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Showing posts with label Kara LaReau. Show all posts
Showing posts with label Kara LaReau. Show all posts

Monday, January 7, 2019

Flight Of The Bluebird Blog Tour-Chatting With Author Kara LaReau

It’s a pleasure to have you back at Librarian’s Quest, Kara, on the first Monday in 2019.  It’s hard to believe that nearly an entire year has come and gone since your last visit showcasing The Uncanny Express, the second title in The Unintentional Adventures Of The Bland Sisters.  Once again the landscape outside my window is cloaked in more than eight inches of snow.  And it’s still snowing, but the absolute beauty and fun of the books in this series is they reach out, wrap around us and pull us into the current adventure.  We’ve been on a ship brimming with rowdy pirates (The Jolly Regina) and a train full of mysterious travelers.  Now we find ourselves airborne with the twins, Jaundice and Kale, in an effort to save their lives.


When reading the Flight Of The Bluebird (Amulet Books, an imprint of ABRAMS, January 8, 2018) the first thing readers might be curious about is why are the sisters traveling by plane this time and why is the name of the plane, Bluebird?

Well, I already had them on a ship in The Jolly Regina and a train in The Uncanny Express, so putting them on a plane seemed like the next natural step! The plane is called the Bluebird for two reasons: 1. Amelia Earhart named one of her planes “The Canary,” and since she is one of the inspirations for the character Beatrix Airedale, it seemed fitting to name the plane in my story something similar, and 2. It’s a bit of an insider joke with myself! I have a freelance editing business called Bluebird Works, which I started almost ten years ago and named after the bluebird of happiness. It took a lot to get that business off the ground, much like the airplane in the book!

You have continued with two wonderful elements in this book, employed in the first two titles.  At the beginning on two pages you have The Unintentional Cast of Characters.  The two villains are called Victor and Uggo.  Is this in reference to Victor Hugo, the French writer?  If so, why do you focus on him?

Victor Gazebo doesn’t have anything to do with Victor Hugo; I chose the name “Gazebo” because I liked the way it sounded, and the combination of “Victor” and “Gazebo” worked (to my ear) as a good villain’s name. Uggo is a play on Ugarte, Peter Lorre’s character from Casablanca, on which the character in my story is based. So there is a method to my naming madness!

I won’t ask about the other character names because I prefer to have readers discover the answers for themselves.

Secondly, you have each chapter heading highlighting insights and suggestions from a book the Bland Sisters are currently reading or happen to be carrying with them.  In Flight Of The Bluebird, the book referenced is Taking Off! With Trip Winger  (Your character/fictional names are fantastic, Kara.  You most definitely have a gift with word play.) As in the past, do each of the recommendations have to do with something happening in each chapter?

Yes, I made sure that each bit of aeronautical advice is somehow relevant to the action in the story. And I don’t want to give too much away, but the culmination of all this knowledge proves vital at the end of the story!

Is there a reason you decide to have one of the Bland Sisters participate in the method of travel this time?

I thought it was important to show that even though Jaundice and Kale retain much of their Blandness throughout the series, there is still character development and a clear arc to that development through the stories. I don’t want to give too much away, but that moment where one of the girls takes control (and one of them doesn’t) felt necessary on their journey together and as distinct personalities.

Do you ever plan on getting a pilot’s license Kara?  The reason I’m asking is my girlfriend had her pilot’s license when she was sixteen.  We used to go to a small airfield after school and on weekends and she would fly us in a two-seater airplane.  We had to spin the propeller sometimes to get the engine fired-up and going.

I don’t have any plans right now to get my pilot’s license; I can barely tolerate it when someone else is flying the plane!

This leads me to another question.  You mention in your author’s note that Beatrix Airedale is a blend of women like Bessie Coleman, Amelia Earhart and Nellie Bly.  Is there a favorite book you’ve read about any or all of them you would like to share with us? Candace Fleming’s book, Amelia Lost: the Life and Disappearance of Amelia Earhart, was an utterly gripping account.  I could not put it down.

In the interest of time, I did some reading and watched some great documentaries during my research. Candace Fleming’s book is great, and I also learned a lot from reading Ten Days a Madwoman: The Daring Life and Turbulent Times of the Original “Girl” Reporter, Nellie Bly by Deborah Noyes. I happened to watch a biography of Bessie Coleman which was streaming on her birthday last year (January 26th!) and really inspired me; though I can’t seem to locate the name of it, I see there’s a new documentary about her life called The Legend which is streaming on Amazon Prime right now, and I can’t wait to check it out!

In the portion of the book where the plane lands for refueling (the plane and food for the characters) you make several references to the film Casablanca.  I burst out laughing at one of them.  Why Casablanca?

Casablanca takes place at about the same time as Raiders of the Lost Ark (which is also when Flight of the Bluebird is set), so it seemed like a fun choice and definitely ripe for parody!

I think readers are going to be fascinated with the setting of this title.  Did you know this is where the third adventure would unfold when you were writing the first two titles?

I didn’t know what the second or the third book would be when I wrote the first book, but when I sold it to Abrams, I roughly fleshed out the rest of the trilogy. I wanted to “go big” with the final story, so an action-packed adventure in Egypt filled with lots of villains and mysteries and dreams and revelations (and a curse!) felt right!

The cryptic postcards the children receive from their parents add to the mystery and adventure.  Also what prompted you to use their mother’s journal to be a part of explanatory flashbacks?

I got the idea of the journal from Indiana Jones’ father’s Grail diary in Indiana Jones and the Last Crusade. I thought it would be a great way to introduce some of the Bland Sisters’ parents backstory, and also a few clues that help along the way with Jaundice and Kale’s adventures.

There are other items I would like to chat with you about but I don’t want to spoil anything for readers.  I will leave them with several of my many favorite lines from the book.

Beatrix tells the twins---

Life’s not worth living unless we’re taking risks and challenging ourselves.

I find both of these sections hilarious and typical of the Bland sisters.

Reading something so dry and practical was always a comfort.

“What now?”  asked Kale.
“I don’t know,” said Jaundice.  “I’ve never been trapped in a rug on a moving truck, surrounded by assassins.”

LOL. I’m so glad you enjoyed these lines, and the book in general — I had so much fun writing Flight of the Bluebird and all of the Unintentional Adventures. Thank you so much for giving me the opportunity to talk about these stories!

Kara LaReau was born and raised in Connecticut. She received her Masters in Fine Arts in Writing, Literature, and Publishing from Emerson College in Boston, Massachusetts and later worked as an editor at Candlewick Press and at Scholastic Press. She is the author of such picture books as UGLY FISH, illustrated by Scott Magoon, and Good Night Little Monsters, illustrated by Brian Won; an award-winning chapter book series called The Infamous Ratsos, illustrated by Matt Myers; and a middle-grade trilogy called The Unintentional Adventures of the Bland Sisters, illustrated by Jen Hill. Kara lives in Providence, Rhode Island with her husband and son and their cat.


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Friday, October 19, 2018

Of Poetry, Priorities And Pals

Your siblings can be your best friends.  People who appear to be your exact opposite can be your best friends.  Best friends can be your same age or decades apart in birth dates.  These people (or other creatures) considered best friends have unconditional affection for you; all of you.  They celebrate your triumphs, offer comfort when sadness descends and see your flaws and mistakes as opportunities for change and growth.  

Several years ago readers were introduced to two rats, siblings, Louie and Ralphie Ratso.  In the book The Infamous Ratsos (Candlewick Press, August 2, 2016) written by Kara LaReau with illustrations by Matt Myers, the duo try to demonstrate how tough they are but words like nice, thoughtful, generous and helpful follow every dastardly deed they attempt.  This combination generates hilarity garnering the title a 2017 Theodor Seuss Geisel Honor Book award.  

A year later the brothers, their dad, Big Lou, and a cast of friends return in The Infamous Ratsos Are Not Afraid (Candlewick Press, September 12, 2017).  An incident at school and a huge neighborhood makeover bring the boys' fears into focus.  In this title, Big Lou offers advice which encourages Louie and Ralphie to face what makes them afraid.  We come to understand how the boys can learn from their father just as he learns from them.  The family dynamics are fabulous.  Each of the characters is evolving.  We find ourselves becoming more and more attached to them.

The third book in the series The Infamous Ratsos Project Fluffy (Candlewick Press, October 16, 2018) further cements the relationship between readers and Louie and Ralphie Ratso.  Popularity plays a role in altering priorities.  Being the older brother does not necessarily make you the smarter brother.  

ATTENTION, STUDENTS! Principal Otteriguez announces to the lunchroom.  "In honor of Poetry Month, Peter Rabbit Elementary will be holding its first annual Poetry Contest!"

Friends of Louie and Ralphie seem to have an opinion on this contest.  Chad Badgerton would rather eat, especially chocolate.  Fluffy only wants to work on designing, planting and growing fruits and vegetables in her plot at the community garden.  Eager Louie and not so eager Ralphie decide to work together.  The first prize would give both of them the chance to purchase coveted skateboards.

Immediately after school, plans change.  Popular Chuck Wood needs Louie's help.  (Louie is known as a great planner.)  The first thing Chuck asks is for Louie to work with him privately.  It's a secret.  Ralphie is not happy about this at all.  This is the beginning of Project Fluffy.

Clipboard in hand Louie decides to dedicate all his time to getting Fluffy to notice Chuck.  All thoughts of the Poetry Contest are gone, much to Ralphie's disgust.  Each Phase of the Project fails miserably supplying one humorous episode after the other.  These plans are having the opposite effect.

Finally a disgusted Chuck Wood stalks off leaving Louie friendless for more reasons than one.  On an evening before the Poetry Contest winner announcements, a family dinner provides food for thought and Louie's stomach.  Real friends . . . and brothers can astonish you.


The constant in the story lines in this series is the high quality of Kara LaReau's writing.  In this book ten short, succinct chapters usually revolve around a single incident designated by chapter headings such as SQUEEEEE!, OOPS or LOVE STINKS.  An adept blend of narrative and dialogue between the characters invites readers into the story.  Not only are we intrigued by the unfolding of the plot but we find ourselves respectfully appreciative of the character development.

The use of language is down-to-earth and appropriate for both the characters and readers.  Kara LaReau exhibits a keen knowledge of her audience.  Here are two passages.

"Not bad," Chuck says.  "But my name is Chuck, not Chucky."
"It's called poetic license," Louie informs him.  "Don't worry, Fluffy will love it.  Girls love mushy poetry.  It's, like, a fact." 
"She's better," Chuck says.  I can't take much more of this romance stuff."
"Me, neither," Ralphie grumbles.

"You're going to write a poem about Chuck?  You can't tell a boy you think he's cool," Chad informs Tiny, as he polishes off his second chocolate pudding. "Not if you're a boy."
"Why not?" asks Tiny.
"I don't know," says Chad.  "You just can't."
"I give you my dessert every day because I think you're cool," Tiny informs him.
"You do?" Chad says.  He hesitates . . . then pats Tiny on the back.  "Actually I think you're pretty cool, too."
"Thanks," says Tiny.
Chad takes another bite of pudding.
"Mmm," says Chad.  "Cool, and sweet . . . and chocolatey."
"Why do I think we're not talking about me anymore?" Tiny says.
"I like you a lot, Tiny," says Chad.
"But I love pudding."


From the front of the dust jacket (I'm working with an ARC.) it's clear to see Ralphie is not happy with an oblivious Louie.  We're not sure why but we most definitely want to know.  We are also curious about the individual talking with Fluffy.  Several important scenes take place in the featured park.  On the title page a large tree and grasses on the left cross the gutter to frame the text on the right.  Beneath the dedications a baseball and a strawberry provide a hint to one of the book's conclusions.

Full page and partial page pictures by Matt Myers rendered with ink and watercolor dye on paper supply extra, many times humorous details, to the story.  You need to pause at each illustration to appreciate all the particular elements.  Two of the many book titles Fluffy reads are Soil w/o Toil and The Hole-istic Garden.  When Matt Myers brings us close to the characters, their fully animated features endear us to them.  (I can hardly keep from laughing at Ralphies's oversized eyeglasses.) 

Of my many favorite illustrations one is of Fluffy in the cafeteria at lunch.  It is a partial page picture.  Her rabbit ears are bent on either side of her face.  She is earnestly drawing and writing in her notebook about her garden.  Books are stacked around her.  Her expression reflects her visions and dreams for her garden.  She, too, is wearing large eyeglasses.


From beginning to end The Infamous Ratsos Project Fluffy written by Kara LaReau with illustrations by Matt Myers is captivating and uplifting.  It's guaranteed this book will be read over and over by readers.  (I've read it three times already.)  We are entertained.  We are educated.  This book is a welcome addition to the series.  You will want it on your professional and personal book shelves.  

To discover more about Kara LaReau and Matt Myers, please visit their respective websites by following the links attached to their names.  Both Kara and Matt maintain accounts on Twitter.  Kara stops by Watch. Connect. Read., the site of Scholastic's Ambassador of School Libraries to chat with John Schumacher.  She tells us how many more books are left in this series and this is great news!  Kara is also interviewed at MG Book Village and Bookology.  At the publisher's website you can view an interior illustration, read a sample chapter and download a discussion guide.

Monday, January 15, 2018

The Uncanny Express Blog Tour-A Conversation with Kara LaReau

Images copyright Jen Hill
Happy Monday morning, Kara.  It’s an honor to have you making a stop here at Librarian’s Quest on your blog tour for The Uncanny Express, the second title in your The Unintentional Adventures of the Bland Sisters series.  It’s been absolutely bitter cold here in Michigan but on the bright side it’s a wonderful opportunity to get cozy wrapped in a blanket, sipping hot cider and leave the confines of a comfy chair through the pages of a book.  It’s been a distinct and happy pleasure to travel with the Bland Sisters, Jaundice and Kale, first with a band of swashbuckling pirates on The Jolly Regina and second with a group of passengers concealing their true identities aboard The Uncanny Express.

I was wondering if you could tell readers who have not read these two books a little bit about the title of the series.  Why are the adventures unintentional?  Why are the Bland Sisters bland?


Images copyright Jen Hill



A lot of it is just their nature — the Bland Sisters inherently shy away from any kind of excitement or emotional upheaval, but they’ve become even more set in their uninteresting ways since their parents left to run an errand of an unspecified nature. (They’ve been gone for some time now, but Jaundice and Kale don’t tend to think about it too much. They’re sure their parents will return any day now.) It becomes clearer in The Uncanny Express that their strict adherence to routine is one of the ways they cope with their parents’ absence. It’s the only control they have over their situation.

Of course, Bland Sisters want to stay in their comfort zone. So an adventure on a pirate ship, or even — gasp! — on a speeding train, is the last thing they want to experience. Or so they think.


Images copyright Jen Hill
In the beginning of each book two pages are dedicated to the cast of characters in each adventure.  As a high school senior and college student in the seventies, I laughed out loud at the name of one of the pirates, Captain Ann Tennille. Would you tell us about the process of naming your characters?


I’m glad you appreciated that one! Of course, most of the humor in the series is for kids, but I try to include a laugh or two for the adults who might be reading along with them.
I’ve always had a thing for names, perhaps because my own first and last names have given me so much trouble, especially when I was growing up; no one seemed to be able to spell or pronounce them correctly, perhaps because of all the vowels. (FYI, it’s KARE-uh la-ROW.) As a result, I make an extra effort to remember people’s names and how to pronounce them, and this has led to a focus on names in general. I’m particularly interested in words that almost sound like they could be first names — whenever I hear a good one I try to write it down. Most of the names in the Unintentional Adventures come from that running list, though if nothing on that list seems to fit, I try to think about the character’s personality and do my best to find a name that complements it. For instance, there’s a tweedy, wan, put-upon maid on the Uncanny Express, so of course her name is Vera Dreary — and then there’s the brilliant, not-terribly-humble detective, Hugo Fromage (which, for the uninitiated, is French for “big cheese.”) I’m sure you can tell I’ve had a LOT of fun with this!
Images copyright Jen Hill
Each chapter in The Uncanny Express starts with one of Tillie’s Tips and second with a message from Professor Magic’s Rules of Illusion. The tips and rules are really quite good. I particularly like this one:
The closest thing to feeling real magic is performing for people and helping them to experience the impossible.

Why did you decide to employ this technique?  

Images copyright Jen Hill
In the first book, The Jolly Regina, Kale brings along the Bland Sisters’ favorite (and only) reading material, their illustrated children’s dictionary, so the chapter heads in the story all feature dictionary definitions. That dictionary falls by the wayside — quite literally! — in the first book, but I really loved the way it worked and wanted to do something similar in The Uncanny Express. I thought it would be a nice way to show the Bland Sisters’ character development to have them toting around a pretty mundane book of housekeeping tips at the outset of the story, but venturing a bit outside of their literary comfort zone by the end. Also, just as each word defined in the chapter heads is a word used in that chapter in The Jolly Regina, the housekeeping tips and magical advice in the chapter heads of The Uncanny Express are always relevant to the action in each chapter. It’s an extra bit of fun for my readers, and it was a fun sort of challenge for me to work it all out.

As a fan of mystery and detective stories I couldn’t help but make the connect between the Bland Sisters’ trials and tribulations aboard this train and those experienced by characters in Agatha Christie’s Murder on the Orient Express.  Are you an Agatha Christie fan?  Do you have favorite mystery and detective titles or authors?

Oh, yes, I am a huuuuuge Christie fan, and a mystery fan in general. I grew up watching Masterpiece Mystery and started reading Agatha Christie from an early age. Just as The Jolly Regina takes place on a ship, I knew I wanted the second book to take place on a train, and since I’d already had so much fun with the tropes of classic pirate stories, I was eager to try my hand at a Christie parody/homage. Many of the mysteries I read now are all pretty adult — I love Gillian Flynn, Kate Atkinson, Tana French, and Ruth Ware, for instance. (Interestingly, all women. Hmm…) But I also recently read (and loved) Kristen Kittscher’s The Wig in the Window and The Tiara on the Terrace, I just finished The Peculiar Incident on Shady Street by Lindsay Currie, which was terrific, and I know Lauren Magaziner has a new choose-your-own-adventure-style mystery series called Case Closed launching this spring that I can’t wait to get my hands on.

Did you have to do any special research about magic and illusions prior to writing The Uncanny Express?  If so do you have a favorite resource?  (Students enjoy learning about magic and illusions.)

Images copyright Jen Hill

Yes, I always do tons of research. For The Uncanny Express, I read a great instructional book for kids called Big Magic for Little Hands by Joshua Jay. I also read a lot about the history of magic in books like Hiding the Elephant by Jim Steinmeyer, and I did online research on Adelaide Herrmann, the real-life Queen of Magic, on whom Magique in The Uncanny Express is based. (There is now an excellent picture book biography about her called Anything But Ordinary Addie by Mara Rockliff, illustrated by Iacopo Bruno.)
Images copyright Jen Hill

And of course, I read and re-read Murder on the Orient Express and other Hercule Poirot mysteries. In addition, I watched every episode of the Poirot mystery series and took copious notes, and I read David Suchet’s memoir about playing the great detective, called Poirot and Me (Suchet was committed to playing Poirot exactly as Christie wrote him, so I appreciated his insights).

The portions of the plot when Kale and Jaundice are dreaming add tension and intrigue to the story.  When and why did you decide to include these in The Uncanny Express?

I tend to have very vivid dreams, so I’ve always been interested in dreaming and how our subconscious takes over while we’re sleeping. Jaundice and Kale are so reticent in their waking life, but there’s quite a bit bubbling beneath the surface. It seemed right that their dreams would be pretty telling. Also, dreams continue to play a part in the third book in the series, though I don’t want to give too much more away!

As a writer you have a gift in bringing the characters to life using somewhat quirky traits.  Are the characters fully developed before the plot begins or do their personalities grow as the story progresses when you are writing?

Images copyright Jen Hill
I create character profiles before I start writing, especially for this series, where there are so many characters in each story, and I really need to feel like I have some semblance of control. But they still end up surprising me! For instance, Countess Goudenoff didn’t have a dog at first, but the line “The tea spilled, all over my Chrysanthemum” came to me, and I realized, of course she would have a yappy little lap dog, and of course it would be named Chrysanthemum! Those moments when the story takes on a life of its own are so exciting.

As I was reading both The Jolly Regina and The Uncanny Express I found myself placing sticky notes at bits of life wisdom you weave into the stories.  The final sentence in the first book makes reference to a letter.  Is this why you have the sisters’ parents communicating with them through letters?

Well, given the distance between them, their parents can only communicate with them through letters (at this point, at least). Though all that might change, sooner rather than later!
Although these stories are totally absurd, it’s important that they also have some kind of emotional resonance so the reader can feel invested. Just as the Bland Sisters are learning (however slowly and obliviously!) from their experiences, I hope my audience might be taking something away from the stories, too.

Continuing with this train of thought I enjoyed what Magique says to the Bland Sisters:

I told you that the mind is our most powerful tool.  And that if we use it often and well, it will tell us many things and show us many secrets. . . .”

In addition to the adventure, action, magic and mystery what else do you hope readers will take away from reading about the Bland Sisters and The Uncanny Express?

Among other things, Magique and Hugo Fromage encourage the Bland Sisters to be present and observant, and how important it is to go through life with your eyes and ears open. That piece of advice is also extremely relevant to me as a writer. In that way, I’m a bit of a magician and detective, too!

I think I’ll end with twelve questions.  I know the Bland Sisters would appreciate the fact the number is divisible by three.  I wish you safe travels as you continue your journey on this tour.  I can hardly wait to step into another exciting episode in the lives of these two girls.

Thank you so much — your questions were so thoughtful, and so much fun to consider and answer!


Kara LaReau was born and raised in Connecticut. She received her Masters in Fine Arts in Writing, Literature, and Publishing from Emerson College in Boston, Massachusetts and later worked as an editor at Candlewick Press and at Scholastic Press. She is the author of picture books such as UGLY FISH, illustrated by Scott Magoon, and NO SLURPING, NO BURPING! A Tale of Table Manners, illustrated by Lorelay Bove; an award-winning chapter book series called The Infamous Ratsos, illustrated by Matt Myers; and a middle-grade trilogy called The Unintentional Adventures of the Bland Sisters, illustrated by Jen Hill. Kara lives in Providence, Rhode Island with her husband and son and their cat.






THE UNCANNY EXPRESS
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