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When love and skill work together, expect a miracle. John Ruskin




Showing posts with label Cynthia Rylant. Show all posts
Showing posts with label Cynthia Rylant. Show all posts

Friday, November 26, 2021

Grateful

Yesterday in the United States a national holiday was observed, Thanksgiving.  There are other countries who honor a similar day by the same name, but sometimes on different dates.  Many cultures commemorate gratitude for a fruitful harvest, a change in the seasons, or encountered annual blessings.  Most of these traditions are shared with families, friends, or community members.

It is said an attitude of gratitude cultivated every day of the year is highly beneficial for individuals and those in contact with those individuals.  Two publications released on the same day highlight the art of being grateful.  We Give Thanks (Beach Lane Books, an imprint of Simon & Schuster Children's Publishing Division, September 7, 2021) written by Cynthia Rylant with illustrations by Sergio Ruzzier follows two friends, a rabbit and a frog, and their friends as they find joy in their everyday worlds.

We give thanks for mittens
and for coats and boots and hats.

We give thanks for yellow dogs
and yellow kitty cats.


A frog and a rabbit are enjoying the clothing they find in a friend's home.  When the artistic talents of the first are presented on canvas, laughter ensues.  They venture into the garden and carry fruit to a feast.

As they travel throughout their day, they meet family.  They appreciate the efforts of those providing services in the tiny town.  Even when the weather shifts several times, they welcome those changes realizing the advantages of each one.  

The benefits of various modes of transportation are acknowledged.  They pause to watch the work of insects in a colorful space. Signs of affection shown by an avian mother to their child and a bear to a fish friend are noted.

Wherever this duo go, they notice the little things, taking nothing for granted.  They relish the ability to cook and eat.  Every minute of their days and nights is perceived as valuable, especially those moments shared with their friends.


What readers will first notice about the words penned by Cynthia Rylant is they address those things with which many can identify.  She lists items we need.  She includes people and their accomplishments.  She draws our attention to the natural world.  And she focuses on tender displays of affection.

She views the world through the eyes of children, the children residing in all of us.  She does this through couplets, two sentences, with rhyming words at the end.  The first sentence welcomes readers to wonder about the second sentence.  What word will she use?  Also, she uses the word "and" to join a group of words together rather than using commas.  Here is another passage.

We give thanks for sun and rain
and wind and sleet and snow.

We give thanks for bikes and skates
and . . .


The color palette on the open and matching dust jacket and book case is radiating warmth, like the apples in the basket.  That red in the title text, the apples and the hillside draws us into the happiness of the animals.  The wash of yellow and blue in the sky extends that warmth into a comforting calm.  It is here we meet the two main characters, the frog and the rabbit.  

To the left of the spine, the red covers the area except for a circular image.  It is an interior illustration.  Here the rabbit is looking through its kitchen window while cooking.  Friends are arriving to partake in a banquet.

A spring green, a shade of the green on the frog, covers the opening and closing endpapers.  On the initial title page the frog and the rabbit, on a white background, are walking to the right.  On the double-page picture for the formal title page, we can now see them approaching a villa set in the mountains.  The hues of colors are variations on those we saw on the jacket and cover.  They are an open offer of participation to readers.

Rendered in

pen & ink and watercolors,

the visuals by Sergio Ruzzier present his signature style.  His endearing animals depict a range of body positions and facial expressions.  Highly detailed images ask us to step into each scene.  Often elements on one page will appear in the next page, fashioning a flow.

One of my many favorite illustrations is a double-page picture (all are double-page images except for one, a dramatic pause).  A white sky highlights two low hills in rose and yellow.  The yellow is replete with large flowers and insects.  The bugs are given long noses and tiny eyes and mouths formed from a single line.  The rabbit and frog, on the right side, stand on the rose-colored hill talking about the display before them of insects and flowers. They are watching the bugs work.  The flowers are large enough to make us feel as though we are one of them.


This book, We Give Thanks written by Cynthia Rylant with artwork by Sergio Ruzzier, is one to be shared widely and read often.  It reminds us every single day there are things around us that need our appreciation.  I highly recommend this title for your personal and professional bookshelves.

To learn more about Cynthia Rylant and Sergio Ruzzier, please follow the link attached to their names to access their websites.  At Cynthia Rylant's site is a single page with a letter from her to readers.  Sergio Ruzzier has accounts on Facebook and Instagram.  At the publisher's website, there are interior images, and views of the entire dust jacket and formal title page.




In a few short weeks, winter will officially begin.  All day yesterday the wind blew and snow fell.  Tonight the temperature will drop to its coldest since last winter.  The activities in the natural world have slowed.  Humans are finishing their outside preparations for the shift in seasons.  

Inside, humans are altering how they spend their time.  Thankful (A Paula Wiseman Book, Simon & Schuster Books for Young Readers, September 7, 2021) written by Elaine Vickers with illustrations by Samantha Cotterill follows a family as they begin and complete an annual tradition.  It is a time to reflect and remember.  It is a time to make gratitude visible.

EVERY YEAR when the first snow
falls, we make thankful chains
to last us through December.

It is hard to think of all the things 
to be thankful for in a whole year,
so I start right in my own room.

The girl's parents, her father carrying a younger infant sibling, have come to wish her a good night.  As she lies in bed, she feels grateful for her home, parents, and a poem.  This poem, recited every night, helps her to recall those things for which she is thankful.  Some of those you hold in your heart; others you see every single day.

The little girl adores her dog, a wish come true.  She realizes the gift of life, a beating heart and breathing with ease.  Her school days supply her with people she cherishes.

She (like so many of us) is thankful for books and the places they lead us. The girl finds the beauty in opposites.  She identifies the silver linings in good things and in things not quite as good. 

She keeps writing, one thankful thing at a time, one chain at a time.  The girl's thoughts appear on paper until sleep is about to take her into her dreams. The story ends as it begins with her parents and a poem and her final words of thankfulness.


With each acknowledgement by the girl, readers start to relate to her and to examine their own surroundings for similar things.  We accept the goodness revealed in the opposites, soft and hard, and warm and cold, and safety and accidents.  This is a gift given to us by author Elaine Vickers.

The repetition of the words

I am thankful for

provides a connection, like the links in the paper chain, and a cadence.  With each thankful thing the narrator mentions, page by page, we understand it is not only a recounting but building toward an all-encompassing conclusion.  Here is a passage.

I am thankful for
things that are soft
and fresh, like
laundry,
bread,
moss on rocks.


In looking at the open dust jacket, readers can easily see this book is intricately designed.  We are fascinated by the intentional placement of elements on the front, the right side.  Here the girl is penning her thankful memories, link by link.  To the left, on the back, a colorful paper chain is photographed on white, portions of it faded and others clear.  Over this is a circular illustration of the girl holding and hugging her dog.  The dog looks at her with love.  Her eyes are closed in contentment.

On the book case the canvas is white.  Layered on both sides is one continuous, colorful paper chain.  The thankful memories are placed on the inside, but sometimes we are privy to one or two letters in a thought.

On the opening and closing endpapers is a green wall lined with six bookcases.  They are filled with books in an array of hues.  Paper chains in those same shades hang down either side and across each of those two sets of three bookcases.  Along the top of the bookcases is a schooner, a box with a bear on it, a guitar, a statue, a plant, a pennant with the words THANKFUL and a house.  On the title page, between the text is the girl's desk, a chair, and a waste basket.  Across the top of the desk are supplies for making the thankful chains.  A partially completed chain drops down from the desk and curls on the floor.

These artistically shaped illustrations by Samantha Cotterill 

are hand-built three dimensional sets photographed with a digital SLR camera.

The meticulous care given to each setting requires us to pause and savor the words and the images.  The people and the girl's dog are outlined in a black line and a small white border.  The sizes of the pictures switch from double-page pictures to a full-page visual, and then to a circular illustration on a colorful canvas.  Three times across a white background on two pages, we are shown only the girl working on her paper chain.  These are important pauses in the pacing.

One of my many favorite pictures is a two-page illustration.  It is in the evening inside the girl's home.  There is an "L" shaped sofa in the living room.  A single light shines on the left wall, but the entire scene glows as if there is a fireplace we can't see in front of the sofa.  On the left side of the sofa, the dad has fallen asleep holding the baby, a book next to them.  On the right side of the sofa is the girl in her pajamas, cuddled with a blanket wrapped around her.  Her dog is mostly seated next to her.  On the coffee table are dishes from a dinner of soup.  This image complements and elevates the text superbly.


You'll be gathering supplies to make your own paper chains after reading Thankful written by Elaine Vickers with illustrations by Samantha Cotterill.  It emphasizes the value all things have in our lives.  It prompts us in every respect to be grateful.  I can't imagine a personal or professional collection without a copy of this title.

By following the link attached to their names, you can discover more about Elaine Vickers and Samantha Cotterill and their other work at their respective websites.  Elaine Vickers has accounts on Facebook, Instagram, and Twitter.  Samantha Cotterill has an account on Instagram.  This book is showcased at Watch. Connect. Read. the site of John Schumacher, librarian, lecturer at Rutgers, and writer, at author, reviewer, and blogger, Julie Danielson's Seven Impossible Things Before Breakfast, at author Caroline Starr Rose's website, at Mel Schuit's Let's Talk Picture Books, and at The Children's Book Review.  At the publisher's website you can view interior images including the entire dust jacket.


Thankful by Elaine Vickers and Samantha Cotterill from Let's Talk Picture Books on Vimeo.

Monday, July 3, 2017

Ongoing

Regardless of the natural disaster it rebuilds.  It does not happen overnight but over time.  Little by little, day by day it grows until it becomes visible. As long as there is the hope of life, life continues.  What appears fragile and in a delicate balance acts through incredible strength and adaptability.

All lives undergo change but there are things in the world which are constant; sustaining each step taken.  Life (Beach Lane Books, an imprint of Simon & Schuster Children's Publishing Division, June 27, 2017) written by Newbery Medalist (Missing May) Cynthia Rylant with illustrations by Caldecott Honoree (They All Saw A Cat) Brendan Wenzel reminds us of the splendor to be found in the glorious thing we call life.  This book, like life, is beautiful to behold.

Life begins small.

Even for the largest of beings, it begins small.  What starts tiny does necessarily stay this way; it becomes larger and larger like elephants.  As these things grow they all do so under the same sky with the same sun, same moon and same stars.

Each living being enjoys certain aspects of life more than others.  It all depends on whom or what is answering the question.  For some the sky is far grander than sand or grass or water.

Within this marvelous thing we call life, dark times will come.  These times are hard to navigate.  They seem to go on and on with no end in sight but light finds a way.  This light can reveal a new direction, a new path to follow.

We are asked to reflect on several undeniable facts; there are always those to love and to protect.  If a day should come when we look around and do not see all that life lays before us, we should stop.  We should watch the animals who endure despite change.  They understand change is the heartbeat of life.


There are certain picture books we keep near to us to read and reread; each one for a particular purpose.  The words in this title penned by Cynthia Rylant read like a morning prayer to begin a day.  Each line is full of truth and gratitude.

One constant woven throughout the lyrical narrative is the word grows.  It ties the different portions together; beginning small, what animals love about life, the troubles which darken life and some which open doorways to new directions, and looking to animals for answers. Each carefully chosen word works together to supply a sense of peace.  Here is a sample passage.

The turtle may remain quiet.
It has seen much in its hundred years.
But the turtle loves life.  How could it not,
with so much rain on its back? 


Beneath the full moon and stars the lush forest along the river teems with life on the matching dust jacket and book case.  Careful readers will spy several animals hidden in the greenery framing the title text.  If you run your hands over the front of the dust jacket portions are varnished and others, the flora, are matte-finished and slightly raised.  To the left, on the back, the sun is shining in a partly cloudy sky over mountain peaks with plants beginning to grow along the bottom.

The opening and closing endpapers are a star-studded sky; a constant in our ever-changing world.  On the title page we see a two-page image.  It's night with the starry sky mirrored in a pond surrounded by rocky hills.  A small animal swimming in the water looks upward.

Brendan Wenzel uses white space to great effect on those pages with smaller illustrations.  They are all loosely framed but other elements appear on the sides, bottom and top.  Sometimes entire scenes appear in miniature along the bottom.  In one particular visual items drift from the frame across the white space on two pages.  For dramatic effect two pages are used in great panoramic views.  Readers will definitely pause to enjoy the numerous intricate details.  Is there a reason one special bird is colored blue?

One of my many favorite illustrations spans two pages.  Beneath the ocean surface a pod of whales is sleeping.  Schools of small fishes move about them.  Air bubbles rise to the surface.  A small seal swims upward to the sunlight.  Mulan's favorite illustration is of a dog sitting on a woodland path holding a stick in its mouth, looking directly at the reader.  A tunnel is fashioned from the overhead branches.  Sunlight streams behind the dog.  Ferns and an assortment of leaves pattern the forest floor.


You will want to read Life written by Cynthia Rylant with illustrations by Brendan Wenzel several times for the sheer joy of it.  The blend of text and images creates a comforting blanket of calm.  As a read aloud, it would be wonderful to ask listeners to name what individual animals love about life before asking them what they love about life.  Every bookshelf needs to have a copy of this book.

To discover more about Cynthia Rylant and Brendan Wenzel and their other work please follow the links attached to their names to access their websites.  At the publisher's website you can view interior images. Author, reviewer and blogger Julie Danielson features images on her blog Seven Impossible Things Before Breakfast.  Dylan Teut, the director of the Plum Creek Children's Literacy Festival in Seward, Nebraska, interviews Cynthia Rylant on his blog, Mile High Reading.


Thursday, November 17, 2016

Here It Comes...

Have you been to the NOAA National Weather Service website today?  Look at this weather map!  As Kate DiCamillo's Flora would say Holy Bagumba!  There is a whole swath of winter weather combined with high winds crossing the states of Colorado, Utah, Wyoming, Montana, Nebraska, Iowa, South Dakota, North Dakota, Minnesota, Wisconsin and Michigan.  We might actually get snow here in Lower Michigan on Saturday as the daytime high drops more than twenty degrees.

Truthfully I can hardly wait.  Winter is one of my favorite seasons for a variety of reasons.  This year it is going to be extra special as my new forever friend, Mulan, a chocolate Labrador puppy, will be seeing snow for the first time.  Anticipation is not only in the air here but within the pages of Little Penguins (Schwartz & Wade, October 25, 2016) written by award winning Cynthia Rylant and pictures by award winner Christian Robinson.  Children and children at heart rejoice!

Snowflakes?

Barely able to see out the window, a small penguin is the first to spy snow drifting down and through their open window.  Quickly four other siblings gather to gaze outside as the flakes fall in earnest.  Without a doubt winter is on its way.

Five penguins sift through a basket looking for five different sets of mittens. They must find attire for their necks and feet.  They are so excited they call out to the first penguin asking about the condition of the snow.

As is the case with storms the depth can build in a short time.  It's deep. And it gets deeper.  It's so deep they begin to look for their mother.

Whee!  There she is with the fifth little penguin.  After a day of play they all head home doing what we all do.  It's time to shed wet clothes and get ready for bed.  Sleep tight little penguins.


How can one word be filled with so much emotion? It signals a change in the seasons regardless of the calendar, it provides opportunities for fun and it gives Mother Earth a clean slate.  Cynthia Rylant is most definitely gifted in the art of simplicity.  Never using more than four words except for one particular repetitive part Rylant tells a story full of excitement and meaning for the five penguins and their parents.  She creates a rhythm by using a single word followed by two words and then three words several times then switches it up forming a new beat.


When you open the matching dust jacket and book case expect to smile at the antics of these five little penguins seen from left to right, back to front. They are walking, talking, diving headfirst into the snow, sliding and strolling with purpose. Have you ever seen such charming penguins?  They certainly are creations of Christian Robinson.  His signature artwork is lively but spare.

Using acrylic paint and cut paper collage he fashions images extending and highlighting the text.  On the opening and closing endpapers readers are given a panoramic view of the little penguins and their home on an ice floe.  There are fish swimming beneath the ice as a whale makes an appearance along with three lobsters.  To the left a seal swims near the fish and a mother and baby walrus sit on a nearby smaller floe. White seabirds fly in the opposite direction.  There is a mailbox outside their igloo.  On the verso and title pages Robinson has placed various geometric shapes to signify ice floes with text inside them.

All of the images span two pages with marvelous layout and design.  White space is used to great effect.  It's very clever to have each penguin wearing a different well known color; red, yellow, blue, green and pale green.  The details in their home add to the appeal of these pictures, the fish-patterned curtains, the whale weather vane on the outside of the igloo, and the ship, abacus and globe on top of their closet.

One of my many favorite illustrations (It was not easy to choose.) is when Robinson is interpreting the words Deeper.  Very deep.  There is quite a bit of white along the bottom of the two pages.  Four penguins are featured. The first and second are standing so we can see all of their bodies below their scarves. The third penguin is sinking up to his body and we see half of the head.  The fourth penguin on the far right shows all of his head with arms (flippers) outstretched for balance.  Half of his body is covered in snow.


Little Penguins written by Cynthia Rylant with pictures by Christian Robinson is an essential volume for snow and winter themed collections for our youngest readers.  It creatively captures the thrill of a first snow and shared fun.  When two masters work together expect a masterpiece.

To learn more about Cynthia Rylant and Christian Robinson and their other work please visit their websites by following the links attached to their names. You can view interior images at the publisher's website.  The Horn Book Podcast 1.33 special guest is Christian Robinson.  This title is one of many highlighted by author, reviewer and blogger Julie Danielson on her blog, Seven Impossible Things Before Breakfast.

Thursday, February 20, 2014

God...

Avid readers have piles of books, stacks of books and bookshelves stuffed with books they have read or want to read.  I know I do.  Within those needing to be read are a select group of titles.  They are not the new releases I read as soon as possible.  They are those I set aside in anticipation of greatness.

There are authors' and illustrators' work I treasure.  When two of them collaborate on a book, it's like a phenomenal present.  All books are gifts but these are in a whole separate category.  God got a dog (Beach Lane Books, October 29, 2013) written by Cynthia Rylant, Newbery Medal and Honor winner, with illustrations by two-time Caldecott Honor winner, Marla Frazee is one of these cherished treasures.





God woke up

And He was groggy,
so He got a nice cup of coffee
and went to sit
under an apple tree. ...

So begins the first of sixteen poems, initially appearing in a larger collection titled God Went To Beauty School (HarperCollins).  God decides to participate in the human experience; doing what people do or dream of doing.  God's descriptions for each scenario will make you pause, ponder and sigh in pure pleasure.

He realizes, like many of us, the importance of being near a tree, seeking shelter and comfort in the size and canopy of branches overhead.  He notices the joy resulting from the simplest things.  When you paint someone's nails you get to marvel at the bones in their hands.

Being above or next to water, is not the same as floating across it in a boat.  Testing whether spaghetti is completely cooked leaves a noodle zapped on Jupiter.  A visit to the doctor produces no cure for the little skip in a heartbeat.

Jail, a bathtub, a street, an alley or boardwalk reveals God's anger, shyness and pure elation.  Wouldn't it be great to call up Mother Teresa when you're sick to ask for a visit?  God can and does.  There's a very special little boy God wrote and read a story to as a child.  Who do you think it is?

Taking a break, discovering a place of true Holiness, working at a desk all day or writing more than a couple letters to a celebrity allow us to put ourselves in those situations, seeing God's point of view.  India, elephants and the loss of everything give readers a new understanding of a Plan.  Particularly comforting is the final poem, knowing how at the end of a day, God finds warmth as many of us do.


Even after multiple readings, I go back over and over to savor the words of Cynthia Rylant.  In every poem she captures the essence of the activity bringing an element of reverence to each.  There is a childlike wonder in the observations and yes...a sense of humor too.  I like that the gender of God varies from poem to poem.  Here's the beginning and end of the poem, God wrote a book.

No, not that one.
Everybody thinks She
wrote that one,
but She didn't. ...

... She read it to the boy
at bedtime
because the boy couldn't sleep.
So God read him a book.
The boy grew up.  He became a writer.
Which one?
Not telling. 


More than a year ago this series of tweets appeared on Twitter. (Thanks to Marla Frazee for granting me permission to use them.)  These clearly convey the process used to get an illustration "just right"; to have it enhance and extend the text as well as tell a story all its own.  I had no idea this would be one of the more than sixteen pictures in this book.  I don't know about you but I can hear the sound of the television and the soft flapping of bird wings.  I can feel the warmth of true companionship.









The black and gold matching dust jacket and book case is spectacular in its simplicity.  Sprinkled in the upper left-hand corner of the back are a cluster of stars.  The opening and closing endpapers make me think of the vastness of the universe; shades of gray patterned in darker stars.

On the title page is a tiny white mug with a big "smiley" face on it beneath the words.  God is holding this in the first poem.  It appears again on the final page, the dog leaning over to take a sip.  It's details like this that elevate a book to excellence.

Each poem is accompanied by a single page illustration.  Marla Frazee has chosen to have God appear at varying ages and ethnic backgrounds, a child, wearing a yellow life vest, drifting in a swan boat, a middle-aged, apron-wearing, hair-in-a bun woman sitting at a table covered with a red and white checkered tablecloth, a vest and bandanna wearing biker guy angrily shouting in front of a jukebox or a young boy skating along a raised boardwalk.  All her portrayals of God have a faint but definite light around them.

The color palette used, the intricate lines and shading all convey a vivid sense of time and place.  As each poem is read you are drawn into the illustration as a willing observer.  All of the illustrations in this book are my favorites, each speaking to me differently as do the poems.  The one which tugs on my heart, as you can easily guess, is of God spotting the stray dog by the railroad tracks in the pouring rain.


To tell you the truth I was literally stunned after reading this the first time; more than several of the poems and pictures brought tears to my eyes.  God got a dog written by Cynthia Rylant with illustrations by Marla Frazee is, in a word, wondrous.  I love it...every single part...with all my heart.

If you wish to know more about either the author or illustrator please follow the links to their respective websites embedded in their names.  This link to the publisher's website offers readers the chance to read four of the poems.