Quote of the Month

When love and skill work together, expect a miracle. John Ruskin




Showing posts with label Islands-Fiction. Show all posts
Showing posts with label Islands-Fiction. Show all posts

Tuesday, August 9, 2022

More Than One Way . . .

Decades ago, more than truckers had CB radios in their vehicles.  This was a time before mobile or cell phones.  CB radios provided a sense of security in case of an emergency. (My handle was Book Mama.)  The conversations between truckers were entertaining and informative.  They would often alert drivers of traffic congestion and alternate routes to follow.  Truckers would honk their horns when it was safe to pass and flash their lights when it was good to move back into a lane.  Travelers got the sense they were a part of a highway group who would look out for each other.

Truckers haul goods within a neighborhood, a state, or from one side of the country to another.  They are essential connectors.  In Big Truck Little Island (Candlewick Press, May 3, 2022) written and illustrated by Chris Van Dusen, a truck becomes the focus of an unexpected complication.  It is children who propose the obvious.

Out on the ocean, one bright summer day,
bound for an island, still five miles away,
a tugboat was towing a truck on a barge---
a truck that was hauling a load, extra large.

The load on the truck was covered, hidden from sight.  After the barge docked on one side of the island, the truck needed to reach the opposite side, an eastern meadow, by traversing a narrow winding road.  Progress was slow, the load weighed twenty plus tons.

The driver was at the beginning of his route when a switchback threw him a curve.  The twenty-plus-ton load shifted and the trailer was no longer under his control.  As luck would have it, the trailer stuck fast in the mud, but now the road was blocked.

Soon four cars, two from the north and two from the south, wanted to pass.  Meg, Barry, Pete, and Sue had things to do.  Parents with patience waning waited.  Meg, Barry, Pete, and Sue left their vehicles and gathered.  They devised a perfect plan.  

As friends and neighbors, they knew what to do.  So, a swim meet, ballet practice, science project, and dog wash were attended on time.  What happened to the truck, you ask?  Like the barge brought it to the island, a wrecker pulled it clear.  That night, the load on the truck's trailer was disclosed to the islanders.  It was a marvelous sight.


Whether read silently or aloud, the words penned by Chris Van Dusen create a lively, inviting cadence.  His rhyming couplets freely flow, forming a tale of cleverness and community.  His definitive word choices take us to a memorable place and time.  Here is a passage.

The trailer was tipping, everything slipping!
The wheels in the way back were no longer gripping!
They skidded and slid off the road and then---


Rendered in gouache, the full color artwork by Chris Van Dusen we see first on the open and matching dust jacket and book case gives us on the front, right side, the dilemma the truck driver and neighbors face.  To the left of the spine, on the back, on a cornflower blue background is an oval image.  On the white canvas, Barry, Meg, Pete, and Sue are assessing the situation and discussing a solution.  The title text on the jacket is varnished.

The pale yellow in the sky on the front of the jacket and case and in the title text is used for the opening and closing endpapers.  A luminescent image precedes the title page.  A blazing sun in a yellow sky fashions a shimmering path on the waterway.  In the distance along the horizon, the tugboat is pulling the truck and trailer on the barge.  With a page turn a double-page picture spreads between the verso and title pages.  We have moved up close to the tug, barge, truck and trailer.  On the far right we can see the island coming into view.  Dolphins dive on the right side of the vehicles as if to guide them.  Seagulls act as guardians.

Chris Van Dusen alternates between double-page images, full-page visuals, and smaller illustrations set in white space.  His representations of the four children waiting in their cars with visions of where they must be are fabulous.  They are set against the rocky walls rising on the side of the road.

His perspectives are stunning, offering us a gorgeous bird's eye view of the island and then we find ourselves feeling as though we are a passenger in the truck when the load shifts, dragging it over the edge of the road.  We experience the shock of the driver, the driver with a MOM tattoo on his arm.  His canine companion looks at the back, equally shocked by the sound.

The hues in his illustrations are breathtaking in their realism.  Near photographic details bring us deeply into the narrative.  Wildlife is present as is island flora like lupines.  The facial expressions on all the characters supply us with a clear understanding of their emotions. 

One of my many favorite illustrations is of Sue, her sheepdog Bunk and her Mom stopped by the truck crossing the road.  Sue is imaging Bunk at the dog wash.  He had a meeting with a skunk.  Sue's mom has a clothespin on her nose.  Sue is plugging her nose with her fingers as Bunk squeezes through the open window next to her.  Bunk is happy as the proverbial clam.


This book, Big Truck Little Island written and illustrated by Chris Van Dusen, is based on a real event.  An author's note describes the incident.  If you are seeking a story about community and cooperation, this title is a brilliant choice.  Readers will gasp at the last double-page image.  I highly recommend this title for both your personal and professional collections.

To learn more about Chris Van Dusen and his other work, please follow the link attached to his name to access his website.  You will enjoy the informative Q &A section.  Chris Van Dusen has accounts on Facebook and Instagram.  At the publisher's website, you can download an activity kit and a teacher's guide.  At Penguin Random House, you can view interior illustrations.

Monday, May 16, 2016

Survival Of The Most Intelligent

When a plan is in place, preparations are made to support it.  Every action taken focuses on the goal.  We all know though, plans, preparations and actions combined do not always equal the desired result.  Mother Nature has a way of throwing the proverbial monkey wrench into the mix.

Rain cancels picnic feasts, blizzards cancel a day on the slopes and too much sun cancels a hockey match on the neighborhood pond.  In his debut middle-grade book Peter Brown (Mr. Tiger Goes Wild, My Teacher Is A Monster!: (No, I Am Not.)) begins with weather on the rampage.  The Wild Robot (Little, Brown and Company, April 5, 2016) is first a story of survival but each chapter broadens and deepens the very definition of the word.

Our story begins on the ocean, with wind and rain and thunder and lightning and waves.  A hurricane roared and raged through the night.  And in the middle of the chaos, a cargo ship was sinking.

Aboard this ship was a load of crates; each filled with a single robot.  In the morning the only sign of the ship was five floating crates which traveled until a small rocky island was in sight.  Only one was lifted by waves undamaged to a safe position on the shore.

Poking about the robot wreckage in the early light of the day was a group of sea otters.  They were unable to resist the shininess of the body parts and the damaged but intact crate.  In their eagerness to grasp the spongy protective layer inside the crate, one of them brought the enclosed machine to life.  And this began a tale like none other.

ROZZUM unit 7134, Roz, adapted as she was programmed to do. Her desire to survive first finally had her blending in as part of the flora, allowing her to learn from the animal inhabitants on the island.  At one of their Dawn Truce meetings she presented herself but the animals wanted nothing to do with her.  Not a one of them wanted to help or teach her.

A fox in need, an opossum with first-class acting skills and an orphaned gosling started to shift the animals' assessment of this uninvited resident.  In her endeavors to care for Brightbill, a name given to the gosling by the elderly goose, Loudwing, Roz made connections with the beaver and deer families.  Skills were traded with everyone a winner.  As the spring passed into summer Roz was assimilating more into the animal culture on the island as Brightbill adeptly, with his Mama's help, increased his goose swimming and flying abilities.

As autumn approached an unprovoked attack left Roz a little less herself.  Winter brought frightening challenges but the arrival of spring was celebrated until terror visited the island.  Edge-of-your-seat tension continued chapter after chapter as heroes were born.  As long as there was hope change for the greater good would be accepted.


As soon as chapter one is read, readers know this is going to be an extraordinary book.  The narrator, when speaking, directly addresses the readers personally involving us in this story.  We are privy through Roz's thoughts and the animals' observations and all the conversations, how this robot becomes not only a part of the community but vital to the survival of many members on the island.  Peter Brown through the character of Roz also directs our attention to respect for the natural world, how each species are integral, environmental concerns and the place and purpose of technology.

The technique of short chapters replicates real life; our day is composed of many linked moments.  Each one ends with a carefully crafted sentence, sometimes a statement of fact, but they encourage us to continue.  Vivid descriptions of the island help us to create pictures of the landscape in our minds.  We come to understand how the animal inhabitants live, die and survive.  The relationship between Roz and Brightbill evolves into a heartwarming bond; a beautiful blend of logic and love.  Here are some sample passages.

Animal sounds filled the forest.  Chirps and wingbeats and rustlings in the underbrush.  And then, from the sea cliffs, there came new sounds.  Heavy, crunching footsteps.  The forest animals fell silent, and from their hiding places they watched as a sparkling monster stomped past.

When Roz first stomped across the island, the animal squawks and growls and chirps had sounded like nothing more than meaningless noises.  But she no longer heard animal noises.  Now she heard animal words.  

"Have you done any acting?" asked the opossum.
"I have not," said the robot.
"Well, you should!  You might enjoy it.  You can start by imagining the character you'd like to be.  How do they move and speak?  What are their hopes and fears?  How do others react to them?  Only when you truly understand a character can you become that character..."

"Should I stop calling you Mama?" said the gosling.
"I will still act like your mother, no matter what you call me," said the robot.
"I think I'll keep calling you Mama."
"I think I will keep calling you son."
"We're a strange family," said Brightbill, with a little smile. "But I kind of like it that way."
"Me too," said Roz. 

Throughout the book Peter Brown has drawn images in black and white.  Their size varies according to the passage, point in the story, they enhance.  Each one evokes an emotional response in the reader.

 One of my many favorite illustrations is inside the Nest.  There is no fire going at this moment.  Roz and Brightbill are facing each other.  Brightbill has just pressed the button.  The expressions on their faces speak volumes.


The Wild Robot written and illustrated by Peter Brown is a memorable, moving tale of survival, community and family.  Whether read silently and individually or as a read aloud, this book will be counted as a favorite of readers for this year and as a cherished title for many, many years to come.  No collection, professional or personal, should be without a copy.  Thank you, Peter Brown.

To learn more about Peter Brown and his other work, please visit his website by following the link embedded in his name.  The second of the two links takes you to the page describing the journey this book made until its publication.  To read an excerpt please stop by the publisher's website.  Peter Brown is interviewed at Publishers Weekly and at the Barnes & Noble BNKIDS blog.  Peter Brown is also a guest at All The Wonders, Let's Get Busy, Episode 247 with teacher librarian Matthew Winner.  You might want to listen to one of the chapters read aloud by following a link in one of the tweets.











Tuesday, September 23, 2014

Ghostly Guides And Gifts

Many a time growing up I waited with my mother for my father to arrive.  He would have been called away from his job in a small town near our small town.  My mother needed his key.  We had been locked out of our house or our car.  This unwelcome ability has to be genetic.

I've lost count of the number of times I have had to jimmy a window, crawling through tiny openings and dropping down unsafe distances, card doorways and become best friends with the local locksmith.  Locks and keys are my downfall.  My new best friends are deadbolt keypad locks.  Never are keys as important as when they are lost or fail to work properly.

The word key, besides its obvious function, can be defined as instrumental or pivotal in a variety of situations; the legend on a map, the way to recognize or categorize items, or decode a language or series of symbols.  In Edith Cohn's debut novel, Spirit's Key (Farrar Straus Giroux), the value of household keys is crucial to the survival of many.  There is more to unlock in this story than doors though; superstition, magic and mystery wrap themselves around Bald Island like natural elements.

When I get home from school, every cabinet in the kitchen has been thrown open.  There's a mess in the living room, too.

Twelve-year-old Spirit Holden's father has been going through the stacks of boxes, floor to ceiling, in every room of their home.  He believes in being overly-prepared for every possible situation which may or may not occur on their island.  His gift, being able to see someone's future by holding the key to their house, has lately been in need of assistance or what he calls, mumbo jumbo.  A neighbor is due to arrive soon and he decides to use candles to create the appropriate atmosphere.

On this day many thoughts swirl around in Spirit's mind, her father's waning talent, the late arrival of her own abilities (generations of Holden's have been able to predict the future) and the absence of her dog, Sky.  It's been fourteen days since Sky's death and the sorrow weighs heavily on her heart.  Six years ago, when she and her father came to the island, Sky, an island dog, a baldie, was found ill beneath their house.  After nursing him back to health, none of the islanders accepted him or understood, as Spirit did, his gentle nature.  Island legends told for centuries named the wild dogs as evil spirits.

Now another baldie has been found dead near their neighbor's home, away from the forest where they normally live.  Even stranger is the unexplained illness of the man who found the dead baldie.  As more people become sick and additional baldies are found dead, Spirit feels compelled to discover the truth before decisions based upon superstition and lack of knowledge endanger the entire population.  She will not be alone in her search; Sky is back.


Edith Cohn certainly knows how to create a page-turner.  The descriptions of the physical setting reflect her childhood adventures on the Outer Banks of North Carolina.  Unexplained packages and notes, the uncanny appearance of a bald eagle plus the power of Sky's grave site introduce marvelous moments of magic. Quirky characters with unusual names, whose thoughts, conversations and actions captivate, create a unique, memorable narrative.  Some you will love, others you will grow to understand and a few are the kinds to be avoided.

Cohn propels the storyline forward with multiple (thirty) short chapters.  Each ends with a moment which carries into the next seamlessly.  This is why many, if not most, readers will find themselves reading this in a single sitting, even if it means staying up far into the early hours of the morning.  Here are some sample passages taken from the book.

Dad takes a sip of coffee, then picks up Mr. Selnick's key again.  He closes his eyes and begins to rock.  Back and forth.  Back and forth.  Then he shakes like he's cold, shivering until he jumps up and drops the key on the table like it burned him.
"There's danger ahead."
"Dag-nab-it! I knew that baldie paws up in my yard was an omen." Mr. Selnick shakes his finger at the air.  "I told my wife: The devil's after us."
"Get Jolie and the kids.  Pack your bags."
"What?" Mr. Selnick looks dumbfounded.
Dad walks to the door.  "You have to leave the island."  He stares hard at Mr. Selnick. "Tonight."

" 'Course, child.  Don't you believe in miracles?"
I dreamed Sky came back from the dead.  It seemed like a miracle.  "I believe in dreams."
"Wonderful! A dream and a miracle are sisters-practically twins. ..."


As I read through Spirit's Key written by Edith Cohn, like a desert survivor finally finding a cool drink of water, I could not help but think how many guys and gals are going to love this book.  It has heart-stopping action, suspense, and just enough fantasy.  The pacing is pure perfection.  The relationships between family members and neighbors provide individual food for thought and the opportunity for great discussions in the classroom, book groups and for families using this as a daily read aloud.  I advise you to give it a place on your professional and personal bookshelves.  Oh...and you might want to have more than one copy on hand.

To discover more about Edith Cohn and the writing of this book please follow the link embedded in her name.  There is so much to read on her website and blog.  This link to the publisher's website provides you the first chapter to read.  Here is a link to the Let's Get Busy podcast hosted by Matthew C. Winner, elementary teacher librarian, where he chats with Edith Cohn about this book.