Quote of the Month

When love and skill work together, expect a miracle. John Ruskin




Showing posts with label Amusement parks-Fiction. Show all posts
Showing posts with label Amusement parks-Fiction. Show all posts

Thursday, June 20, 2019

Seeing Double

There will be times when a book is released, and to your surprise it's a companion to a title from the previous year.  At first you can't believe you missed the first book. (Where were you?  Under a rock?)  As quickly as possible you locate a copy through your public library.  Not only do you believe it's excellent, you know the intended audience will enjoy it, too.  You buy a copy for your personal collection.

Look (Greenwillow Books, an imprint of HarperCollinsPublishers, July 10, 2018) written and illustrated by Fiona Woodcock cleverly tells a story of a sister and brother spending a day at the zoo.  Her narrative includes words with the letter pair oo.  Each pair is incorporated into the accompanying illustration.

Prior to the title page

Cock-a-doodle-doo! 

is being sung by a rooster.  He is perched on his house on the following verso page.  On the title page LOOK is placed on three rolling hills with a rising sun for the second letter "o".  The children, with their backs to us and wearing their pajamas, have raised their arms in a good morning stretch.

For each of the subsequent pages words describe their breakfast, their footwear, and how fast they drive toward their destination.  They exclaim hooray! on their arrival with their faces as the letters "o".  Three animals are seen, and they dance with the third, doing a boogie.  

More animals are present, butterflies swoop and primates present themselves to the children.  As the sister and brother wander, they carry balloons, find flowers which cause sneezing and satisfy a craving for a sweet treat which sadly meets with an unfortunate mishap.  At home they ready themselves for bed, read, and drift off to dreamland. 

Outside a night bird calls as our natural satellite shines.  A shower of falling stars ask us (for those awake) to LOOK.  We've come full circle. 


There are more than thirty words selected by Fiona Woodcock to tell this tale. There is usually one word per page (illustration), but that pattern is not strictly followed to create a pleasant pacing. Each word used is carefully chosen to provide readers with an interesting narrative with plenty of action.


The front of the dust jacket is a hint of events to come, asking readers to seek words with the double "o".  The array of colors in the balloons is used throughout the book.  To the left, on the back, a large faintly colored red circle on a white canvas frames the sister and brother.  She is behind him saying LOOK!  Her glasses are the double oo.  On his hat it says IT'S A and then BOOK! is across his face.  He is looking through binoculars which form the double "o".  Two beautiful large butterflies are placed on each side of the book case on a background of white.

To coincide with dawn and night the letters "o", spread across the opening and closing endpapers, change color.  On the first the shades are red, yellow and orange.  On the second they are red, blue and purple.

The artwork and hand-lettered text was created by hand-cut rubber stamps, stencils, BLO pens, and additional pencil line work, all composited digitally.

Fiona Woodcock alters her point of view to emphasize the narrative.  She begins by bringing us close to two single-page pictures and then gives us a wider view for a double-page image.  Her placement of the elements and the words changes to create an inviting rhythm.  Readers will be eagerly Looking for the double "o" words.  The heavier matte-finished paper is an ideal texture for her artwork.

One of my many favorite illustrations spans two pages and includes two words.  On a light background colors like tiny confetti (or sprinkles) are patterned as a canvas.  Three flowers from the previous page are in the lower, left-hand corner.  Next to them are the brother and his sister.  Above them in cursive the large word drool stretches over the gutter.  On the right a hand is reaching up from the bottom of the page to grab an ice cream cone.  The top of the ice cream is the letter "o" for the word scoop.  An ice cream scoop utensil held by the vendor is placing that scoop on the cone.



This spring the second book, which lead me to Look, was released.  Hello (Greenwillow Books, an imprint of HarperCollinsPublishers, May 14, 2019) written and illustrated by Fiona Woodcock follows the siblings on another adventure. The letter pair ll and the formed words take us from the family campsite to an amusement park for the day and safely back to the tents.

Prior to the title page a bird's eye view shifts to a close-up perspective as our eyes move from left to right.  On the left side the sun rises with hello inside it.  Three tents are next to the mother's red car.  On the hill on the right a rabbit watches the scene below it.  The rabbit's ears supply the ll in the word yellow.

On the verso page the brother leans out from his tent with two little bunnies next to him.  His sister stands in front of the rising sun with HELLO beneath her.  The shadows of her two legs become the ll pair.

As the trio travel to the park the geography changes through using pairs of ll words.  A fabulous adjective depicts how excited they are to enter the park.  Words describe five different rides and exhibits and their reactions.

A mischievous brother causes an accident, but they still manage to have fun along the seashore later.  They peer at sea creatures and collect shells until their mother returns.  As night falls, they enjoy a snack courtesy of the crackling fire.

A soothing melody lulls the twosome to sleep. Well, almost both of them.  The younger brother has one more thing he wants to try.  He remembers how the day began with a greeting and a hippity-hoppity companion.


With every page turn readers will be fascinated by how Fiona Woodcock takes nearly forty words to fashion a fun-filled day.  It's exciting to see how their vacation is enhanced by the outing to the amusement park by the seashore.  The decision for determining each word creates a cadence of rising and falling action connecting readers to each event in the story.


On the front of the dust jacket the brother and sister with their hands raised as they float on the water informs readers of the happiness they hold in their hands.  These two are going entertain us from beginning to end.  To the left, on the back, a large yellow inner tube supplies a place for the siblings.  The brother with his hands raised is the double "l" for hello and the legs of his sister help to spell
all.  This is on a white canvas.  On the light background of the book case are two llamas; one is blue on the front and the other is a darker blue with purple on the back.  (You'll need to read this book to discover why they are there.)

On the opening and closing endpapers a series of the letter l are placed almost like zigzags.  On the first set the colors are blue, yellow and green.  Blue, red and purple hues are used on the second set of endpapers.

Readers will see with each page turn some of the images are connected to previous illustrations and following pictures, flowing flawlessly.  As the family leaves the tents behind on the left and travel toward the park, we see it in the distance on the right.  On the next page it is magnified like a bold statement across two pages.  Several of the rides seen in this expansive view appear later and much closer to readers.  (It will be interesting to see if readers can see some elements from the first book in this second title.)

One of my many favorite illustrations spans two pages.  It is for the word gallop.  Six merry-go-round horses ride from left to right, some more prevalent than others to give the impression of motion.  The letter g is to the left of the gutter.  The poles from the sister's and brother's horses provide the ll pair.  The duo is looking directly at the reader.


Both Look and Hello written and illustrated by Fiona Woodcock are imaginative and ingenious stories certain to actively engage readers.  Without a doubt readers and listeners will be eager to alter or expand these stories or write their own using words with pairs of letters.  I highly recommend both titles for your professional and personal collections.

To learn more about Fiona Woodcock and her other work, please follow the links attached to her name to access her website.  The second link takes you to a page for Hello.  You can view additional images there.  Some of them are different from those found at the publisher's website.  Fiona Woodcock has accounts on Facebook, Instagram and Twitter.  Fiona Woodcock and these two books are showcased at author, reviewer, and blogger Julie Danielson's Seven Impossible Things Before Breakfast here and here.

Monday, September 19, 2016

A New View

No one understands us better than our friends.  They stick with us through the proverbial thick and thin not because they have to but because they want to be there for and with us.  They are another kind of family.

Friends share common interests like loving cupcakes.  Friends introduce us to new individuals, sometimes numbering in the hundreds.  A little more than two years ago an author illustrator presented to readers an unlikely but lovable pair of pals in his debut title, Little Elliot, Big City (Henry Holt and Company, August 26, 2014). His second book, Little Elliot, Big Family (Henry Holt and Company, October 6, 2015) featuring the pastel pink and blue polka-dotted small elephant, Elliot, and his friend Mouse touched readers with its focus on feeling alone in the midst of many but then realizing with a true-blue companion you will always have a family.  Little Elliot, Big Fun (Henry Holt and Company, August 30, 2016) written and illustrated by Mike Curato follows the duo as they spend a day at an amusement park.

Little Elliot and his best friend, Mouse, were heading to the far edge of the big city.

As Mouse talks of the boardwalk, shows, games and lots of rides, Elliot, champion lover of cupcakes, is questioning the presence of treats.  (You will hardly be able to restrain from smiling when Mouse cautions Elliot to stay close as they enter the park.)  Mouse, eager to begin enjoying the rides, asks Elliot if he wants to ride the water chute.  The elephant does not want to take a chance on getting wet or, even worse, falling overboard.  He can't swim.

When Mouse asks about three more rides, especially his favorite one, the roller coaster, Elliot offers up one excuse after another until there's only one thing on his mind, a treat.  Before he even has a chance to enjoy one big lick on his ice cream cone, two incidents have Elliot on the run.  He's too scared to stop when Mouse shouts.  The more he runs, the more frightened he becomes. How could Mouse think this excursion is fun?

Mouse finally finds a decidedly shaken Elliot down by the beach.  A little sun, sand and another ice cream cone do wonders for the panicked pachyderm.  Back at the park Mouse thinks he can make Elliot's wishes come true but he'll need to trust Mouse.

When our elephant friend finally uncovers his eyes, he (and readers) gasps.  A change in perspective can alter moments and moods.  That's what friends do for friends.


When Mike Curato writes about Elliot and Mouse we savor every minute of the story.  His flawless blend of narrative and conversation brings us directly into a scene while enlarging our comprehension of and compassion for his characters.  There isn't one of us who hasn't wanted to share something we enjoy with someone we love.  There isn't one of us who hasn't been frightened to try something beyond our comfort level.  Curato closes the story with a powerful thought, a thought which resolves these two issues with a whole bunch of heart.  Here is a passage from the book.

"Feeling better?" asked Mouse.
"Much better!" said Elliot.
"But I wish there was a ride that
wasn't fast or dizzy or wet."
"I have an idea," said Mouse.
Elliot was nervous but Mouse patted his head.


In this title Mike Curato expands his color choices, presenting us with an array of hues not seen in the previous two books.  There is a larger use of red, yellow, pinks, purples and blues. On the front of the dust jacket, with portions varnished, is a hint of the splendor to come and the shared joy between Elliot and Mouse. To the left, on the back, on a background of deep purple a portion of an interior image has been placed.  As in the two previous books, an ornate antique frame is around the ISBN.  The book case replicates the purple on the left side of the jacket.  On the front a small picture of Elliot and Mouse chatting on the sandy beach has been placed in the center. On the back a cheery character from the book, holding a bunch of balloons, is waving and looking at readers.

The opening and closing endpapers in red, yellow, white, black, brown, light teal, green and a tiny bit of pastel pink and blue are a splendid display of amusement park posters, fifteen in total.  Readers will undoubtedly pause to look at each one.  The verso and title pages feature a speeding train on the left leaving the city headed toward the sign Big Fun with Little Elliot in cursive above it.  Another sign, with Mike Curato's and the publisher's names along with a red arrow pointing right, is under Big Fun.

Placing these titles in the late 1930s gives us a sense of nostalgia but more importantly comfort.  Curato's illustrations are spectacular in historical accuracy, layout and design.  Rendered in pencil on paper and digital color in Adobe Photoshop many of the illustrations extend from page edge to page edge.  To accentuate pacing and a particular emotional state in the story Curato has elected to frame some of the pictures in wide white spaces.  There are several wordless visuals which are truly stellar; a series of nine small images on a white background visualize the prelude to Elliot's frightened run, a ring toss scene, a delightful two-page beach setting and a breathtaking double gatefold.

Readers will find themselves stopping at every page turn to appreciate all the details in lines, light and shadow, facial expressions and body positions.  Easter eggs, nods to family, friends and other kidlit authors and illustrators, are found throughout the book.  Everything about these illustrations invites you to read this book repeatedly.

One of my favorite illustrations is the wordless beach scene.  In the foreground a contented Elliot is seated beneath a blue and purple striped umbrella licking what has to be a chocolate-chip mint ice cream cone.  To his right is an elaborate sand castle with a draw bridge and turrets.  Mouse is at the tip top holding a small yellow banner.  Behind them is an array of people, of all ages and nationalities, enjoying the sun and sand.  Primary colors plus green are used in their attire.  In the background is a bit of a hint of things to come.


In the middle of a day hoping for fun, best buddies are struggling but friendship finds a way. Written and illustrated by Mike Curato Little Elliot, Big Fun is an endearing exploration of what matters the most in our life adventures. This title is going to be requested over and over and over again.

To learn more about Mike Curato and his other titles please visit his website and blog by following the links attached to his name.  At his website you can view numerous images from this title. On his blog several posts reveal his process and the origin of his Easter eggs.  There are also illustrations at the publisher's website.  At Scholastic's Ambassador of School Libraries John Schumacher's blog, Watch. Connect. Read., the cover reveal and earlier interview are included.  The must watch book trailer is premiered at BookPage.  Please be sure to visit the website dedicated to the Little Elliot books.  You are really going to enjoy this StoryMakers video chat at KidLit TV. Mike Curato is interviewed at Miss Marple's Musings and at the Illinois Library Association website.