Dog Man written and illustrated by Dav Pilkey (with color by Jose Garibaldi) is woof-tastic as a whole or chapter by chapter. The combination of text and images will have this book off and never on the shelves. You must have multiple copies. At the beginning of the book Dav Pilkey has written an inspirational letter to the Reader. The Flip-O-Rama pages are fantastic as are the How2Draw pages for Dog Man, Petey, and Philly at the back. Readers will be barking when they see what Pilkey includes on the final pages.
To discover more about Dav Pilkey and his other work please follow the link to his website attached to his name. Please stop by the Scholastic On Our Mindsblog for the cover reveal and a link to an excerpt at BuzzFeedBooks. You'll want to see this. At Scholastic's Ambassador for School Libraries John Schumacher's blog, Watch. Connect. Read., Dav Pilkey leaves a message for readers. Dav Pilkey is interviewed about Dog Man at School Library Journaland Publishers Weekly. These links, here and here, at Scholastic are great for further study of Dav Pilkey. You'll certainly want to use the Dog Man Teaching Guide.
For regular readers of this blog it is well-known but for new visitors it might be news. Dogs are my favorite people in the world. Yes, you read correctly. To me they reside in the realm of people but are more like angels in their purpose. The place in my heart for dogs is huge, right next to my affection for storytelling, books and reading. Until the end of last November a joyful chocolate Labrador retriever, Xena, was my sole companion for more than fifteen years.
Missing her is tangible. Believing she has walked into a room, I still quickly turn to look. Maxi's Secrets (Or, What You Can Learn From A Dog) (Nancy Paulsen Books, an imprint of Penguin Random House, LLC, August 23, 2016) written by Lynn Plourde with a cover illustration by Maira Kalman offers us a look at life as dogs live. It reminds us how fortunate we are they agree to walk alongside us.
Let's get this part over with---it's no secret. My dog, Maxi, dies.
When soon-to-be-fifth grader Timminy talks it's with unabashed truth. You get this way when you've gone through life as the shortest person your age and know it's not going to change. Timminy and his parents have recently moved from a large city to a small country town; both his dad and mom have new jobs. To ease this change for him, they've told him he can get a dog.
Getting a dog is not as high on Timminy's list of priorities as is surviving his first day, week, month and year in the same middle school with his dad as assistant principal but it's love at first sight, an instant knowledge you have found your soulmate, when Timminy first sees the Great Pyrenees puppy. It doesn't happen right away but soon Timminy and his parents believe Maxi is deaf. A trip to the vet confirms it.
Timminy is right in his assumption about navigating middle school. Who keeps shutting him inside lockers? Who puts the booster seat on his cafeteria lunch spot? It is difficult as the assistant principal's son and as the shortest student in school, but he gets help from others with different challenges and abilities. On either side of his house live neighbors, fellow students, Abby, a sixth grader, the only blind and African American student in the school, and Rory, a seventh grade student Timminy names the Beast of the East.
At the center is Maxi offering comfort when necessary, hearing without ears, bringing out the best in all who meet her and being the bridge in the rough spots of growing friendships. During a harrowing evening in early winter, in what could have been a disaster, Maxi's greatest triumph signals the events leading to her premature passing. Maxi, like all dogs, reminds us of the quality of a life well-lived; what is left behind is the greatest of gifts.
In fifty-one succinct chapters Lynn Plourde, through Timminy's voice, brings all the anxieties of middle school life to the forefront. Each person in his world is striving to find their place, they are trying to be individuals but fit into the greater whole. Through Plourde's writing techniques we find ourselves cheering for success in their struggles and feel compassion when they fall short. At the end of each chapter, an episode, Timminy closes with a life secret, usually revealed through Maxi. These secrets are profound to the extent you will be looking for parallels in your own life, with or without a dog.
As readers we know and understand Timminy's thought processes. In the dialogue between the characters and Timminy talking with Maxi, even though she is deaf, each personality becomes complete and compiled of more intricate parts than we initially imagined. The adults, the parents, school personnel, the doctors, emergency responders and even the FedEx driver, are the kind more prevalent in real life than usually depicted in stories. Here are some sample passages taken from the ARC.
Her dried dog slobber is everywhere too---like a hundred tattoos she branded my room with so I wouldn't forget her. No way I'd forget her. When I start to breathe again, I realize having Maxi in my life will always be a bigger deal than losing Maxi. Her tail still thumps-thumps-thumps in my heart.
I made Mom a bunch of kid promises. "I'll give her a bath twice a week. I'll brush her teeth so you can't tell where her white fur ends and her white teeth begin." Then I really piled it on. "Puhleeeeeeeeeeeeeeeeeeeeeeeeeeease! You moved me to this new town where I'm all alone and have no friends. This pup is all I've got." Dad looked at Mom. "Give it up, Lynda. You've already lost this one." "Thanks, Dad," I said grateful that I didn't have to turn on the tears. I would have if I had to. Her mom added "A big furry dog peeking out from the plants as she tries to cool down...Abby knows what those words mean, but she can't feel the joke. You have to use hearing or taste or touch or smell words so Abby can understand in a way that makes sense to her senses." "How do I do that?" Mrs. Winslow said, "You could say something like Maxi is a loud, screeching note of rock music in the middle of a soft symphony." Abby grinned. "That's pretty good, Mom. See, Timminy, that lets me know how out of place, what a surprise Maxi was when you saw her. You try." "Hmmmm, let me think..." Abby waited, Mrs. Winslow waited, and Maxi didn't care as she slept in the shade. I gave it another try. "Maxi is hiding like...a...a marshmallow in the middle of a big bowl of broccoli." Abby laughed. "Not bad. You might get this blind talk with practice." I smiled. "Practice" meant I'd get to see Abby again. SECRET #15 A new friend is like a wrapped present---you're not sure what's inside, but you can't wait to find out.
When you begin as Lynn Plourde does with Maxi's Secrets (Or What You Can Learn From A Dog) you're not sure you can continue but if you do, when you read the first secret SECRET #1 You can learn a lot from a dog you love.
at the bottom of page two, you know she'll be telling the best kind of story. It's a tale of pure love in all its facets, the love of a dog for her boy, the love of a boy for his dog, the love of new friends and the love of family. After reading this powerful book twice, I know you'll want and need more copies on your professional shelves. You'll want a copy for your personal shelves too. Each secret, each chapter, is a guide. They are gifts straight from the heart of a dog.
To learn more about Lynn Plourde and her other work please follow the link attached to her name to access her website. You can read the first four chapters at the publisher's website. Lynn Plourde speaks about The Secrets Behind 'Max's Secrets'at Publishers Weekly ShelfTalker. She is also a guest writer at the Nerdy Book Club in revealing the cover for this title.
It is said seven or was it twelve were invited to celebrate the birth of a child; an eighth or perhaps a thirteenth was overlooked. Good things were gifted to this princess except for one, an evil curse not to be undone. It is also said there was another girl, in another story, an orphan except for a harsh stepmother and two nasty stepsisters. In the moment of her greatest sadness a special one appeared to offer her riches beyond her dreams.
There might be a reason these stories dating back hundreds of years, though called fairy tales, rarely have these creatures in them. Possibly the explanation is fairies are everywhere. A Fairy Friend (Christy Ottaviano Books, Henry Holt and Company, May 10, 2016) written by Sue Fliess with illustrations by Claire Keane is a vision of possibility.
There are fairies in the sky. All around you, fairies fly, Flit and flutter, tumble, twirl, When the wind blows, fairies swirl...
Fairies are indeed about in the fields and forests. If gazing out a window in the evening they can be seen racing past, astride their faithful steeds...dragonflies. Maybe the cool breath of air we feel brush our cheek in our dreams is the touch of a winged visitor.
You can search those fields and forests for one of these tiny friends but the best thing to do is welcome them and send them an invitation. Build them a wee cottage out of bits and pieces you find in those areas they enjoy. Tiny twigs, feathery ferns, fragrant flowers and soft green moss are beautiful materials.
You must be sure to include a proper bed and bath by thinking small thoughts and finding small things. What would you use for a bath or to soften a fairy's bed? Pour love and petals into a pot to cook a favorite food. Carry it carefully, setting it softly down and in view.
You wait, watch and approach in silence. Your reward will be a dream comes true; hands full of happiness, lessons lifting you to new heights, safety and cozy comfort. As with all things loved, they need to be free. But remember...the joy in a return is worth the time apart.
There is a lively, light happiness in the words selected by Sue Fliess Her use of rhyme and alliteration has woven belief into the fabric of this story. Each two line phrase hums a musical cadence of magic. Here are two more sample passages.
Wings of fairies shimmer, spark, Twinkle, glimmer in the dark. Shiny spots or wisps of light Could be fairies in your sight.
As soon as you touch the heavy dust jacket you start to marvel at the eloquence of this book. On the front and back of the dust jacket the majority of the images are embossed. The title text and the main illustration on the back are done in foil. Shiny spot varnish is used on the center picture on the front. Without even opening this title it is a magnet for those wanting to read about fairies. (The book case matches the jacket without the varnish, embossing and foil.)
On the opening and closing endpapers in soft, natural colors four smiling fairies are enjoying themselves among leaves, branches and flowers. There might be some fairy dust floating about them too. Across the dedication and verso page a fairy swings leaving tiny petals in her wake. On the title page the young girl is seated in a tire swing as her canine companion watches.
The pictures, rendered in watercolor and Photoshop by Claire Keane, create dream-like visions, delicate and flowing. Some spread across two pages, others are on single pages and several single pages hold groups of three or two images. All the illustrations are loosely framed in soft, brush strokes. The expressions on the girl, her dog and the fairies are full of pure merriment. There are subtle hints of humor when the dog seeks and sees the fairies before the girl does.
One of my favorite illustrations is the first one in the story spanning two pages. Our perspective is that of the fairies playing among the tree tops. Beneath the fairies the girl, wearing a backpack and carrying a net, is strolling in search of fairies. Her dog, walking behind her, looks up at the tree tops spying the playful beings. On the right-hand side in the upper corner we can see the girl's home.
Anyone who reads A Fairy Friend written by Sue Fliess with illustrations by Claire Keane will be searching outside for tiny twigs, feathery ferns, fragrant flowers and soft green moss as soon as they finished the final word. Eventually you may find a fairy residing in your newly built home or a friend of a fairy from the nearby fields or forests. One copy in your classrooms and libraries will not be enough. This little treasure will rarely be on the bookshelves.
To learn more about Sue Fliess and Claire Keane and their other work please visit their websites by following the links attached to their names. On Claire Keane's website you can view interior images from this title. She also maintains Tumblr pages. Sue Fliess wrote a guest post about this title for Scholastic's Ambassador of School Libraries John Schumacher's blog, Watch. Connect. Read. There is a different interior image to be seen at the publisher's website.
Yesterday started with a plan, a plan for productivity. The gardens in my newly purchased home are out of control; left to grow with abandon by the previous owners and frankly, not at the top my list until now. Working in them is no easy task. The hot summer temperatures combined with the lack of rain makes the soil (clay) like working in cement. Just as I was about to head out the door promising myself to get, at the very least, the front area completed, torrential rains fell.
The book held in my hand to read during gardening breaks became my afternoon companion. As life would have it, a significant place in the story is a garden. Making Friends with Billy Wong (Scholastic Press, August 30, 2016) written by Augusta Scattergood is a slice of life into our historical past.
All it took to send my summer on the road to ruin was a fancy note and a three-cent stamp. The minute that envelope showed up, Mama was packing my suitcase.
Eleven-year-old Azalea Ann Morgan loves her mother and father and was looking forward to sharing a trip to the Grand Canyon with them. Gone are her plans of spending the remaining summer days with her best friend Barbara Jean. Instead she has left Texas for Paris Junction, Arkansas to help her grandmother. She is having a difficult time believing her mother's words that everything is going to be fine. Didn't her mother and father leave Paris Junction as fast as they could after high school? Even now, her mama can hardly wait to get on the road back home to Texas.
As Azalea is struggling with how she will survive weeks of living with a grandmother she hardly knows, working in the large garden, cooking and cleaning for them, she is informed other garden helpers will be arriving on certain days. Too polite to voice an opinion, this is unwelcome news for a girl who is uncomfortable meeting and speaking with new people. Life in the small town of Paris Junction in 1952 is about to surround Azalea.
Another recent arrival in the community is Billy Wong, great-nephew to the owners of the only grocery store, Lucky Foods. He's thrilled to be staying and working with his great-uncle and great-aunt so he can attend a quality school, one offering more opportunities. The prejudice, the looks, taunts and remarks, and vandalism, against Chinese Americans by some community members is a daily hardship for Billy and his family.
Azalea is pleasantly surprised to discover herself considering Billy a friend. Two people she would not wish to have for friends are fashionista Melinda Bowman and mean-spirited Willis DeLoach, two young people who come to help in her grandmother's garden. The one is there voluntarily, the other by court order.
Individually and together, in her grandmother's garden and out in the community, Azalea's and Billy's biggest trouble is with Willis DeLoach. What has made Willis so nasty? Soon Azalea has more questions than answers. She is becoming a seeker and keeper of secrets. One thing is certain, Billy Wong, Grandmother Clark and Paris Junction did not cause Azalea's summer to travel down the road to ruin. On the contrary, they set her on a path paved with the best things in life.
Books written by Augusta Scattergoodmake us feel like we've come home, regardless of our age. Her characters could be our neighbors, best friends or family members. Their joys and concerns become our joys and concerns not only during the story but resonating long after the final word is read.
In this title she alternates between the first person, prose narrative of Azalea filled with realistic dialogue and the poetic thoughts of Billy. These writing styles take us into the essence of both of these characters and the other people in their lives. Through their eyes we see the forest and the trees of this very particular time and place. Here are some sample passages.
Inside Lucky Foods Grocery ...Maybe I shouldn't climb trees to daydream in the clouds. But high on a tree branch, stories pop wide open.
I tie the white apron around my waist and straighten pickle jars. Stories jumping. Popping. Waiting to explode. Onto the pages of the Tiger Times. ...
My grandmother had other ideas. "Help me to my room and turn on the radio, Azalea. Go read a magazine on the porch where it's cool." Cool, my foot. I could die of heatstroke sitting on the front steps. But just in time to save me from boredom, here came a man walking the world's littlest dog, barking her head off. Now, I love dogs more than anything. Cats, too. I'm a whole lot better at talking to animals I don't know than people I don't know. But this one looked plenty mad. In case I was attacked by a dog not much bigger than a rat, I backed up. The man pulled on a skinny leash and waved real big, same as most everybody in Paris Junction. Once my eyes adjusted to the dimness, I sank into a soft chair that smelled like a rainy day. I tugged the desk lamp's chain to shine light on a book of old pictures. After a while, even though I heard the outside noises---cars slowing down, people talking---if I shut my eyes, the bad memories vanished into the room's quietness. I understood why Billy wanted me to see this special place. Making Friends with Billy Wong written by Augusta Scattergood addresses the dynamics between generations, family and friendship within the setting of 1952 Arkansas. Her research is evident but the real gift Augusta Scattergood brings to us in all her books is her ability to make the past relevant in the present. In her author's note she discusses the importance of Chinese grocery stores in the South, the Chinese immigration to the region and segregation prior to civil rights legislation. This book comes with my highest recommendation.
The first time you saw the puppy, you knew your life would change in more ways than you ever would have thought possible regardless of how many dogs have been in your life. The energy, the looks, the intense pauses to listen, and the nose constantly in the air or to the ground sensing messages in each experience are new every single time. Puppies and adult dogs have personalities as varied as humans, but one thing is certain, their love is unconditional and unbreakable.
By their very nature canines bring certain attributes into a relationship. Their heightened senses, especially their hearing and smelling, are invaluable. When dogs have been trained in addition to their already remarkable characteristics, the attachment they form with their human is close to miraculous. Readers first met an extraordinary Golden retriever in Tuesday Tucks Me In: The Loyal Bond between a Soldier and His Service Dog (Roaring Brook Press, May 27, 2014). Authors Luis Carlos Montalvan, former Captain USA and Bret Witter and photographer Dan Dion collaborate again to give readers Tuesday Takes Me There: The Healing Journey of a Veteran and his Service Dog (Post Hill Press, June 14, 2016).
This morning, like every morning, my friend Luis wakes up to this.
This is an up-close and personal look at the face of Tuesday, Luis's Golden retriever service dog. Tuesday tells us of Luis's condition, PTSD, a result of his military service in the Iraq War. They are leaving the home of another veteran, a friend in New York City. It's important for Luis to be near friends because strange places and crowds are still hard for him.
Today Tuesday and Luis have a special appointment to keep. To arrive on time, they will travel on land, over water and in the air. Their first stop is a ferry, a boat which crosses between Staten Island and Manhattan. During their ride many different kinds of vessels come into view as well as one very important Lady.
Once they reach Manhattan they travel on a bus. It's a bit too slow for Tuesday. Now walking in the city they see sights from the ground level. Then it's up, up and away, seeing the same things from the sky. As the day progresses they whiz along on the subway and enjoy a carriage ride courtesy of Bruno, a well-loved horse.
Ever vigilant Tuesday leads Luis through crowds with his leash and down stairs with a special harness. Finally they board a train which takes them to a completely new place, Washington, D. C. They meet an elected official at the Capitol building and take a rest while gazing at the world's tallest obelisk. They have still not reached their destination.
More sights seen, more walking and another ride by double decker bus bring them closer. A red convertible, a covered bridge, a field of flowers and a cool clear stream are parts of their continuing journey. When Tuesday and Luis reveal their trip's purpose to readers, smiles signal mission accomplished.
In the first sentence Luis Carlos Montalvanand Bret Witteracquaint readers with the closeness between Luis and Tuesday. In a narrative geared for younger readers in Tuesday's voice we understand how Tuesday works for Luis and the dog's incredible focus in a large city. We learn how people can move from New York City to Washington D.C. to a community in Maryland by describing more than ten types of transportation. Short captions tell us about points of interest in all three places; Staten Island, the Statue of Liberty, Freedom Tower, Union Station and Loys Station Covered Bridge to name some of them. Here is a sample passage.
We find our seat on the Amtrak train. Luis makes a comfy place for me. I did a good job taking care of him, so he takes care of me. It's his way of showing he loves me.
I put my paw on his foot to tell him I love him too.
Are we there yet?
Are we there yet?
We're here! But, where is here?
The illustrations in this title, photographs by Dan Dion, take readers right into the action. On the matching dust jacket and book case Tuesday's dedication and willingness to lead Luis is captured perfectly. To the left, on the back, an image from the interior shows Luis and Tuesday resting on steps in Washington, D. C. overlooking the Reflecting Pool and Washington Monument. The rich red from the title text is used as the color on the opening and closing endpapers. On the title page, Luis in full uniform with his medals is seated next to Tuesday who is holding Luis's cane in his mouth. It's a portrait of love.
Each illustration closely follows the journey of Luis and Tuesday. The size and perspective varies throughout the book. Some of the shots are from behind them with a panoramic view of a place, others are close to the two as they ride or walk and sometimes only Tuesday is shown in a particular setting. The clarity, composition and lighting of the visuals are outstanding. Dion conveys every mood and moment beautifully.
One of my favorite pictures is of Tuesday and Luis seated in the helicopter. Luis, wearing a headset, is looking out the window at the harbor and the Statue of Liberty below them. Tuesday, wearing his Service K-9 harness, is looking at Luis.
Tuesday Takes Me There: The Healing Journey of a Veteran and his Service Dog written by Luis Carlos Montalvan, former Captain USA, with Bret Witter and photographs by Dan Dion provides an intimate look for readers of the work done by a service dog and the connection formed with their human. This book also gives us a glimpse at two large cities, transportation within these cities and to and from them as well as places of interest. Closing with a poem and the dedication makes this title a fine, fine choice for the classrooms and libraries.
We all know stories are everywhere. The most common, everyday object, incident or living being can be the spark for an extraordinary tale. It can start with something simple, move toward unbelievable and leave us with hope in our heart and a sigh on our lips.
Eleven years ago to the day, a series of books began with a pig. Does this pig live on Old MacDonald's farm? No, this pig does not live on a farm. This pig lives with Mr. Watson and Mrs. Watson in their home at 54 Deckawoo Drive.
Mercy Watson begins her adventures with Mercy Watson to the Rescue (Candlewick Press, August 23, 2005) written by Kate DiCamillo with illustrations by Chris Van Dusen. At the close of every day the Watsons tuck Mercy into bed, singing
"Bright, bright is the morning sun, but brighter still is our darling one. Dark, dark is the coming night, but oh, our Mercy shines so bright."
In this opening book, Mercy may be the cause of the Watsons bed, with them in it, to be on the brink of crashing through the floor to the room below. She does have a constant craving for snacks, especially toast with
a great deal of butter on it.
This hankering leads her to leap from the bed, explore the kitchen and run next door to the Lincoln sisters' home. Baby Lincoln, the younger, kinder one, thinks the snout in her window is a monster. Eugenia Lincoln, the no-nonsense, stricter sister immediately calls the fire department. When firefighters Ned and Lorenzo arrive the sight before them is not what they expect. Mercy does love a good chase.
Are Mr. and Mrs. Watson saved? Does Mercy Watson get buttered toast? You'll have to read it.
As if this pig, the Watsons, the Lincoln sisters and Ned and Lorenzo, the firefighters, had not charmed readers enough, Mercy Watson Goes for a Ride(Candlewick Press, May 9, 2006) takes us on a trip quite unlike any other. Every Saturday Mr. Watson and Mercy go for a drive. It's a struggle to get Mercy out of the driver's seat but the promise of buttered toast on their return always does the trick.
On this particular Saturday there happens to be an extra passenger looking for folly and hiding in the back seat. On this particular Saturday Officer Tomilello is parked in his police cruiser. When a speeding car with a pig in the passenger seat whizzes by, he's got a job to do.
Can pigs drive? Can pigs fly? Will grumpy Eugenia Lincoln butter toast? You'll need to read this to discover the answers.
In her third escapade, Mercy Watson Fights Crime (Candlewick Press, August 22, 2006) noises in the kitchen at 54 Deckawoo Drive wake up Mercy. These are toaster sounds,
screeeeeech and clannngggg.
She also may be hearing
being sung by a little man who wishes to be a cowboy but is currently robbing the Watsons.
Since Leroy Ninker is not making toast he is able to lull the investigating, sleepy Mercy back to dreams of buttered toast. In no time at all two things lead to a wild ride, Leroy Ninker's inability to climb over Mercy and the sweet, sweet smell of Butter Barrel candy. The words of
being hollered with glee work their way into the sound sleep of the Lincoln sisters and Mrs. Watson.
Will Ned and Lorenzo arrive at Deckawoo Drive again? Will Officer Tomilello continue to ask questions and answer them himself? Will the daily newspaper headline a
Seventy pages filled with laughter will reveal the truth.
According to the calendar Halloween will soon arrive. Mercy Watson Princess in Disguise (Candlewick Press, July 10, 2007) celebrates the holiday, trick-or-treating (with a Mercy emphasis on treating) and introduces readers to General Washington, Eugenia Lincoln's new cat. On the festive night a signal from Baby Lincoln and the super abilities of Mercy's snout are the only elements necessary for chaos creation.
With the swipe of a cat's paw and a pig who loves a good chase, a race is soon being run. Two curious neighbor children, Frank and Stella who live at 50 Deckawoo Drive, observe from a distance but nevertheless intend to join the parade. Everything and everyone comes to a standstill at the base of an ancient tree.
Will the stuck general get unstuck? Can we count on the firefighters? Will worry-wart Frank approve of the offered fare? Mercy Watson knows. You will too.
On a warm spring day or perhaps in the midst of early summer nothing is quite as fine as enjoying the pleasures of outdoors. Eugenia Lincoln is attempting to bring graciousness to their lives despite having a pig living next door. In Mercy Watson Thinks Like a Pig (Candlewick Press, July 8, 2008) the peace and quiet of the neighborhood vanishes at the whiff of newly planted pansies.
This is the last "petal" for the elder sister. A call is made to the
Animal Control Center.
With Officer Francine Poulet at the ready, help is sure to follow although she is not expecting the problem to be a pig.
Will an Unmentionable Horror happen? Will a tea party come to a crashing conclusion? Will there be dogs involved? You should all expect toast...lots of toast....lots of toast with lots of butter.
The lives of Mr. Watson, Mrs. Watson, Mercy Watson, Eugenia Lincoln, Baby Lincoln, Ned and Lorenzo, firefighters you can count on, Frank and Stella, Police Officer Tomilello, Animal Control Officer Francine Poulet, and Leroy Ninker are about to get even more exciting in the sixth and final book, Mercy Watson Something Wonky This Way Comes (Candlewick Press, July 14, 2009). It's a lovely evening in the town of Gizzford. It's a perfect night for a visit to the local Bijou Drive-In theater to see When Pigs Fly.
Leroy Ninker, mostly-reformed thief who wishes to be a cowboy and practices with his lasso whenever he can, works at the concession stand selling Bottomless Bucket popcorn served with real butter. With the strong smell of butter in the air, Mercy becomes a pig with a single thought front and center in her mind. She must have butter whether it's on popcorn or toast.
Will Officer Francine Poulet really need her net? Did Officer Tomilello hear a scream? Is that a fire truck siren? Six books with stories within a story all lead to Mercy's best kind of ending.
The arrival of a new series, Tales from Deckawoo Drive, is (was) happy news to fans of the Mercy Watson titles. In the first, Leroy Ninker Saddles Up (Candlewick Press, August 26, 2014) on a specific night at the Bayou Drive-In concession stand during a double cowboy movie feature, ticket taker, Beatrice Leapaleoni makes a very important point. What Leroy needs more than any attire and his trusty lasso is a horse. Beatrice also gives Leroy an important piece of advice.
Patty LeMarque is moving and all she wants for her horse Maybelline (not Tornado as Leroy would prefer) is a happy home. She agrees to give Maybelline to Leroy but cautions him about three idiosyncrasies of Maybelline; she takes great pleasure in sweet words directed to her, she consumes large amounts of food and she cannot be left alone for more than the merest of seconds.
Will poetic phrases turn Maybelline into a speed demon? Does Leroy have enough spaghetti? Will a thunderstorm and an umbrella cause the end of a beautiful new friendship? You, dear reader, will come to agree with Maybelline about the stories in the best movies. Perhaps you will be surprised but you will understand.
Do you remember the animal control officer who may or may not have captured Mercy Watson successfully? In Francine Poulet Meets the Ghost Raccoon (Candlewick Press, August 25, 2015) this winner of forty-seven trophies for her astute animal capturing skills is baffled beyond belief by what she encounters one dark night. Upon receiving a phone call from Mrs. Bissinger, residing on Fleeker Street, about a screaming-like-a-banshee, shimmering raccoon Francine, who fears nothing, finds herself on a very high roof facing said raccoon.
This meeting with the details better left for you to discover ends with Francine in the hospital with more than one broken bone and broken in spirit. Upon leaving the hospital she does something completely out of character for a third generation animal control officer. Words from Frank and a tiny treat from Stella leave Francine Poulet wondering about her future, wondering about her place in the world.
Will our humming genuine article save the day? Will a new era begin? You should ask the raccoon.
For the third volume in the series Tales from Deckawoo Drive, author Kate DiCamillo and illustrator Chris Van Dusen showcase a woman in need of change. Where Are You Going, Baby Lincoln (Candlewick Press, August 2, 2016) begins, unlike the previous two titles, on Deckawoo Drive. It follows the younger, more kind-hearted of the two Lincoln sisters.
Baby Lincoln was dreaming.
A dream of riding on a fast train and stars shooting in the sky comes to a fast close with the shouting of Eugenia. She wants Baby to wake up and write goals for the day. Today Baby does something she has never done. She says no. It's time for her to take
a necessary journey.
After packing her suitcase, which is no easy task for someone who has never done this and has no idea where they are going, she walks out of the house and down the street to the train station. Along the way Stella asks to walk with her. Stella is wise beyond her years.
Now on the train heading toward the town of Fluxom, Baby begins the most interesting part of her trip, speaking with other passengers. A fur-hat wearing man and the comic section of the daily newspaper leave her filled with laughter. A young woman with a bigger-than-big bag of jelly beans helps her to see the importance of given names, singing stars and tasting sunshine and springtime. A little, paper-crown-wearing boy, George, awakens the storyteller in Baby.
The station at Fluxom is deserted when Baby arrives. Beneath the starry sky the only sound she hears is that of a lone cricket. Thankfully, Stella is indeed wise beyond her years.
It does not matter if Kate DiCamillo is writing about animals or people. It does not matter if the book is an early chapter book, a picture book or a novel. There is universality about her writing which finds a way into every heart. She makes us laugh. She makes us cry. And most of all, we are better people for reading her books.
Her storytelling is straightforward but brings many threads together in a nearly magical style of art. She adds extra descriptive details to very exact portions of her sentences. When we see the world through her eyes, we see more. Here are some sample passages from this book.
Baby opened her eyes. She didn't know exactly what she was talking about either. But she knew that something important was happening. Her heart was beating very fast. The sun was shining into the kitchen, and everything seemed outlined in brightness, possibility. Eugenia stared at Baby. Her mouth was open. She looked quite astonished. Baby was astonished, too.
Calaband Darsh sounded like a very grand place, a shooting-star kind of place. Baby opened her purse and took out her wallet. She handed the wallet to Stella and watched as Stella counted the money inside. "Okay" said Stella. She handed the wallet back to Baby. She consulted the train schedule. "Let's see." It turned out that Baby didn't have enough money to get to Calaband Darsh. She had enough money to get to Fluxom. "Fluxom?" said Baby. "Fluxom," said Stella. Fluxom did not sound like a shooting star kind of place at all.
The Mercy Watson books and the volumes in the Tales of Deckawoo Drive series have been delightfully rendered with gouache by the talented Chris Van Dusen. All of the book cases and dust jackets portray key moments in each one of these titles. The Mercy Watson books have full color in the interior pages. The images in the Tales of Deckawoo Drive are in black and white.
In each of the books Van Dusen includes two page spreads, single pages and smaller picture tucked in the text. The facial features on all his characters are guaranteed to evoke laughter. He depicts the people and places exactly as you imagine them to be in your mind as you are reading DiCamillo's words.
In preparation for the most recent book, Where Are You Going, Baby Lincoln written by Kate DiCamillo with illustrations by Chris Van Dusen, I reread all the other titles yesterday. It was a truly heartwarming experience to step back into the world at Deckawoo Drive. There are moments of absolute and total hilarity and minutes you want to replay over and over because of their profound truths but most of all these books speak about love in all its forms.
Dating back thousands of years, most tellers use riddles to welcome listeners into their stories. These specifically-worded queries get our brains in gear, focus our concentration and inspire creativity. Riddles allow us to participate in a treasure hunt without taking a step. All we need to do is use our imaginations, expanding our thinking from the obvious to the obscure. The sense of accomplishment in deciphering these puzzles is a rich reward too.
Readers are guaranteed another adventure full of fun and one smart cookie on the run in The Gingerbread Man Loose at the Zoo (G. P. Putnam's Sons, an imprint of Penguin Random House, LLC, August 23, 2016) written by Laura Murray with illustrations by Mike Lowery. There is sleuthing and solving. May they do themselves proud. It's game on for the Gingerbread Man and the elementary school crowd.
I woke to the sound of a rumbling ROAR! and hooting and howling and growling galore.
The children called out names as the teacher made noises and everyone's excitement grew. Boarding the bus the hunt was revealed. The animal clues were no longer concealed. It was a point-to-point guide around the zoo.
Unraveling riddle number one was done with ease. In fact Gingerbread Man was soon in a tight squeeze; barely escaping snack status thanks to a sneeze. When he chanced a look, his class was gone.
Knowing his friends needed to be found; the Gingerbread Man unriddled the remaining riddles, animal by animal, in habitats high, low, wet, square and round. Some beasts were big, other critters were small. He found them, almost all. Figuring out the final puzzle, the Gingerbread Man ran as only he can.
Single-minded he moved until...a baby kangaroo came into view. Now two were lost but the Gingerbread Man was brilliant and bold. He knew what they were seeking was more valuable than gold. Hoping and hopping they followed the way. Happy hero and baby buddy, together, saved the day.
When Laura Murraysends the Gingerbread Man on a trip, we are in for a treat. As we wind through the zoo, we are learning animal names too. Her riddles blend into the rhyming rhythm of the narrative asking readers to participate in piecing the clues together. Within the puzzles we learn about the animals' characteristics, baby names, and food. Here are two more sample passages depicting Murray's skillful word play.
"HAVE A WILD DAY!" said the man at the front as we pulled out our riddles to start on the hunt. I jumped on the railing to get a good look, and out popped her tongue like a curvy blue hook.
The energy in the illustrations rendered
with pencil, traditional screen printing, and digital color
by Mike Lowerywill have you ready to go to the zoo. There's no doubt when looking at the front of the dust jacket (I'm working with an F & G) the Gingerbread Man is ready to romp. The animals at the zoo look equally willing to share in his pleasant pursuits. On the back, to the left, readers are given a hint of further play and a problem in three separate visuals. On the title page the Gingerbread Man is swinging on a vine from the top through the title text, dangling above a bright, light blue and white map of the zoo. A friendly rhino grins at the reader.
Lowery portrays his interpretation of the story in a series of bordered panels of varying sizes. He sometimes uses one or two pages, edge to edge to focus on a particular point. The narrative is usually shown in separate boxes, black on white, at the top or bottom of a panel. Dialogue is, for the most part, in speech bubbles.
With a dot, circle, or curve of a line, Lowery is able to convey an array of emotion. These girls, boys, animals and the Gingerbread Man are upbeat and fully animated. Readers will find themselves smiling repeatedly.
One of my favorite of several illustrations is at the beginning of the story. The Gingerbread Man wakes up to discover his teacher is the cause of the commotion. She's looking fierce pretending to be a large cat. Looking out his window, the Gingerbread Man is smiling at the discovery. We can see all his details, his frosted brow, his pink and white hat, bow tie, red buttons and brown shorts. He's one cute cookie!
This entry in the series is a surefire winner. Everyone is going to love following their favorite smart cookie in The Gingerbread Man Loose at the Zoo written by Laura Murray with illustrations by Mike Lowery. I know you will hear requests of read it again and most likely pleas for treats, riddles and a trip to the zoo.
For those taking the time to look, patterns of three can be found repeatedly in our collective cultures, its literature and religion. Every living thing has birth, life and death. Time is measured in the past, present and future. Stories have a beginning, middle and an ending. In nursery rhymes there are three little kittens, three blind mice and three bags of wool. We have listened to and read the tales and an assortment of variations of Goldilocks and the Three Bears, The Three Billy Goats Gruff and The Three Little Pigs. Characters are given three guesses and three wishes. How often have we heard the third time is the charm?
For readers who have great affection for characters and their story lives, the most wonderful use of the number three is the word trilogy. To know, in spite of the wait, two more books in a fictional world formed in the mind of an author will follow is sheer bliss. In 2013 author and illustrator Aaron Becker introduced us to the enchantment found in his wordless 2014 Caldecott Honor book, Journey (Candlewick Press). The story in book two, Quest(Candlewick Press, August 26, 2014) begins on the title page. The girl and the boy she met in Journey are continuing to ride a tandem bicycle they drew using her red marker and his purple marker. Seeking shelter beneath a bridge during a rain shower, they are asked by the King of Pallonezia, who steps through a doorway, to assist in saving him and his kingdom. Following a map, they travel to particular prominent points in other lands gathering pieces of light which hold a promise. Their success is a crowning achievement for them and their companion, a purple phoenix.
Readers' patience was rewarded with the release of Return (Candlewick Press, August 2, 2016) conceived and illustrated by Aaron Becker. This third wordless volume is as fascinating as the previous two. It is a more intimate and moving conclusion than Journey or Quest; the completion of a circle.
As in the first book, the girl brings her red kite and red ball to her father, who is drawing at his drafting table. He is too busy to notice her requests. She goes back to her bedroom drawing a red door and steps back into Pallonezia carrying the ball with her. Later her father looks down at the floor noticing her dropped red kite. Going into her bedroom, he sees and walks through the doorway.
In the distance his daughter's red ball is on the dock. As a strange mechanical dragon floats by him, he steps on board. It carries him along the waterways to Pallonezia and the platform where his daughter, the King, the boy and the purple phoenix have gathered. Before any familial issues can be resolved, the evil emperor is revealed.
In the ensuing chaos some are able to escape due to the boy's creativity but it's only temporary before tragedy strikes again. The inventive, quick-thinking daughter rescues a few. Cave walls tell a tale. Wickedness arrives intent on capturing all goodness. A trap is sprung...twice. An artist and a daughter close a distance and step through a door of possibilities.
Whether you have read the two previous books or not, looking at the open dust jacket you are fully aware the girl carrying a red marker and a red ball has just entered an extraordinary world. The lights and lanterns are glowing in the evening darkness as fireflies blink off and on. You may wonder why she is wearing a crown. You may also wonder why on the back, to the left, a crown has settled on the bottom of a sea with two fish and a seahorse wondering the same thing. Beneath the jacket on a cloth cover of deep steel blue a kite is embossed.
The opening and closing endpapers are similar to those found in the first volume, a rich red in color with sketches of images. These illustrations ask us to engage in activities like baseball, fishing, checkers, skating or reading. With a page turn Aaron Becker starts this story on the title page. There are hints of events to come in this first visual of the daughter in her father's study/studio.
Rendered in watercolor, pen and ink the illustrations continue with a cutaway of the girl's home as she draws the red door to reenter Pallonezia. (I found myself comparing this picture with the cutaway in Journey.) With a single exception all of the full or double page pictures extend edge to edge. When Becker places several smaller vignettes on white space it is to show a quick succession of time or intensify a specific moment. Becker's lush landscapes will have you gasping for breath either in awe of the panorama spread before you or at the tension in a situation right before your eyes. His intricate fine lines and exquisite attention to detail will have you flipping back and forth through the pages.
One of my favorite illustrations is a close-up picture of the father on his arrival to Pallonezia. He is standing on the dock along the stream holding his daughter's red ball. Floating around the corner is the mechanical dragon. Lanterns are strung from tree to tree. Fireflies are flying through the forest. The lights are reflected in the water. You can feel the balmy air. You can hear the night noises. Your senses are shifting into high alert.
Return conceived and illustrated by Aaron Becker is a marvelous, magical adventure exploring the strength which comes from allowing our imaginations to freely explore. Friendship, loyalty, family and love are woven throughout this final journey, quest and return to home. It is a wonderfully rewarding read for all ages.
It's referenced in children's nursery rhymes and songs.
Old Mother Hubbard
Old Mother Hubbard
Went to the cupboard,
To give the poor dog a bone;
When she came there,
The cupboard was bare,
And so the poor dog had none.
This Old Man
This old man, he played one,
He played knick-knack on my thumb;
With a knick-knack paddywhack,
Give the dog a bone,
This old man came rolling home.
It's verified and explained in scientific studies on canine evolution. Dogs love bones.
If there is a bone to be found, our pooch pals will find it. One Hundred Bones (Templar Books, an imprint of Candlewick Press, April 26, 2016) written and illustrated by Yuval Zommer begins with a single dog on a daily mission. He digs digging.
Scruff was not like other dogs.
Scruff was a stray; a dog without a home. No human cared for him. When the other neighborhood dogs walked by wearing collars and leashes, Scruff, free as could be, dug holes. This did not make the humans happy.
"Get off my lawn!" Mr. Fusspot warned.
No one, least of all Scruff, liked to be treated poorly, so he left. Roaming around the countryside this super sniffer smelled something downright delicious. He dug a hole, going down deeper and deeper. What he found boggled his mutt mind.
This was no ordinary discovery. Scruff knew this was not a one-dog job. Heading back to the city, he asked
Percy the pug, Pixie the poodle, Sidney the sausage dog and Ada the Afghan
for assistance. There was simply no way they would entertain the thought of getting dirty until Scruff mentioned one word. Bones.
Not only did they unearth bones and more bones and still more bones; these did not resemble any they had previously seen. Being clever canines, they knew where to go and how to get there. Scruff's affection for dirt and digging lead to more than an assembled, fierce fossil. This time his rewards were forever.
The technique used by Yuval Zommerto tell this story involves a rhythmic repetition. When the narrator makes a statement, it is followed by several supportive examples. For instance he does this in describing why Scruff is not like other dogs, the distress the humans have for his digging, Scruff searching for a more peaceful place, and the kind of bones Scruff finds. This tale will have readers leaning in to listen. Here is a sample passage.
"Ten bones, twenty bones. thirty bones...whoa! Forty bones, fifty bones, with lots more to go!" And away Scruff ran back over the hills, through the woods, across the fields, and into town.
When you look at the front of the matching dust jacket and book case with those dogs holding bones in their mouths, it looks normal except for one thing. Where are they? Are those curtains? Already Yuval Zommer is creating interest with questions. The expressions on his dogs' faces are alert and curious. On the back, to the left of the opened jacket and case, Scruff is placed in two colorful loose ovals on a grass green canvas with scattered bones. These two images foreshadow events.
The opening and closing endpapers and first page turn are a pale brown shade, as if dirt has been rubbed on the paper. A frame is created with a variety of the found bones. Rendered digitally using a full color palette the illustrations are as lively as the characters.
White is used by Zommer to supply a loose border around his pictures of varying sizes which place emphasis on his text. The details in each setting feature delicate leaves, flowers, mushrooms, ferns, vegetables, roots and birds. These birds seems to be observers of the doggy happenings. Careful readers will note additional elements which designate the specific geographical setting of the city. It's a definite nod to dogs that the only part of humans seen in this story is their legs or in the case of the professor from the shoulder down.
One of my favorite illustrations, on a single page, is of Scruff deep, deep underground. You are given a cross-section of his digging efforts; a zig-zag tunnel before his discovery of the mound of bones. Roots are weaving through the dirt. Scruff is holding a rather large bone in his mouth. His expression definitely says he needs more help.
Let's suppose for a moment dogs have a complete command of the English language. Let's also suppose we humans are perfectly aware of this. Can you imagine the chaos the words one hundred bones would cause if stated to one or more dogs? Thinking about this and reading One Hundred Bones written and illustrated by Yuval Zommer is sure to make most readers grin from ear to ear, regardless if they are dog lovers or not. Be sure to share this title repeatedly for the sheer entertainment value or with a theme focusing on teamwork, friendship, dinosaurs, dogs or bones.
To learn more about Yuval Zommer and his other work, please follow the link attached to his name. Yuval Zommer chats at Library Miceabout the inspiration for this book. You can view interior images at two publishers' websites here and here.
Fashioned from two socks and stuffed with stockings, my sock monkey acted as comforter and confidant. She was a constant companion until she was little more than pieces held together by threads. Hand stitched, her facial features were unique. The eyes and smile were filled with compassion.
In the natural world, her fellows are widely and wildly different. Mad About Monkeys (Flying Eye Books, August 11, 2015) written and illustrated by Owen Davey is a collection of captivating information about the monkey population on our planet. By the time you read the final word, your appreciation for these remarkable creatures will indeed grow.
WHAT ARE MONKEYS? Monkeys belong to a group of mammals known as primates. Humans are also primates but humans are not monkeys. However, monkeys and humans aren't all that different.
Monkeys (and other animals) are called quadrupeds because they walk on all fours for most of the time. Their diet can vary from seeds to small animals depending on the species. If they choose to live in trees they are known as arboreal. It's interesting to note monkeys are not grouped with chimpanzees, gorillas, orangutans, gibbons, tarsiers or lorises and lemurs.
Did you know there is a distinction between Old World Monkeys and New World Monkeys? Physical characteristics and geographical location separate the two families. The smallest monkey in the world, fully grown, is no larger than the palm of an adult's hand. The largest monkey in the world, though shy, is fierce with large canine teeth sometimes two inches in length.
Monkeys have learned the benefits and challenges with living in a community. They can communicate in a singular language, supply security or engage in loud skirmishes for leadership. In specific instances they adapt well to their surroundings. In the search for grass and due to climate change the Gelada male monkeys grow fur long enough to be called a cape.
Three miles away a certain monkey howl is heard. Did you know monkeys grow beards? Can you imagine having a nose so long it hangs over your mouth? Who knew there are monkeys that can swim; feasting on crabs which they locate under water? Monkeys are sneaky when necessary or simply because of curiosity.
As part of cultural mythologies and religions, monkeys have a place in the human world. Their habitat, like many other creatures, is threatened. They are essential to the ecological community as a whole; therefore it is essential we offer them protection. We can do this.
When Owen Davey writes nonfiction you enter the world he creates with his words. In his fifteen chapters he selects information readers will find the most fascinating. His narrative is inclusive but conversational ranging from general to specific facts. He makes comparisons understandable to all readers. All of the featured monkeys are designated as Old World or New World in their labels. Here is another sample passage.
Red and blue coloured noses and multi-coloured bottoms make mandrills one of the most attractive and beautiful primates. 'But why such colourful bums?' I hear you ask. Scientists believe that these magnificent rumps are simply used as beacons in the leafy gloom of the forests. When following each other through the forest, the bright rear ends are easy to spot and follow.
When you hold a copy of this book in your hands, the first thing you notice other than the remarkable collage on the front book case, is the texture, feeling like cloth. The title text in red is raised. On the back, to the left, Owen Davey has used a portion of an interior image placing it in a darker setting. The matching opening and closing endpapers facing the title page in the beginning and the publication information at the end, showcase eleven different monkeys. The table of contents is positioned within a double-page picture of a monkey in tree branches.
All of the images in this work vary in size in direct relation to the text. This is an astounding example of beautiful design and layout. The illustrations are geometric works of art with details necessary to portray a specific monkey, a habitat, or food. The heavier matte-finished paper works well with the selected color palette.
One of my favorite illustrations is a single page showcasing the Pygmy Marmoset, New World, Monkey, South America. Davey has the monkey grasping a tree with lemons growing on the side. It allows the reader to see the actual size in comparison to something familiar. He also has the tail hanging down so we can see its length which is usually longer than the monkey's body.
If you are looking for a marvelous non-fiction read aloud picture book, Mad About Monkeys written and illustrated by Owen Davey is highly recommended. (Please note that Owen Davey has recently released a companion title Smart About Sharks, August 9, 2016.) The relaxed, friendly text with his distinctive images will appeal to a wide range of readers. Davey's final chapter Deforestation includes ways we affect forests and how we can change this effect. There is an index for the more than forty monkeys highlighted in this book.
To learn more about Owen Davey and his other work, please follow the link to his website attached to his name. He includes many images from this book at this site. Owen Davey wrote a guest post about this book at The Federation of Children's Book Groups. Owen Davey is interviewed at Pushing Pixels. You can discover more about monkeys at ARKIVE.
Each week by participating in the 2016 Nonfiction Picture Book Challenge I learn more than I ever imagined I would. I am most thankful to educator Alyson Beecher for hosting this challenge at Kid Lit Frenzy each Wednesday. Be sure to visit the site and view the titles chosen by other bloggers.