Quote of the Month

When love and skill work together, expect a miracle. John Ruskin




Showing posts with label Walruses-Fiction. Show all posts
Showing posts with label Walruses-Fiction. Show all posts

Wednesday, October 7, 2015

Hidden In View

As the sun sets on a summer afternoon filled with freedom or on one of those final warm days in autumn, a chill seeping into the air, neighborhood guys and gals gather for a rousing game of hide-and-seek.  Each player searches to find the perfect spot out of sight or blending in with their surroundings and standing as still as stone.  Excitement swirls around the participants, each thrilling at their ability to elude the one hoping to find them.

The enjoyment in this ability to evade discovery is heightened when shared.  In Where's Walrus? (Scholastic Press, February 1, 2011) Stephen Savage introduced readers to a quick-witted walrus and a frustrated zookeeper.  Those two have returned in a companion title, Where's Walrus? And Penguin? (Scholastic Press, August 25, 2015).  This time Walrus has a willing partner in Penguin.  The laughter doubles as these two boldly blend in wherever they go.

If you remember the first story involves a swimming event and the zookeeper's kindness toward Walrus's fondness for diving.  On the title page, executing a perfect swan dive into his pool, Walrus is silently observed by a penguin.  Next Walrus knowingly looks right at the reader.

With rain steadily falling, the zookeeper holds open the gate for patrons and those with children, umbrellas overhead keeping them dry.  As they file out, Walrus and Penguin join them at the end of the line.  A shocked zookeeper scurries to find them, first checking the subway.  Those two clever creatures mirror other occupants.  Readers will burst out in giggles.

A newsstand on the street, a pigeon-feeding bench in the park, a crew team gliding on the river, a busy street in the city center, a night at the opera and a baseball game provide fun and entertainment for the escapees.  These places also act as the ultimate venues for disguises.  Walrus tends to favor a variety of hats.  Penguin usually uses his natural physical attributes.

After a fly ball has Walrus zigging and zagging on the field the game is over for the tricky twosome.  The trio, Walrus, Penguin and the determined zookeeper, find themselves in a location where hiding is not an option.  Love, as they say, will find a way.


Opening the dust jacket, the design on the front is reversed on the back to reveal the zookeeper, net at rest, standing in front of the newsstand, wondering how Walrus and Penguin could have disappeared so quickly.  They are, in fact, in plain sight which begins the first of numerous hilarious episodes.  Exhibiting his first-rate design skills Stephen Savage blends his name and the ISBN into the cityscape.  The primary and secondary colors pop when combined with the gray, black and white.  (As he did in the first title, Savage adds just the right amount of shades of pink exactly where and when they are needed.)

Having Walrus, in a close-up, stare at us, his mouth forming a grin with its natural shape, on the verso and first page, Savage asks us to join the adventure.  A single drop of rain on Walrus's flipper starts the story.  You know even before you turn the page, Walrus has a plan.

In each of the two-page images, drawn and created digitally, readers pause for several reasons. We are looking first and foremost, as is the zookeeper, for Walrus and Penguin.  The exquisite layout and design using geometric shapes and simple but expressive lines hold our attention in appreciation.

One of my favorite illustrations of several is the busy city street.  In front of buildings filled with windows, among the cars and trucks, are three limousines.  Moving to the left of the page is one with Penguin as the chauffeur and Walrus, sporting a top hot, riding in the rear seat.  In the foreground is a yellow taxi cab heading to the right.  The zookeeper looks out the window at us, almost as if he knows we know where those two rascals truly are.


As well-created as the first title, Where's Walrus? And Penguin? written without words and illustrated by Stephen Savage is a fine and playful achievement.  It's a brilliant example of less is more. I can't help but wonder (and hope) if we will see these characters in another lively romp away from the zoo.

To discover more about Stephen Savage and his work please visit his website by following the link attached to his name.  If you haven't read his interview by author, reviewer and blogger, Julie Danielson at Seven Impossible Things Before Breakfast, make sure you stop there now.
Enjoy the book trailer.



Here's Stephen Savage reading this title out loud at KitLit TV.



Update:  March 9, 2016 Stephen Savage appears again on KidLit TV talking about this title and several of his earlier books.

Monday, January 16, 2012

He Was Here A Minute Ago...

It is hard to put into words the power of a wordless picture book that is done well.  It uniquely transports readers into the realm of their own imaginations; where their creativity can match or exceed those of the author/illustrator. In his Caldecott Award acceptance speech for Tuesday, David Wiesner states:

A wordless book offers a different kind of an experience from one with text, for both the author and the reader. There is no author’s voice telling the story. Each viewer reads the book in his or her own way. The reader is an integral part of the storytelling process.

Stephen Savage, illustrator of Polar Bear Night, 2004 (a New York Times Best Illustrated Children's Book), by Lauren Thompson and of the Margaret Wise Brown title, The Fathers Are Coming Home, 2010, has authored and illustrated a new book, Where's Walrus?, which was released in February of 2011.  Without words readers are privy to the escapades of a walrus that flees the confines of his tank in the zoo.  At every turn of the page mirth greets the eyes; smiles and laughter will quickly follow.


A turquoise and white diamond motif picturing scenes from the story line are featured on the front and back endpapers.  The title page sets the stage with Walrus peacefully sleeping in the center of his tank within the gates of the zoo, the title across the tank in white block letters.  When turning to the dedication page the head of Walrus is pictured and extends across two pages winking; in that moment readers get a hint of what is to come.

As the tale begins four zoo animals, the elephant, lion, bear and peacock, as well as the zookeeper are napping but walrus, eyes shifted to the zookeeper, is not and the open gates are a tantalizing invitation.  As Walrus makes for the entrance and the fountain in the distance, the zookeeper is shocked into wakefulness.  From that fountain, to a diner, a store window exhibit, to a bricklaying construction site, a fire brigade, to dancers on stage, painters in a park and finally to a swimming competition, the walrus evades the vigilant efforts of his pursuer. 

By donning a variety of headgear and assuming the appropriate pose Walrus blends into the surrounding views no matter the closeness of the zookeeper.  As Walrus takes the winning dive his cap falls off, disclosing his true identity to the surprised onlookers.  To dissuade any future adventures the zookeeper hatches a plan that brings cheer to Walrus and his admirers.

Done on Adobe Illustrator Savage generously uses white space accentuating the crispness of his images.  For the most part bold primary colors delineate the action but Savage is not afraid to break that trend as in the case of the pink buildings behind the fountain.  From the open cover which portrays Walrus and the zookeeper at opposite ends of a diner counter, the comedy is found in the two's nearness; so close but so far away.  Then too, Savage does enhance that humor, as in having Walrus in the park masquerading as a artist painting a portrait of none other than the zookeeper.

Engaging, highlighting the wit of Walrus's ability at camouflage and the puzzled zookeeper in hot pursuit, readers of any age will laugh loud and long at the genius employed by author/illustrator Stephen Savage in his book, Where's Walrus?