Quote of the Month

When love and skill work together, expect a miracle. John Ruskin




Friday, March 8, 2013

For The Good Of The Cause...

For several hours this week I spoke with our sixth grade students about the importance of biographies and autobiographies.  When you peer into the lives of these people you gain a truer comprehension of the impact of opportunities taken, determination to make changes and persistence in following a goal or dream.  The ultimate question is, did this person, in touching a single life or many, change the course of history and on what scale; family, community, nation, world?

When an author/illustrator focuses on a specific time period from the past, zooming out to give us a broader, more in-depth picture beyond dates, places and peoples' names, it's much easier to create a picture in your head of what actually happened.  Don Brown's new title, Henry and the Cannons: An Extraordinary True Story of the American Revolution (Roaring Brook Press), does this and does it very well.  He has taken what might have been a sentence or two from a textbook and given us a story to remember.


It was the winter of 1775.
The American Revolution had begun, and things weren't going well for the Patriots of Boston, Massachusetts.

The British Army had control of Boston, as General George Washington and his troops looked down from the hills outside the city.  What they needed were those British cannons recovered by Colonel Benedict Arnold at Fort Ticonderoga, New York in May.  How to get them over 300 miles of rugged terrain was a huge problem in 1775.

Although a bookseller by trade, the mind of Henry Knox was wired for military strategy, maneuvers, and fortifications.  His skills had not gone unnoticed.  When he told General Washington he could bring those cannons to Boston, he was ordered to do so.

It's hard to imagine riding on horseback for forty miles a day in the dead of winter but Henry did it.  It's hard to imagine the selection of fifty-nine cannons weighing 120,000 pounds, hauled to Lake George, loaded on to three boats and over ten days time in horrendous weather conditions, taken to the other end of the lake, but Henry and his men did it. It's hard to imagine moving those cannons by forty-two sleds drawn by oxen and horses but Henry, his men, and local Patriots did it.


What raises this book above a mere factual accounting are the added details, gleaned from research, provided by Don Brown's gifted use of language.

That night, Henry and his tired men found shelter with Native Americans. Henry declared their food "relishing."

 Brown's word choices provide an experience of the senses; heaved the cannons, ropes water-soaked and slick, muscles and breath burned.

 He uses repetition to increase tension; ...watched British soldiers in their bright red uniforms marching Boston's streets, eating Boston's food, and sleeping in Boston's beds.  


The first illustrations readers see on the front and back jacket and beckon, seize and pull them right into the book. It's hard to resist the bold, bright red lettering on Cannons with flames shooting forth from the mouth of another.  With two page turns they're looking at a map of Henry Knox's journey between Fort Ticonderoga and Boston wrapped around the title verso.

There is a coolness to the color palette, shades of browns, blues and grays, indicative of the winter months and the current state of affairs in Boston; appropriately shifting in brightness and more color for the last three visuals.  Rendered in watercolor the pictures convey, without intricate detail, movement and mood through the use of perspective, layout, layers and shading.  Brown carefully alters the illustration sizes to pair with the text's pacing; two page, a single page, panels, insets all surrounded by narrow frames of white with a thin gray line.  Very cleverly ( in one of my favorite illustrations) he breaks a single visual into three panels to show the changing weather as Henry rides to Fort Ticonderoga.

Clearly Henry and the Cannons: An Extraordinary True Story of the American Revolution by Don Brown illuminates the exploits of a single individual who made the impossible happen; definitely a game changer for the cause of the Patriots. Brown provides a bibliography of resources at the close of the book.  To view his official author website follow the link embedded in his name.  Several years ago he was interviewed at Seven Impossible Things Before Breakfast.  Follow this link to the publisher website to view additional illustrations from the book (including my favorite).

Thursday, March 7, 2013

To Data Or Not To Data

Earlier this week one of my virtual colleagues, Cynthia Alaniz, wrote on her blog, Teaching in Cute Shoes, about a main character in a book who decides to give up all forms of technology, living like her grandmother did in 1962.  At the end of her post she spoke about the value of virtual connections for her and asked us readers which technology we could live without.  As for myself, I agree wholeheartedly with the value of the connections technology provides but it is definitely challenging to find a balance.  After all when you've grown up with the first televisions being black and white only, phones having party lines and the first transistor radios being cause for celebration, it's fascinating to see the swiftness in which technological advances are rapidly changing nearly every facet of our lives.

I find myself pausing more and more, thinking about time saved due to technology versus time lost in those very connections, personal and professional, which consume minutes and hours previously spent on other endeavors.  In the midst of these musing a book arrived by mail, the newest title written and illustrated by Dan Yaccarino, Doug Unplugged (Alfred A. Knopf).  This robot wonders and then walks...well actually, he flies.

This is Doug. He's a robot.

Doug's loving parents (robots themselves) want the very best for their son, plugging him in every morning to fill his robotic self with loads of information.  As they head off to work, he is told learning about the city will be his factual food for the day.  Bits in bytes, trivia treasures, about the people population, trash cans, manholes, fountains, fire engines, skyscrapers, subways, fire hydrants, taxis and pigeons, transfer.

All goes as normal until a flash of feather catches Doug's eye.  It's a pigeon outside the window cooing.  He had not learned about the sound they make in his newly acquired data.

Wondering what else he might not have downloaded, he dares to unplug!  Whooshing out the window his new learning by living begins immediately; pigeons scatter when you fly into a flock. Each perspective based on previous knowledge is altered by Doug's personal experience; a very good teacher itself.

Not only is our eager adventurer storing up sights and sounds but he discovers something unique, something unexpected.  He discovers play in all its many forms when a simple question is asked and answered.  When trouble threatens Doug is the hero of the day learning one last truth which his parents think makes him the smartest robot ever.


There's something special in the presentation of Doug's story by Dan Yaccarino. It's like a young boy is telling us about his best friend who leaps from the known into the unknown; loving the city sights more and more as the hours pass.  His observations are uncluttered with past experiences, fresh in their newness.  The narrative is a cheerful, constant comparison between virtual and reality.  Here is a single passage.

Doug knew that skyscrapers had strong steel frames so they could be many stories high.
But he was amazed by the view from the top of one!  He could see everything!



Opening the matching jacket and cover readers are greeted by a roundish robot boy, shy smile and wide-eyed, holding and walking away from the plug.  Unlike the front the back background is a shade of plum patterned with a gray computer board.  Both sets of endpapers continue with the computer board pattern in shades of blue with Doug animated in seven different discoveries.

Using brush and ink on vellum and Photoshop Yaccarino begins with a pale dusty blue background for the first five double-page spreads until---Doug unplugged!  Then readers see liberal use of white space, green for the park and a hue of sky blue when needed as illustration sizes shift with the storyline   A bright, bold color palette illuminates the actions and emotions of Doug and the other characters.  Lively, simple and loaded with warmth these visuals are the perfect partner for the text.  My favorite illustration is a single page from play in the park; Doug sliding, swinging and sniffing a flower with his friend.


Doug Unplugged written and illustrated by Dan Yaccarino proposes and shows the value in using all your senses to truly discover and experience the smallest details and the largest vistas as much as you can whenever you can.  I, for one, am glad Doug tugged the plug.  I highly recommend this as a read aloud; bedtime or storytime.

I would also suggest pairing this with Matthew Cordell's innovative hello! hello! reviewed here.  Be sure to check out Dan Yaccarino's website with the link embedded in his name above.  There is an additional two page spread well worth seeing.




Wednesday, March 6, 2013

With The Greatest of Ease...

Good visuals grab your attention. Concise, precise information about a subject which interests you will hold it.  The combination of the two presented in infographics is unbeatable.

This past fall I tried a web 2.0 infographic app called Piktochart reviewed here with great results.  Another which has captured my attention based on posts by Richard Byrne of Free Technology for Teachers, and Larry Ferlazzo of Larry Ferlazzo's Websites of the Day... (making his The Best Web 2.0 Applications for Education in 2012 list) and in viewing two infographics here and here created by Travis Jonker on his blog, 100 Scope Notes, is Easel.ly.  Easel.ly is still in beta and free of charge.

To register you are asked for a username, email address, password, first and last name. (Even without any terms of service and privacy policy visible, this would require users to be at least 13 years old, unless parental/guardian permission has been secured.) To begin click on the blank canvas in the left with the words start fresh in the center. (Or select from one of the templates to the right and below.)

I decided to replicate the information included in my Piktochart infographic, comparing ease of use and final visual appeal.  The new window in Easel.ly offers users the option of dragging vhemes (visual + themes) and objects to their art board as well as modifying any text with a double click.  Along the top of the tool bar you can add:

  • Vhemes
  • Objects
  • backgrounds
  • shapes
  • text and
  • upload (take files from your computer).

You can zoom in and out on a specific area of your infographic as well as add a grid for sizing and lining up items.  Thankfully there is an undo arrow.  Starting with Vhemes I had fifteen from which to choose.


When deciding which one to use you can mouse over and click making it pop up in the center; enlarge it by clicking on the symbol in the upper right-hand corner and delete it by clicking on the x in the lower right-hand corner.  To move it to your art board select and drag.  Each item on the vheme can be altered by a mouse click on it.

Under the Objects button are the following categories:  people, animals, banners, food, icons, landmarks, maps, music, nature, people and transportation.  There are 24 backgrounds which with a drag can change the entire infographic.  If you choose shapes, there is a selection of 34.  Picking text gives you the choice of title, header or body.

You can completely delete any text on the vheme, adding your own, by selecting it with a click.  A tool bar appears which features: delete, lock an item, bold, italic, underline, shadow, bring forward, send back, bring to the front, send to the back, opacity, color, font (19 styles) and size.  As stated before a double click allows you to change the wording.

Similar tool bars appear when other items are chosen on the vheme.  You can choose to alter or delete them.  When adding items (or altering existing items) please note they can be rotated to fit a design, sized and dragged to a desired position.

I highly recommend registering and logging in before starting an Easel.ly infographic.  I had a moment of panic upon completion of mine when it asked me to log in before I could save.  When I logged in, it opened a new window instead of going back to the created infographic.

When your infographic is saved you are asked to go back to the home page to view/share your creation.  By choosing view/share your options are: download or view in browser with a URL web link or HTML embed code.  At this point you can decide whether to make your visual private or public.

The hardest part of using Easel.ly for me was getting the scale right because I was trying to get the same amount of information into a smaller overall space, at least according to the art board on my screen.  Truthfully, you could not have an easier app to use (a few less options on the toolbar than Piktochart but more items for addition to your infographic).  I think the results are equally, if not more, appealing.  I give Easel.ly a prime spot in my virtual toolbox.

Here are the two infographics for comparison.  First is the Pikochart followed by the Easel.ly.




Tuesday, March 5, 2013

All For Love...

Within days of Superstorm Sandy striking the Atlantic coast on October 29, 2012, in what has gone down in the history books as the lowest barometric reading ever recorded for an Atlantic storm making landfall north of Cape Hatteras, North Carolina, super author Kate Messner put into action an enormous relief effort, Kid-Lit Cares.  She gathered in authors, illustrators, agents and editors, all part of the children's literature community, to create an online talent auction.  In the first round of the auction 41 people offered their very best.

An article about the auction quickly appeared in the School Library Journal on November 2, 2012. For the second round super author, Joanne Levy headed up the organization of another 81 auction possibilities.   Follow up articles were posted in Publishers Weekly on November 15, 2012 and December 4, 2012.  All total more than $60,000. was donated to the American Red Cross as a result of Kid-Lit Cares.



Word spread like wildfire on Twitter about Kid-Lit Cares.  Bidding was fast, furious and tricky.  What these people were offering to the highest bidder was nothing short of amazing.  When I saw #11, Skype Visit with Author Ame Dyckman,  listed in the second round I was determined to win.  This past summer I had read and reviewed her debut title, Boy + Bot, loving this delightful story of friendship.  The winning bid included:  a signed copy of Boy + Bot, a classroom Skype visit, Boy + Bot swag for the students and the students could choose what color Ame's hair would be on the day of the Skype.

The good news is I won!  The even better news arrived when I received my first email from Ame Dyckman.  I had also won a signed copy of Boy + Bot for myself.

The swag included bookmarks and stickers for the entire student body; plus bracelets for the Skype class.  It still gets better.  Ame signed a copy of her book for each of the four first grade classrooms, autographed with the teachers' names,  Mrs. Carey, Mrs. Mailloux, Mrs. Sterrett and Mrs. Wood.  Her graciousness continued when she did a separate Skype visit with each of them.

Over the course of several email exchanges plus about twenty DM messages on Twitter we finally had our four dates: February 21st, 22nd, 26th and 28th.  Thankfully we are in the same time zone. (I tend to have trouble with time zones.)  We were all so excited to see Ame with blue hair; the top vote of the students. (When I say blue hair, I mean electric blue.)

During those four Skype visits I have never been happier to see students so actively engaged with an author; their excitement was only exceeded by her sheer joy and enthusiasm.  From the second the connection was made until the final goodbyes were spoken, Ame Dyckman filled the room with conversation and information about her work and herself.  No question went unanswered.

Students discovered and learned:

  • how many books she has written
  • the titles of her new books
  • how many books Dan Yaccarino, her illustrator for Boy + Bot, has illustrated
  • how long it took her to write Boy + Bot
  • how many revisions were done on Boy + Bot
  • why she choose a robot to be boy's friend
  • who Alaric is on the dedication page
  • her daughter's name and age
  • her favorite cereal
  • her favorite toy
  • what some of her robots look like
  • her cats' names plus seeing them on screen
  • the inside scoop on Willie and XL
  • how she carries her works in progress in her pocket 
  • where she writes
  • her favorite picture books and 
  • how important reading and writing are to her; encouraging the students to do both.
Ame read Boy + Bot to the students giving it her own special voice and emphasis drawing attention to those part she wanted them to notice in the writing and illustrations.  As she read she would pause, inviting comments from the students.  She spoke about how Boy and Bot were different on the outside but cared for one another the same on the inside.  


When I've returned to the classes since the Skype visits the students' beam when speaking about meeting Ame Dyckman; wanting to chat with her again.  After the first Skype the word was out about Ame; the principal and several parents appeared at the second and subsequent Skypes.  When someone as extraordinary as Ame Dyckman shares their time with you, it's the very best kind of day.

We all feel so very fortunate to have been able to have this delightful lady come into our classrooms.  There is never a dull or unhappy moment in her presence.  We all thank her from the bottom (and top and everything in between) of our hearts.


Please follow some or all of the embedded links to learn more about all these awesome authors and illustrators and the Kid-Lit Cares benefit.


Monday, March 4, 2013

Always...

The lines shaping who we become, are colored in by the people who enter and leave the days of our lives as well as our response to them.  For readers those numbers increase by leaps and bounds being introduced to real people in works of nonfiction and truly memorable characters in all forms of fiction. Probably more than we understand, these additional people, rarely met outside the pages of a book, influence and inform our personalities in varying degrees.

To connect with a real or imagined person, who has faced and conquered obstacles whether similar or different than ours, is to make their story part of our story.  In 2006 author Kirby Larson, introduced readers to Hattie Inez Brooks, a sixteen-year-old orphan.  Hattie left Iowa in December, 1917, never having felt welcome in the home of her Uncle Holt and Aunt Ivy, to live on her late Uncle Chester's homestead near Vida, Montana.  Hattie Big Sky, winner of a 2007 Newbery Honor award, is the story of her successes, failures, happinesses and heartbreaks as she set forth to "prove up the claim".  We were immersed in those, meeting a cast of characters who helped and hindered her attempts, as the history of the time swirled around them all.

On February 12, 2013 Hattie Ever After celebrated a book birthday.  Kirby Larson brings us back to Montana in June of 1919.  She opens the door; we gladly step through into a past we have come to know and love.

As she did in the previous title a letter begins chapter one.

June 4, 1919
Great Falls, Montana
Brown's Boardinghouse

Dear Perilee,
      You will never guess what I am posting in the mail besides this letter to you: my last check to Mr. Nefzger!  After these long months, Uncle Chester's IOU is paid in full. ...

Hattie finds it ironic she is making money doing the very thing which she left Iowa to avoid; cleaning and cooking in a boardinghouse.  She harbors a secret dream though; being a newspaper reporter after her articles, Honyocker's Homily, sent back to Iowa were published in The Arlington News.  Fate decides to intercede in the form of love.

Long-time friend Charlie Hawley, back home from his service during World War I, questions Hattie about their relationship when he makes a surprise visit.  The wardrobe mistress of a group of performers staying at Brown's has unexpectedly run off with a member of the cast.  A letter for Hattie's deceased Uncle Chester from a mysterious Ruby Danvers is forwarded to her.

These three seemingly unconnected occurrences chart a course for Hattie's new future.  Still unsure but determined to pursue her dream she finds herself in San Francisco as Charlie begins his new career in Seattle.   From Big Sky Country to big city living, we shadow Hattie as she makes her way.

People and moments connect in a chain of events leading to Hattie's employment at the San Francisco Chronicle as...yes...a night crew cleaning woman.  Her curiosity to uncover the truth about her uncle's past, her instinctive nose for news, her beliefs about human nature and her baseball pitching skills, learned from Charlie, all contribute to her being at the right place at the right time.  Plenty of excitement from the good and not-so-good people who cross her path lead Hattie to the best possible outcome.


With precise and painstaking research, Kirby Larson places her vivid, true-to-life characters within a historical setting so real, readers feel as though they've willingly ridden on a time machine.  Through dialogue, letter writing and musings by Hattie we are privy to the distinguishing personality traits of each person in Hattie's world.  With adept skill in her use of words and language Larson conveys a depth of emotion completely captivating her readers.  Here are a couple of passage from Hattie Ever After. (It was hard to narrow it down to only three.)

First impressions might lead one to think that a newspaper morgue was as quiet as...well, as a morgue.  Not that I knew about that firsthand.  But I did not think of "my" morgue as quiet.  Even in the wee hours, a symphony of sounds reverberated throughout this place.  First heard was the thump as one weighty volume was slid from its shelf, followed by the satisfying thump as it was placed on the library table. Then the whisk-whisk refrain of pages being turned enhanced the concerto.  One last set of sounds rounded out the music of a city's memories; each time I delved into those huge leather books, each time I traced my finger over the yellowed columns of newsprint, each time I studied a worn and faded photograph, papery whispers spoke to me of things that had happened long ago, and in so many places it would take an entire atlas to contain them all.  These stories were as irresistible to me as the Italian nougats one of Maude's suitors had brought her.

At the door, he took my hand.  When his palm slid next to mine, it was like a key slipping into my heart.  

Lacy clouds frothed around the seaplane like spun sugar.  We continued to push through to the clear sky above, and I pushed myself up in my seat, worries dissolving like the clouds.  There was no room for fear when faced with such a vista.  From my ever-ascending perch, I could take the city in all at once:  the Palace of Fine Arts, the wharves, Nob Hill.



In an interview Kirby Larson said, of Hattie Big Sky,  the story caught my heart when explaining her purpose in writing about Hattie.  She then goes on to say readers will know if a story is from your heart.  When continuing to tell the tale of Hattie's life after leaving Montana, the fullness in Larson's heart for this character has filled the pages of this remarkable new title, Hattie Ever After.  I have read it twice; receiving an ARC earlier, again after it's release and many of the treasured marked spots repeatedly.  This is historical fiction at its very finest.  Hattie Inez Brooks will become part of your story.

To listen to Kirby Larson's earlier podcasts follow this link to the Hattie Big Sky home page.  Here is a link to some resources at the publisher page for Hattie Big Sky. This link will take you to the Educator's Guide for Hattie Ever After.  A link to Kirby Larson's website is embedded in her name above.

Saturday, March 2, 2013

Twitterville Talk #90

Continued conversations, multiple exchanges of ideas, amazing connections---that's the power of Twitter.  I hope everyone had a good week.  Have a safe, restful weekend and make time for reading.  Look for the giveaways.


Many a night when Twitter starts to quiet down time zone by time zone, Mr. Schu starts tweeting about a gazillion resources.  I fully plan on giving him his own spot on Storify soon but until then enjoy this video (plus a whole bunch more of his tweets).  How did I ever miss this book?



I forget to keep checking the Scholastic web site for teaching tools.  This looks to be a fantastic guide of activities, The Underground Railroad: Escape from Slavery.

Close your eyes and listen to The Little Prince-70th Anniversary Edition narrated by Viggo Mortensen.




Get ready to add to that TBR pile courtesy of Publishers Weekly, Fall 2013 Sneak Previews.

Here's the link to another blog post loaded with resources for the books nominated for the Monarch Book Award.  Post number one is here.

Make sure you have your packet for World Read Aloud Day, 2013.

Are you ready to celebrate El dia de los ninos/El dia de los libros ?  Download the resource guide so you will be good to go on April 30th.

Top Ten Books for Youth: Graphic Novels  My TBR pile just got a little taller.

March is also Women's History Month. There is a good link here.

Meet the Latest Newbery Winner: How Katherine Applegate created a modern-day classic

Please Touch Museum, Memorial Hall, Fairmount Park has announced the 28th Annual Book Award Winners  To the first person who sends a DM on Twitter or leaves a comment at this post as to the top winner in the Kids' Choice category I will send a copy of A Splash of Red:  The Life and Art of Horace Pippin by Jen Bryant with illustrations by Melissa Sweet. (This book has been won.)

Anita Silvey offers her insights on Dr. Seuss; a perfect video for the month of March.

For all his efforts this week and for those weeks to come I thank John Schumacher, teacher librarian, 2011 Library Journal Movers & Shakers and blogger at Watch. Connect. Read. for these tweets.






I'm really enjoying these videos from Candlewick in their We Believe In Picture Books year-long celebration.  Thanks for this tweet!






Heads up and mark your calendars, the Kids Read Comics Celebration has picked a date and place.  Follow the link.

Thanks to author/illustrator, Dave Roman for this tweet.




In case you missed the Sunday night special,  #titletalk hosted by Colby Sharp 4th grade teacher, co-founder of the Nerdy Book Club and blogger at sharpread along with guest host, Katherine Sokolowski, 5th grade teacher and blogger at Read, Write, Reflect, the archive of the chat is here.  The topic for the month of February was historical fiction.

Thank to Cindy Minnich for compiling the archive and for this tweet.  Cindy is a high school English teacher, yearbook advisor and blogger at Charting By the Stars.




It was announced this week, New Picture Book to Honor Newton, Conn., Community.  Make sure you make a note of the release date; fantastic author and illustrator combining their talents straight from the heart. To the first person who can tell me the author and illustrator of this book via DM on Twitter or by leaving a comment at this post, I will send a copy of The Longest Night by Laurel Snyder with illustrations by Catia Chien. (This book has been won.)

Thanks to Children's Bookshelf of Publishers Weekly for this tweet and article.




Here is a good presentation on Why Visuals Matter In Storytelling.

This is an excellent compilation, Resources for Lessons About the Iditarod and Dogs In General.

Thanks to Richard Byrne, educator and blogger at Free Technology for Teachers for these tweets.







Corey Rosen Swartz, author of The Three Ninja Pigs (reviewed here) posted The 2012 Picture Book Oscars on her blog this week. This might be a fun activity to do with your students.

Thanks for the tweet!



Two good sources of information on the studies of maps and map skills linked here and Interactives United States History Map.


Thanks to teacher librarian Sarah Ducharme, currently working in Budapest and blogging at Try Curiosity! for these tweets.



Here's the start of an interesting conversation for the literacy community, Behind The Books: Does Story Appeal to Everyone?

Think about this....really think about it.


Thanks to author Melissa Sweet (Animal Grossapedia reviewed here) and blogger at Celebrate Science for these tweets.






Did you know about Page to Screen: Upcoming Kids' Books Set for Film Adaptions?


Thanks to School Library Journal for this tweet.








Have you made time to watch Teaching Empathy & Preventing Bullying? It's March 4, 2013.

Thanks to Colby Sharp for this tweet.







25 Writers on the Importance of Libraries  Food for thought for those not in the know.

Thanks to Debbie Alvarez, teacher librarian currently in Hong Kong and blogger at The Styling Librarian. 








Good news for those following the Battle of the Kids' Books 2013, Who Do YOU Want in the Finale?  The Undead Poll is Open!

Thanks to the Battle Commander of the Battle of the Kids' Books for this tweet.




Gary Schmidt talks about Okay for Now on NPR All Things Considered: With Audubon's Help, Beat-Up Kid Is 'Okay for Now'


Thanks to author Linda Urban for this tweet.






The Society of Children's Book Writers & Illustrators has announced the 2013 Golden Kite Award Winners .  

Thanks to author/illustrator K. G. Campbell for this tweet.


Here's my list of favorite quotes and thoughts for this week.








Friday, March 1, 2013

But I'm Not A...

At first glance what we think may be, might be something else entirely if given a chance to look more slowly and with intention.  Then, too, there is the case of looking at something which closely resembles another to the point we think they are one and the same.  The classic comic example of this is a small child spying a skunk and crying out, "Kitty!"

There are those moments when desire seems to completely alter perception; where what we see and what is, are total opposites.  In Carin Bramsen's debut book as both author and illustrator, Hey, Duck! (Random House, January 22, 2013) a little duck is looking and...hoping.  When you view life as a glass half full, as does Duck, good things might be right around the corner...er...puddle.


Hey, duck!
Why do you walk like that?
I slink because I am a cat.

Yes, a duck thinks a cat is a duck. Through a series of questions and thoughts we sense duck's possible puzzlement but determination.  The cat's tail length is compared to the duck's.  Fur is thought of as feathers; to the chagrin of the cat.

Duck invites and coaxes needing a partner in the puddle stomp.  Irritation on the rise the cat tells the duck to skedaddle, preferring solitude.   A raspberries match ensues between the two.

Duck decides one can have fun as cat settles into a snooze.  A refrain of duck's startles the cranky cat to wakefulness.  Now who's calling, Hey, duck?

A change of heart is a start as is the sound cat makes.  Duck feels a dance coming into those webbed feet.  You know what that means.  But a surprise is in store for cat and every reader.


Told entirely in dialogue readers are treated to a rhyming tale of upbeat persistence.  The contrast between duck's cheerfulness and cat's crabbiness creates humorous tension. The recurring refrain, Hey, duck! provides added rhythm. With careful word selection Bramsen has given readers very distinct voices for each of her characters.


Upon opening up the jacket and cover (a single illustration spanning both pages) you can't help but be attracted to the colorful, charming portrayal of cat and duck; the cute quotient is sky-high. Opening and closing endpapers in pale yellow resemble the downy feathers of a duckling due to the tiniest of lines and shading.  Teeny little duck footprints with drops of water are placed in a loop around the dedication extending from the left page to the right where duck sits in his "pond" beneath the title.

For most of the illustrations a vivid sky blue is the background whether they are two page, a single page or grouped by twos or threes on a page.  When smaller visuals are used white space provides a frame of alternating shapes; rectangle, circle or oval.  The texture and detail of each picture is exquisite; at the very least you'll want to reach out and touch them expecting to feel fur, feather, grass, tree bark or water.  Facial expressions, eyes many times looking right at the reader, and body movements convey each and every emotion and personality trait with perfection; cat hanging onto the tree with claws extended and arms spread, the wordless spat, duck splashing in the water with complete abandon, or cat's startled looks.


Carin Bramsen's debut work as both author and illustrator, Hey, Duck!, is a delightful exploration of compromise in the forging of friendships; of how goodness is many times not recognized until it's gone.  It would make a wonderful read aloud using appropriate voices for the two characters or a bedtime pick for just a few.  I predict multiple readings. (I've read it again and again, myself.)  I can see pairing this with Leeza Hernandez's Dog Gone! or Dog in Charge written by K. L. Going with illustrations by Dan Santat.