Giants In Size And Heart

On our planet, there is no larger land mammal.  It is said their ears are shaped like the continent on which they reside.  With their many-muscled (tens of thousands) trunks, they can lift hundreds of pounds.  Their leader is usually the oldest female; generations of knowledge passed from elder to elder in herds together for lifetimes.  Their ability to communicate with miles separating them is astounding.  Elephants, African elephants, are remarkable individuals.

One of their single greatest foes is humans.  One of their fiercest protectors is other humans.  The Elephants Come Home: A True Story of Seven Elephants, Two People, and One Extraordinary Friendship (Chronicle Books, May 18, 2021) written by Kim Tomsic with illustrations by Hadley Hooper is a tale of the interconnectedness of all living beings on our planet.  It spotlights remembered kindness and deep affection.

This is Lawrence.

He loves animals.

This is Francoise.

She loves Lawrence.

This is Max.

Together the trio live at Thula Thula.  There they have 

a farmhouse, a garden, a swimming pool, and 11,000 acres of African bush, savanna, and forest.

The fenced-in area creates a refuge to an assortment of African animals. Hunting is strictly forbidden providing a peaceful existence for the inhabitants.  Lawrence, Francoise, and Max dwell in consideration for all species residing there.

One day, a telephone call changes and challenges the way of life for Lawrence, Francoise, and Max.  A woman asks Lawrence to house seven unhappy elephants at Thula Thula.  If they cannot find sanctuary there, they will be shot.  Lawrence loves animals.  He replies in the affirmative.  A boma with fencing is fashioned for them until they get acclimated.

After their arrival by trailer to Thula Thula, some observers believe the elephants are trouble.  Lawrence believes they are nervous.  That first night, they destroy the fencing and escape.  Again, others believe they are trouble, even after they head to their new home.  Lawrence disagrees.  He promises their leader, Nana, he will stay with them day and night until they feel comfortable.  And he does.  He sings to them.  He tells them stories.  The elephants shift their sadness into happiness.

Surprisingly enough, Nana reaches through the fence one day and touches Lawrence's stomach with her trunk.  A bond is forged.  The elephants are released into the whole of Thula Thula, and Lawrence and Max go back to the farmhouse.  The seven visit the farmhouse, the garden, the swimming pool, and astonishingly enough greet Lawrence when he returns home from trips.  How do they know?

Years pass.  The rhythms at Thula Thula are wonderfully similar.  The elephants tend to now roam on the far edges of Thula Thula.  Some years they visit.  One day an overwhelming sadness descends on Francoise and Max.  Lawrence is gone forever.  The elephants know.  Their response to this knowing is an expression of great love.  

As you read the words written by Kim Tomsic, your world fades away.  You are in Africa.  You are at Thula Thula with Lawrence, Francoise, Max and the elephants.

With introductory, explanatory sentences we meet the people and animals living at Thula Thula.  This cadence established with specific words is repeated after the central portion of the story, the arrival of the elephants and their deepening relationship with Lawrence, Francoise, and Max.  This "bookending" gives readers a true sense of the elephants' acceptance of Thula Thula as their home. It also serves to widen the definition of home as not only a place but as people.  Readers are drawn more completely into the narrative by distinct details and dialogue.  Here is a passage.

Soon the elephants' cranky

behavior changes to

ear flopping, head

waggling, and trumpeting.

"What does it mean?"

Francoise asks.

"They're HAPPY," Lawrence says.

The scene on the open and matching dust jacket and book case, not only allows us to meet Lawrence and the elephants, but we are given a preview of the marvelous artwork and color palette used throughout this book.  In many of the illustrations, the hues of red and orange indicate the African habitats and climate.  On the front Lawrence is walking and chatting with Nana.  Across and left of the spine the landscape continues.  The additional six elephants are featured walking behind and along with Lawrence and Nana.

In lush shades of orange and red with details etched in black, the opening and closing endpapers present two different scenes along a river.  The trees and birds on the shore are reflected in the water like a watercolor wash.  In both sets of endpapers, another single bird appears in the water.  

These illustrations by Hadley Hooper were rendered 

using watercolor, ink, printmaking, and then finished in Photoshop.

There are dramatic double-page pictures, panoramic and bird's eye points of view, full-page images bringing us closer to the activities, horizontal panels of three on two pages, mixed panel sizes to depict things happening at the same time, and a group of three on one page to portray multiple circumstances.  Readers will pause at every page turn to enjoy all the details.  

Color choices throughout this book denote time of day and emotional moods of the story.  The dark greens and black inside the trailer with the elephants convey their curiosity and unease.  The gray, brown, black, and white used in the scene where the elephants break out of the boma fence at night is full of outrage and freedom.  More of the red and orange warmth comes into the pictures along with natural tones as the elephants decide Thula Thula is home.

One of my many, many favorite pictures is a single-page image.  It is for the words above noted.  It is a single setting but divided by what Lawrence is doing on the top half and what the elephants are doing on the bottom half.  It is night.  A crescent moon hangs in the upper right-hand corner above a tree-filled landscape.  A night bird sits on a branch on the left-side.  Under the light of a lantern, seated on a rock, Lawrence reads aloud from a book.  The elephants rest in a group, a few raise their trunks in happiness, and others snack.

As the words and artwork are given to readers, page by page, each one finds themselves entirely absorbed by this tale of wondrous creatures.  The Elephants Come Home: A True Story of Seven Elephants, Two People, and One Extraordinary Friendship written by Kim Tomsic with illustrations by Hadley Hooper will find a permanent place in your hearts.  You can pair this title with Elephants Walk Together, How To Be An Elephant, The Elephant, If Elephants Disappeared and She Leads: The Elephant Matriarch for a fantastic story time or themed unit.  I highly recommend this book for your professional and personal collections.

To learn more about Kim Tomsic and Hadley Hooper and their other work, please follow the link attached to their names to access their websites.  There are interior images from this book at Hadley Hooper's site.  Kim Tomsic has accounts on Facebook, Instagram, Pinterest, and Twitter.  Hadley Hooper has accounts on Instagram, Pinterest, and Twitter.  Here is the link to the publisher's website.

Searching For Sound

There are those clever and inventive few who can take apart any kind of gadget and put it back together with no extra parts.  They are also able to take bits and pieces from a collection of devices no longer working and make something else entirely new.  The most wondrous thing of all is this innovative contraption works like a dream; doing exactly what they designed it to do.

When individuals like this have the added gift for making melodious sounds, something special is added to the world.  Guitar Genius: How Les Paul Engineered The Solid-Body Electric Guitar And Rocked The World (Chronicle Books, April 9, 2019) written by Kim Tomsic with illustrations by Brett Helquist recounts the life of a man who genuinely enhanced the field of music, specifically guitar music.  At an early age his talent for making something out of nothing was apparent.

In a three-story schoolhouse near the Fox River in Waukesha, Wisconsin, children scrambled into the music room.

One student in particular, Les, loved making sounds on all the instruments even though he couldn't read a line of music.  One day after school, his music teacher, pinned a note for his mother on his shirt.  His mother ripped it up, telling Lester he could do anything he believed he could do.  (The teacher said he would never be musical.)

First Lester built his own crystal set when he saw the one built by a neighborhood friend.  Then he saved money from his paper route and bought his first guitar.  He learned to play through practicing and practicing and practicing.  He was so good; he was invited to play on a radio show.  His next invention was to build a recording lathe.  By listening to his recordings, he could make necessary improvements.

Every time Lester wanted his music to be better, he built something to make this happen.  Using a hanger he crafted a gizmo so he could play both sides of his harmonica while playing his guitar.  He figured out how to make sure those in the back of a crowd could hear him as well as those in the front.  His next innovation would be one of his best.

At seventeen he started road travel as Rhubarb Red.  By the time he was in his early twenties he formed a band called the Les Paul Trio.  By twenty-four he performed at the White House for President Franklin D. Roosevelt.  It was now time to put into action an idea he's tossed and turned around in his mind for a lot of years.

With the help of a night watchman at the Epiphone guitar factory Les Paul built his dream.  He had to make modifications, but it was the sound he wanted.  So did his audiences.  This man never stopped crafting those things which made music better.  (Even in the year of his death (2009) at the age of ninety-four, he still received an honor; one of many during his lifetime.)


The meticulous research this author, Kim Tomsic, did is evident in the personal elements included in the narrative.  Her word choices are a reflection of sounds and rhythms.  Dialogue is placed within the body of the book; making us feel as though we are walking side-by-side with Les Paul.  Kim Tomsic also uses terms common to the historic period by having Les Paul say hot dog when he is thrilled with an accomplishment.  Here are two passages.

He scrutinized the family's newfangled gizmos, tinkering in his mother's living room and his father's garage.  And then he took everything apart---things like the phonograph, the player piano, the telephone, and the radio.
"Ma," his big brother hollered.  "The kid's at it again!"
"Leave him alone, Ralph," his mother said.  "He's just trying to learn." 

It worked!  Harmonica sounds floated from one radio speaker---bazzooie-buzzlebahhh.  Guitar strumming amplified from the other radio speaker---strum-twang, strum twaaaaang. EVERYONE could hear.  It was a smashing success!  Almost.  The problem was it wasn't just strings vibrating---the hollow space in the middle of the guitar vibrated, too, making the speaker echo and screeeeeeeeeech.


One of the first things you notice about the open and matching dust jacket and book case is the color palette.  It has a kind of retro aspect to it.  Every element complements another element.  I like the word stereo along the top framed by arrows as if this is a record album.  Arrows frame the word Guitar Genius on the spine, too.  Notice on the front how the pieces of the guitar are separated.  Artist Brett Helquist does this frequently within the book, clearly showing us how Les Paul put his inventions together.  (Sometimes the parts are labeled.)

To the left, on the back, the same teal covers the canvas.  Within yellow circles we see Les Paul at work on one of his creations.  Certain items in the images break the borders.  The yellow on the jacket and case is used for the opening and closing endpapers.

Rendered in oil paint on watercolor paper the illustrations span full pages, double pages and sometimes are smaller and circular on white space.  The technique Brett Helquist uses for the guitar sounds is a series of circles set in other colored circles.  For the music from Les Paul's harmonica lovely-hued waves are presented.

The facial features on the people are signature Brett Helquist work with distinguishing eyes, noses and mouths.  They are lively.  Readers will enjoy observing the clothing, architecture, inside and outside, in keeping with the historic settings.

One of my many favorite illustrations is on a single page.  Les Paul has just figured out how he can play both sides of his harmonica and his guitar at the same time.  He is wearing the device for his harmonica.  The harmonica rests in his mouth.  He is strumming his guitar with one hand as he moves the other on the frets.  His eyes are closed in concentration and pure bliss.  Beautiful circles and waves of color burst forth from the guitar and harmonica.


Guitar Genius: How Les Paul Engineered The Solid-Body Electric Guitar And Rocked The World written by Kim Tomsic with illustrations by Brett Helquist is informative, entertaining and will have you wishing you played guitar.  This man's achievements truly did rock the world of music.  Kim Tomsic has a three-page author's note at the end along with a list of works cited.  You will want to have this in your professional and personal collections especially for those with an appreciation for music and who love all aspects of music. 

To learn more about Kim Tomsic and Brett Helquist and their other work, please follow the links attached to their names to access their websites.  Kim Tomsic has accounts on Instagram, Pinterest, and Twitter.  Brett Helquist has accounts on Instagram and Twitter.  Here is a link to The Les Paul Foundation and their take on this title.


Be sure to visit Kid Lit Frenzy hosted by educator Alyson Beecher to enjoy the titles selected this week by others participating in the 2019 Nonfiction Picture Book Challenge.