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When love and skill work together, expect a miracle. John Ruskin




Showing posts with label Liz Garton Scanlon. Show all posts
Showing posts with label Liz Garton Scanlon. Show all posts

Tuesday, July 30, 2019

One Feathered Wing

Just shy of eight year ago I wrote this in a note on Facebook.

Stepping from my doorway this morning, my eyes were greeted with an avian invasion; hundreds and hundreds carpeted my neighbors' lawns.  With my nearing they lifted as one feathered wing, gliding, soaring, swooping to another yard, continually joined by ten, twenty or thirty more.  As closer I came, finally the multitude rose above the lofty treetops, their command of air masterful as they left my sight.  Silence and the promise of more heat and humidity fell like an unwelcome cloak about my shoulders as Xena and I walked past the now empty parched grasses of the vacant field.

As a librarian, I begin to research as soon as I arrived back home.  For the first time in six decades of living, I had been gifted with witnessing a starling murmuration.  It is forever etched in my memory as one of the most incredibly beautiful things I have ever seen.

To see these birds fly in flawless synchronization is a remarkable experience; one which reminds us of the fascinating, fearless and stunning power of nature.  One Dark Bird (Beach Lane Books, an imprint of Simon & Schuster Children's Publishing Division, July 16, 2019) written by Liz Garton Scanlon with illustrations by Frann Preston-Gannon presents an illuminating portrait for younger readers of this spellbinding phenomenon.  It begins, as so many wonderful things do, with a single individual.

1
dark bird
perched way up high
a view of town
a taste of sky

Presently, this one starling is joined by others.  They come together as two, three and four.  Now there are ten.  Quickly, as if receiving a cue from a conductor, five more make fifteen birds.

We keep counting as they keep coming.  The groups are getting larger.  The initial group of fifteen has more than doubled.  Now hundreds and hundreds and hundreds of birds fill the sky.

Suddenly their free flying is nearly frozen.  An enemy flies near them.  They join swirling and swerving as if one mind acts for all of them.  They flee to safety, looping and circling through the now starry sky. 

Then, an unspoken decision is made.  They break apart journeying to destinations as separate aerial acrobats.  Hundreds and hundreds and hundreds leave.  There are ten, nine, eight, and seven.   All too soon, we end, coming full circle, to one.


To combine counting with this breathtaking event fully engages readers by drawing them into the gathering of the flock.  The rhythmic and rhyming words of author Liz Garton Scanlon create a gentle but vibrant cadence.  It's an invitation to spread our arms and joyously glide with our avian companions.  The use of alliteration further heightens the melodious narrative.  Here is a passage.

flapping fervor
noisy clutch

they dance together
without touch


The image of the single starling flying over a community on the open and matching dust jacket and book case extends from flap edge to flap edge.  The blend of vivid blues, greens, and golden yellow and orange with splashes of white act to accentuate the iridescent colors of the bird.  The few birds seen on the front multiply to the left, on the back, and on the front flap.  The placement of the ISBN incorporates it into a rooftop.  On the dust jacket the title text is in gold foil along with some of the stars there and on the back.

On the opening and closing endpapers hundreds of birds, a murmuration, are shown.  On the first scene the sky is much lighter as opposed to the darkening sky in the second scene.  On the dedication, verso and title pages, the single starling is flying toward the right edge of the right side.  Beneath the bird on a pale green-washed sky is the town.  

Illustrator Frann Preston-Gannon rendered these illustrations using a mixture of both digital and hand-drawn techniques.  At times we will be brought close to the birds or are given a more panoramic view to emphasize the number.  The buildings and homes are shown both in full color and/or etched in the background.  Members of the town, from diverse races and ethnic backgrounds, are shown going about their daily business, whether it's work or play. We can see them in their windows and watch them following the flight of the birds.

As the numbers of birds increases, we are taken directly into the flock.  You can almost hear the beating of wings and the sound of feathered swoops, dipping up and down and around.  All the pictures span two pages.

One of my many, many favorite images is between sunset and the full moon rising in the dusk.  The homes and building are bathed in golden light accenting reddish tones with spots of green.  Over the buildings the starlings by the thousands move in a large wave with the majority in the center.  Their formation is highlighted with white.  Above them in the sky, a few stars wink around the shining celestial orb.


If you are seeking to enhance a theme on birds, spectacular natural occurrences, counting or to engage readers in sheer wonder, One Dark Bird written by Liz Garton Scanlon with illustrations by Frann Preston-Gannon is the ideal title.  A symphony of words and art recreate the beauty of murmuration.  On the title page an explanation of murmuration is given.  I highly recommend this title for your personal and professional collections.

To learn more about Liz Garton Scanlon and Frann Preston-Gannon and their other work, please follow the links attached to their names to access their respective websites.  Liz Garton Scanlon maintains accounts on Facebook and Twitter.  Frann Preston-Gannon maintains accounts on Facebook, Instagram and Twitter.  Liz Garton Scanlon is interviewed on Only Picture Books.  You can view interior images, including one of my favorite ones, at the publisher's website.

Monday, September 10, 2018

Unexpected Educator

One of the most classic cases of a substitute teacher's name striking fear in the hearts and minds of students in the classroom is found in children's literature.  In the case of this woman you can certainly judge her character by her appearance. Her frumpy black dress, striped stockings and black clunky shoes accentuate her exaggerated facial features and hair.  When you combine this with her unwavering sense of discipline students have no choice but to behave with robotic-like goodness.

Miss Viola Swamp first stepped from the pages of Miss Nelson Is Missing written by Harry Allard with illustrations by James Marshall in 1977.  To this day it would be hard to have an inclusive list of books about classroom teachers without mentioning her and this book.  A more recent title also broaches the subject of what happens when the regular teacher is absent.  Dear Substitute (Disney Hyperion, June 19, 2018) written by Liz Garton Scanlon and Audrey Vernick with pictures by Chris Raschka has a distinctive presentation. 

Dear Substitute,
Wow. This is a surprise.
What are you doing here?
Where's Mrs. Giordano,
and why didn't she warn us?

As the morning begins each element of the usual routine and special activities enjoyed on a Tuesday are addressed by the little girl.  She writes to them as if they are recipients of a letter.  Regret and empathy are expressed for the mispronunciation of students' names during attendance.  Mrs. Giordano is missed.

It's discouraging to have sacrificed what you want to do in order to complete your homework only to discover it will not be collected on the due date.  A weekly trip to the library is not made.  The substitute has another plan. 

The classroom pet, a turtle, is not going to have his tank cleaned.  Our letter writer asks Elmo to be patient.  Classroom rules are not followed.  An earned turn at being line leader is ignored.  Lunch may be the only ordinary thing about this day until the eyes-in-back-of-her-head substitute catches the girl breaking a lunchroom rule.  How is this fair?

A change during story time further unsettles the girl.  This is when an extraordinary shift in the day happens.  This is when the student makes an unforgettable discovery about the day, herself and the substitute teacher.


Every reader, regardless of their age will identify with the apprehension voiced by the protagonist.  Authors Liz Garton Scanlon and Audrey Vernick tap into the emotional state of the girl and her universal worries with keen insights.  They are well aware of the importance of stability during the day in a classroom but they are also savvy enough to realize the benefits of creative change. 

By having the girl write letters to each portion of her day, a deeply personal level is achieved in the story.  These letters build upon each other leading us to the surprise.  Here is another letter.

Dear Class Rules,
We have you for a reason.
And one of the rules should be:
the whole day can't be
changed around by a sub named Miss Pelly.
"Pelly like a pelican," she told us.
And then she laughed---again.
Miss Pelly doesn't take anything seriously.


Upon opening the dust jacket readers are treated to a view of the endearing student writing the letters.  The carefree swing of her pigtails invites us to know this girl and comprehend her disquiet in this situation.  The border of apples and pencils, well-known symbols of classrooms and teachers, supplies an additional sense of welcome.  The color choices by Chris Raschka are cheerful contributing to the spirited and heartfelt messages of the girl.  To the left, on the back, Elmo, the classroom turtle is showcased, enjoying a clean tank. 

On the book case in bright loose squares are thirty portraits of students from all racial and ethnic backgrounds.  On the opening endpapers the lower portion of students' bodies are highlighted as they casually stand in a hallway.  On the closing endpapers is a view of items found on a teacher's desk.  The use of color is limited to those objects.

On the verso and dedication page Chris allows readers to see the reason for Mrs. Giordano's absence.  Tongue protruding from her mouth in concentration the girl is writing beneath the text on the title page.  Each page turn is a study in the signature style of Chris Raschka who rendered these illustrations in watercolor and gouache.

His loose lines and brush swirls of hues depict the emotions conveyed in the narrative.  His choice of colors enriches the moods as well as the time of day.  His shifts in point of view place emphasis on stronger feelings.  When the girl is near tears, all we see are her eyes, nose and some hair.  Some of his images are on single pages; others span two pages.

He frames the text in curtains, scenes from around the school or with elements in his pictures.  Humor is present in his clever details.  He gives Miss Pelly the shape of a pelican.  The girl is shown as a fish.

One of my many favorite illustrations is of the letter addressed to 

Dear Story Time.

In this picture spreading across two pages Miss Pelly is seated on a rosy red rug on the right-hand side.  Her red glasses, cheeks and lips are mirrored in the flooring.  She is seated, head bent and reading.  Clustered around her along the top, sides and bottom are the feet of the students on their rugs, seated and listening.  This is a turning point in the story.


The beautiful blend of words of Liz Garton Scanlon and Audrey Vernick with the artwork of Chris Raschka gives readers a treasure to hold in their hands with this book, Dear Substitute.  We are privy to a transformation.  We realize people might not be what they appear to be at first glance (except for Miss Viola Swamp).  I highly recommend this title for your personal and professional collections.

To learn more about Liz Garton Scanlon, Audrey Vernick and Chris Raschka, please follow the links attached to their names to access informative websites.  At the publisher's website there is an educator's guide to download.  At Scholastic's Ambassador of School Libraries, John Schumacher's Watch. Connect. Read., the cover is revealed with a post by the authors.  At the blog, For the Love of KidLit, Liz and Audrey are interviewed.  This title is one of several new books focusing on school featured at author, reviewer and blogger Julie Danielson's Seven Impossible Things Before Breakfast.

Friday, January 13, 2017

In Sickness And...

Never is good health so appreciated as when you suddenly find yourself with the king of colds.  You're hotter than hot one minute and shaking with the chills the next minute.  Every part of your body aches.  You can't breathe but your nose is constantly running (in a race where you are the loser).  You begin coughing but the sound closely resembles a barking seal. You are so miserable you can't even enjoy the fact you get a day (or two or more) off from your normal activities.

At times like this there is only one person in the world you want, especially if you are a younger gal or guy.  Bob, Not Bob! (To be read as though you have the worst cold ever:)(Disney Hyperion, February 14, 2017) written by Liz Garton Scanlon and Audrey Vernick with illustrations by Matthew Cordell explains with great insight and huge doses of humor exactly who this is. It is not your canine companion.  It is not your beloved stuffed animal.

Little Louie wasn't all that little.  It wasn't like he needed his mom every minute of the day.

When he started sneezing and wheezing, he did need his mom.  He needed her a lot.  You could almost say he needed her constantly.

When his cold was in high gear, nothing satisfied him more than the presence of his mom but his nose was so stuffed when he yelled Mom it sounded like Bob.  It just so happened that Louie had a larger than life dog named Bob.  Guess who came running ready to romp?  Bob the dog.

Louie, besides being sicker than sick, kept on saying

NO!
I wan by
BOB, 
not
BOB!
BOB! BOB! BOB!

Needless to say, Bob the dog was a bit confused.  Louie's mom with the wisdom bestowed on mom's everywhere knew exactly who he wanted and did come to his room but she had other obligations too.

Day two was even worse.  Louie's words came out weird.  His little sister Tessa was as mystified as Bob the dog.  Feeling more wretched by the minute Louie was going a little bit nuts.  His mom was too.  And Bob the dog keep running to Louie.

So Mom did the only left to do.  Louie sighed.  Mom was glad he was glad.  So was Bob the dog.


As you read this story you will constantly be thinking about how much fun Liz Garton Scanlon and Audrey Vernick had working together to create the words for the unseen narrator and the dialogue of little Louie.  They create the quintessential sick child situation right down to the tiniest details.  As they are describing exactly how sick Louie is, each sentence builds on the previous one to create a type of cadence.

When Bob the dog enters the scene each time he is not only running but slobbering.  When they insert the word cuckoo into the story, it becomes so kid-perfect you feel like (and probably will) laugh out loud.  All these clever pieces place readers exactly where they need to be for the resolutions.  Yes, there are two.  Here is another sample passage.

So he just lay there getting hot and sweaty,
which sounded like "Hotten Smetty."
"Who's Hotten Smetty?" asked his sister. ...


The layout and design on the matching dust jacket and book case are two trios superbly aligned, the title text over Mom, Louie and Bob the dog.  Each of them, Mom, Louie and Bob the dog, is wearing an expression indicative of their personalities in this story; happy to help, miserably sick and confused...and slobbery.  The title text on the jacket is varnished.  To the left, on the back, the green from the front becomes the canvas.  Within a loosely framed circle is Bob's ball, a box of tissues and the stuffed teddy bear.

On the opening endpapers a giant BOB is placed slightly to the right off center.  Mom is standing tall and smiling with Louie crying and clinging to her leg.  From the left Bob is standing at attention, ball in mouth, looking at them.  This BOB has a heart shape in the center of the O.  This is how Matthew Cordell distinguishes between Mom (Bob) and Bob the dog.  Readers will notice a difference on the closing endpapers as Louie seems to be back to one healthy little guy.  On the title page the arrangement shifts with Mom, Louie and Bob the dog standing on top of the text.  They are looking right at us.

In this title Cordell uses white space as an element.  He positions his characters in the image to convey emotional moods and the passage of time; more in the center, at the bottom or in several spots on one page.  The spoken text and sounds play an important role too, heightening those emotional moments.  The facial expressions on the characters' faces, including Bob the dog, are absolutely spot-on and hilarious.  (They're wonderfully loving too.)

One of my favorite of many illustrations is when Louie is crying out

I just wan by BOB!

again.  His mom is carrying a laundry basket as he wraps both arms around her legs.  A box of tissues and used tissues are scattered on the floor.  With her free hand Mom is covering her eyes.  If she were speaking you know exactly what she would be saying.  Her patience is hanging on by a very thin thread.


Every person on the planet that has had a cold can easily identify with Louie.  Every mom or caregiver can place themselves in Louie's mom's shoes.  If dogs could talk, they would tell us Bob the dog is doing the best he can under the circumstances.  This is what makes Bob, Not Bob! written by Liz Garton Scanlon and Audrey Vernick with illustrations by Matthew Cordell a rib-tickling riot of fun.  This is real aloud gold!  Make sure you have a copy for your professional and personal bookshelves.

To find out more about Liz Garton Scanlon, Audrey Vernick and Matthew Cordell please follow the links attached to their names to access their websites.  Take a tour of Liz Garton Scanlon's studio at Andrea Skyberg's website. She also invites Matthew Cordell to visit her site and gives us a tour of his studio.  Matthew Cordell stops by author, reviewer and blogger Julie Danielson's blog, Seven Impossible Things Before Breakfast, sharing previous projects, this title and some not released yet.  Author James Preller interviews Audrey Vernick on his site in an author to author conversation.

UPDATE:   I know you are going to enjoy this article at Tara Lazar's site, Writing For Kids (While Raising Them).  Audrey and Liz chat about this title and reveal the book trailer.

UPDATE:  Liz, Audrey and Matthew visit All The Wonders, Episode 333 to chat about this title with teacher librarian Matthew Winner.