Quote of the Month

When love and skill work together, expect a miracle. John Ruskin




Friday, November 22, 2013

A Winter Lullaby

Over the years, winter has become my favorite season of the year.  There is nothing I enjoy more than hiking through the snow with Xena on a calm night. The air is so clear; the stars seem to hang from the heavens like crystals on a celestial chandler.  As we pause in the stillness, there is no sound other than our breathing.

When the final page is read and the cover slowly closed, there are books which cause the same stillness to surround a reader.  Unlike the perfect frosty evening, with each reading the same feeling can return any day all year long.  Once Upon A Northern Night (Groundwood Books, House of Anansi Press, July 30, 2013) written by Jean E. Pendziwol with pictures by Isabelle Arsenault is an exquisite portrayal of nature's nocturnal harmony.  It's a song of love to life.

Once upon a northern night
while you lay sleeping,
wrapped in a downy blanket,
I painted you a picture.

An unseen narrator takes the canvas of the night adding elements one by one beginning with a single snowflake as singular as the child tucked in the warm bed.  Moments later others join the first until the outside view is transformed. Pine boughs hold a powdery treat ready to be released.

Crisp apples still hanging from trees supply a doe and her fawn with a late night snack as a large owl silently glides by, feathers leaving patterns on the snowy top layer.  Snowshoe hares dance steps known only to them as a fox longingly watches.  No invitation is extended for him to join their party.

Fallen seeds from the bird feeder lure a mouse into brave acts to get a taste. Clouds pass to reveal a sky scattered with stars as the pulsing of northern lights adds colored hues.  Frosty designs decorate a window as the moon bends to earth.  A child wakes.  


Lilting lyrics lull the reader into a world of wonder.  Out of the poetry written by Jean E. Pendziwol, a deep affection for the child and a profound admiration for the natural world are elegantly conveyed.  Her distinctive descriptions depict a vivid sense of place; the crunch of apples eaten by the deer, the shift in the air as the owl passes, the soft snort heard as the hares scamper for cover or air so cold you can almost hold it in your hands.  Here is an example.

...that gathered into puffs of creamy white,
settling like balls of cotton,
waiting.


A cool, subdued color palette in white, cream, blue, gray and black with splashes of green, yellow, brown and red creates a peaceful, pastoral venue for this gift to the child.  Isabelle Arsenault rendered these illustrations using pencil, gouache, watercolor and ink, combining them digitally.  The matching jacket and cover unfold, displaying a picture which is at the same time a panoramic snowy landscape and a blanket covering a sleeping child.  Charcoal opening and closing endpapers are covered in small bunches of grasses and flowers colored in silver.

Fine lines, softened physical attributes and the use of shading and light accentuate the elements in every picture.  There is texture on every page, asking to be touched.  Some of the visuals are a single page opposite a page displaying only the text.  Others are two pages wrapping around the words.  As you would expect, white space features heavily in the design.  My favorite illustration is of the child's home done in shades of blue, trees on each side with a wide border of frosty swirls at the bottom.


There are those very special books which become part of the nightly reading ritual.  Once Upon A Northern Night written by Jean E. Pendziwol with pictures by Isabelle Arsenault is one of those books.  Whether used at bedtime, in a study of winter, or to demonstrate the power of poetry, the combination of text and illustrations is pure magic.  I love this book more every time I read it.

Please follow the links embedded in the author's and illustrator's names to learn more about them and their work.  Additional pages can be viewed at Isabelle Arsenault's website.

Thursday, November 21, 2013

Which Is It?

For those who pursue a passion of inquiry into the age of dinosaurs, there can never be too many books on the topic.  Every new volume is treated like a much-desired gift.  You never know what exciting bit of information will act as a missing piece to be placed in the puzzle for these prehistoric creatures.

Discoveries by paleontologists continue to expand the knowledge base.  Four years ago in the state of Utah, a new dinosaur, Lythronax argestes, was found, confirming dinosaurs of the giant variety were around millions of years before the Tyrannosaurus Rex.  After four years, the fossil went on display November 6, 2013 at the Natural History Museum of Utah. The masterful team, author Brenda Z. Guiberson and illustrator Gennady Spirin, which earlier this year released Frog Song (Henry Holt and Company, February 2013) have collaborated in a new title, The Greatest Dinosaur Ever (Henry Holt and Company, October 2013).

Who was the greatest dinosaur that ever lived?
I was the greatest. I was the tallest and the biggest herbivore. I had a long neck with the highest reach into the trees. The earth shook when I walked.

Sauroposeidon does indeed fit this description but eleven other dinosaurs have their say in the pages that follow.  Each enumerates their unique features, certain they were the greatest dinosaur of all!  Readers will marvel at the special qualities of each, those adapting them to their habitats and pursuit of food.

Which dinosaur was the longest?  Which could swallow five hundred pounds of food?  Which had three-foot-long claws?  Was it Tyrannosaurus Rex, Spinosaurus or Therizinosaurus?

Seventeen diamond-shaped plates ran along the back of one with a tall having the longest spikes.  Another had armor covering its entire body, including its eyelids.  Hollow bones contributed to a third's phenomenal speed, over forty miles per hour.


Will it be brain size, night vision, flying, parenting or the smallest which will snag the prize as the greatest dinosaur of all?  Decisions, decisions...you are asked to choose.  If you lived then and there, what would you value the most?


The narrative format used by Brenda Z. Guiberson will have readers feeling like participants at a round table discussion, each dinosaur giving voice to their outstanding physical attributes.  Repetition of beginning and ending statements for each entry, provide a rhythm, a flow.  Beneath each dinosaur's name a pronunciation guide is shown.


Elaborate oil paintings by Gennady Spirin  extend edge to edge throughout the book beginning with the jacket and cover.  Tyrannosaurus Rex roaring as it moves in for a meal on the jacket is accompanied by Spinosaurus on the cover, rows of sharp teeth lining its open mouth.  The title page and two narrative closing pages feature large eggs, the first with necks, heads and feet of different dinosaurs emerging from cracks and the latter, a backdrop for text surrounded by a variety of dinosaurs.

Each dinosaur is colorfully portrayed in a stunning landscape, a misty quality associated with a warmer, humid climate permeating all the pages.  All twelve are in motion, sometimes only one will be showcased, other times there will be a group.  With little stretch of the imagination, these illustrations come to life with all the sights and sounds of the age.  My favorite is of the Spinosaurus, standing on a cliff above a large body of water, trees framing each side, dinosaurs in flight, near and far.

Whether you are one of the legions of dinosaur devotees or merely curious, The Greatest Dinosaur Ever written by Brenda Z. Guiberson with illustrations by Gennady Spirin is a book to be read over and over; the text and illustrations enticing your return. Two pages at the back contain thumbnail pictures of each dinosaur giving the meaning of their name, the pronunciation again, their size, the period in which they lived and their location. On the final page an author's note, bibliography and online resources are supplied.

Please follow the links embedded in the author's and illustrator's names to access their websites.  If you wish to see more pages from this title go to the publisher's website linked here. This is a link to a printable PDF file activity guide.  This title could be paired with How Big Were Dinosaurs? by Lita Judge and Alphasaurs and other prehistoric types by Sharon Werner and Sarah Forss.

Wednesday, November 20, 2013

Little By Little

I can usually count on one of the technology people in the know on Twitter to tweet about applications they've discovered.  Less than two weeks ago, Richard Byrne, educator, speaker and blogger at Free Technology for Teachers, featured a new service in one of his posts. Stipple functions to create interactive images similar to Thinglink.  I featured Thinglink in a post nearly two years ago.  I decided to give Stipple a try to test its ease of use.

Currently the service is free.  Users under the age of thirteen are not allowed to sign up for this application.  When you click the blue Sign Up button a new window appears.  You can create an account by entering in a username (it can't be changed later), an email address and password.  If you so choose, you can use your Facebook, Flickr, Twitter, Instagram, Google or Etsy account to connect to Stipple.  You are asked to read and agree to the Terms of Use and Privacy Policy.  A confirmation code is sent to your email address to complete the registration process.

A new screen appears.  On the left the icons from top to bottom represent:


  • your dashboard
  • ability to browse the images of others
  • library of uploaded images
  • connect Stipple to your web site and 
  • connect your Stipple images to the products you may sell.
To the right of this tool bar are two other icons.  The first, the series of lines, opens and closes the navigation bar.  The second is an instant option for getting images from a URL link, by uploading from your computer, Facebook, Flickr, Instagram and Google +.


 


















Moving over to the right-hand side you can search images on Stipple, check for notifications and access your settings as shown in the image below.  It's now time to move to the center and click on the blue Get Started button.  The first step is to get an image.



If taking images from your computer you can drag them to the space or search your files.  You can add as many images as you desire.  When you click done, Stipple asks you to confirm the images are your own, giving attribution to you.  You can still upload images that are not yours, but credit will not be given to you.

When you accept this, a new window opens.  This shows each of the images you have added.  As you can see none of the four pictures I uploaded have been tagged yet.  Beneath each image you have the option to add a caption, choose a date and time of publication and delete the photo.


When you mouse over the image in the lower left-hand corner a small plus sign appears.  This is how tags are added.  When you click that icon your mouse becomes a plus sign.  Move it to the desired spot and click.  Your choices will appear.


You can add media from Everbrite, Facebook, Flickr, Foursquare, SoundCloud, Twitter, Vimeo, Wikipedia, YouTube and Google Maps.  You can decide not to use any of those by entering in your own title and description.  When you click on Save a tiny icon appears in the circle designating the type of media.


When mousing over the stippled image all the tags appear.  I have links to three Wikipedia articles, one video and a Google Map.  The tiny i in the right-hand corner gives all the attribution information.  By adding tags to this photograph it now becomes part of the public domain housed at Stipple.  

When the image is selected, it is enlarged and more options are available.  You can share it on Facebook, Twitter, Pinterest or Google +.  It can be liked or added to a set.  Comments can be left.  A URL link and HTML code are shown.  As you can see along the top more sophisticated tracking features are offered documenting the use of your images.  



At this time Stipple has an iOS 6.1 or later app which can be obtained through the AppStore.  The site promises that an Android app is on the way. As I was exploring Stipple, I toggled back and forth between this application and Thinglink.

At this time the advantage of Stipple is you add an element by going to a single site and searching for a specific item, narrowing your choices.  In Thinglink you enter in a keyword and a list of choices appears from many sites.  The search is very broad.  In Thinglink and Stipple you can add a URL for which you have previously searched that is not one of their listed sites.  

Another advantage of Stipple is the more detailed and extensive statistics gathered about your image.  For those people using this application for research purpose, taking polls or as a business, this is a plus.  Statistics are compiled at Thinglink but they are not as in-depth.  

Thinglink is the older of the two, providing hints for educational use and a free upgrade to a teacher account.  Thinglink does allow persons under the age of thirteen to use the site under supervision of parents or guardians.  


As far as ease of use Stipple gets high marks.  Each tag can be edited or deleted.  (When you open a tag by clicking on it, an arrow appears in the lower right-hand corner.  Click on it to edit.) The presentation of each photograph within a frame is a nice touch.  The ability to comment, like, add an image to a set and have the sharing options all in one place is a plus.  

I can see using this in a classroom for research purposes.  Images could be posted prompting students to do research relative to the subject.  Once the research is complete the stipples could be added by a person holding an account. This application offers the opportunity for older students to work jointly with younger students on group projects.  For students older than thirteen this is a great interactive presentation tool.    


It's going to be interesting to see where Stipple is after being available to the public for the same length of time as Thinglink.  I like it.

stippled-photo-53550164


Tuesday, November 19, 2013

Little Girl...Big Dreams, Big Adventures

If you time it right on a full moon night, sitting on the horizon, it looks close enough to touch.  At the darkest hour, when the air is clear, high in the sky overhead, with little stretch of your imagination, you believe it to be closer than it is.  These are the times when visiting the moon for polite conversation seems possible.

In her debut picture book, Red Knit Cap Girl (Megan Tingley Books, an imprint of Little, Brown and Company, June 2012), author illustrator Naoko Stoop introduced readers to one small girl wearing her signature articles of clothing, who takes the time to nurture her curiosity.  This small child has a deep appreciation for the natural world.  This small child dreams big.

In the forest, there is time to wonder about everything. Red Knit Cap Girl wonders about flowers, butterflies, leaves, and clouds.

What Red Knit Cap Girl wants more than anything else is to talk with the Moon.  To get close enough she goes out on a tall branch and has her friend White Bunny lean out over a reflection on the pond.  These don't work, of course, so she asks another friend, Hedgehog how he thinks she can reach the Moon.

His suggestion of seeking advice from Owl, has her approaching his old oak tree in the darker parts of the forest.  He tells her the Moon is much too far away...

"...but if you want, she will bend down to listen to you."

Now Red Knit Cap Girl must do something to get the Moon's attention.  She gathers her friends Bear, Squirrel, Hedgehog, White Bunny and two little white birds, to plan a festive welcome for the Moon that evening.  Each has suggestions and offers of help.

Perhaps small glows of light will let the Moon know Red Knit Cap Girl is waiting for her.  Paper lanterns are made and hung; the merrymaking begins but is greeted only with silence.  In fact, the Moon seems to be absent from the night sky this evening.  Owl and Nature herself provide the answer to making a big dream come true.


Simple delightful sentences surround readers with warmth taking them into the story of Red Knit Cap Girl and her forest friends.  A mixture of narration and conversation tell the tale.  A gentle childlike cadence, perfected by Naoko Stoop using the structure of threes, summons readers to continue.  Here is a single passage.

"The Moon might like decorations," says Hedgehog.
"I can hang them because I am tall," says Bear.
"I can help because I am nimble," says Squirrel.


Readers immediately notice the unique background on the jacket and cover of this title.  Naoko Stoop uses acrylic, ink and pencil on plywood to render her illustrations. If you open the jacket two separate illustrations, the front highlighting Red Knit Cap Girl and White Bunny in a circle of light, the back with the two friends sitting on a branch looking at a large moon, are designed in pleasing symmetry.  The cover, different, has a much stronger wood background depicting each of the characters at play.

Blue shaded, swirled marble-like endpapers, are dotted with varying round white spots...moonbeams?  The pictures move from double page spreads, edge to edge, to single edge to edge pages and to other single pages with large plywood background frames, elements slipping past the edges to depict movement. Colored hues of the backdrop suggest times of day surrounding the delicate-featured characters.  Stoop shows the passage of time with the ever-increasing size of the Moon's shape.  One of my favorite illustrations is a single page.  Red Knit Cap Girl is seated on a branch with Bear, Hedgehog, White Bunny, Squirrel and the two birds, with a single lantern hanging below, glowing, as they long hopefully for the Moon.


I couldn't have been happier to realize this month brought the release of another title by Naoko Stoop, Red Knit Cap Girl To The Rescue (Megan Tingley Books, an imprint of Little, Brown and Company).  If your view of life is optimistic, chances are you will seize opportunities when others might not.  You will see no danger to yourself in assisting another in trouble.

It's a windy day in the forest.  Red Knit Cap Girl and her friends are playing together. 

As Bear, Hedgehog, Squirrel and White Bunny fashion telescopes, hats and kites from paper, Red Knit Cap Girl spies something clearly in distress out on the open water.  A small polar bear cub is floating on a chunk of ice, having strayed from its home and mother.  Without giving it a second thought, Red Cap Girl makes a large paper airplane glider which she and White Bunny use to bring the wayward stranger to shore.

When the Moon rises in the evening, Red Knit Cap Girl chats with her about finding Polar Bear Cub's family.  As the new day begins, it finds her and her friends busily building a boat to sail across the ocean.  Following the Moon's light, hanging on tight during a turbulent storm and under the guidance of a pair of Orcas, the trio, Red Knit Cap Girl, White Bunny and Polar Bear Cub, journey to the cold north.

New wonders flicker in colored hues across a night sky.  A shoreline stops the boat's passage as all gaze at a world filled with ice and snow.  Is this where Polar Bear Cub will find his family?


It is the innocence, kindness and wondering of Red Knit Cap Girl which shines through in her dialogue with her friends in this story.  The response by them to the goodness she embodies is seen in the narrative.  The bond between readers and this book is strengthened by having each of the characters, the Moon, Owl, Hedgehog, Squirrel, Bear and White Bunny (plus the two little white birds) from the previous title reappear.  Here is an example.

They sail north in search of Polar Bear Cub's home.
"I hope it's not too far away..." says Red Knit Cap Girl.
"Follow the light of the Moon," calls Owl.


On the front and back jacket there is a balanced lightness; the blue sky over the pale shades of golden tan (the plywood) is reversed on the back as Polar Bear floats forlornly in the sea.  It's interesting to note the letters in the title are breezing along with Red Knit Cap Girl and White Bunny as they fly to the rescue.  All the characters are enjoying their paper toys on the cover as leaves float by them.  A variegated mixture of greens with tiny white dots above, color the opening and closing endpapers.

The attractive blend in illustrative sizes seen in the first book is repeated in this title with blues, greens and golds being the more predominant colors. When Red Knit Cap Girl first sees Polar Bear Cub, it is through the circle of her paper telescope.  That same size circle is used to frame several more single page pictures rather than the wide plywood frames used in the previous title.  One of my favorite illustrations is the two pages depicting the storm at sea; stylized pointed waves reaching toward jagged lightning bolts as White Bunny, Polar Bear Cub and Red Knit Cap Girl hold on tight squeezing their eyes closed.  Stoop even gives Polar Bear Cub a paper rain poncho to wear.


Red Knit Cap Girl and Red Knit Cap Girl To The Rescue written and illustrated by Naoko Stoop will not only endear readers to the main character and her friends, but will make us all strive to view the world, appreciate life, through her eyes.  Readers of all ages will find these books completely charming.  I thank Naoko Stoop for bringing these books into the children's literature world.

To learn more about Naoko Stoop and her artwork please visit her website by following the link embedded in her name.  She was featured at Seven Impossible Things Before Breakfast.  Red Knit Cap Girl was on The New York Times Best Illustrated Books last year.  I was personally thrilled to discover Naoko Stoop's Etsy shop. For an additional interview with Naoko Stoop about Red Knit Cap Girl To The Rescue at Carter Higgins's blog, Design of the Picture Book, follow this link.





Monday, November 18, 2013

Each One Is Unique

Life is filled with moments and memories of unbearable sadness and exhilarating happiness.  In between those unbelievable lows and highs, each day is filled with simple, tiny, truly magical instants, if we only take the time to notice and honor them.  I was writing on December 14, 2012, toggling back and forth from my blog to Twitter, when my feed was suddenly filled with the tragic events unfolding at Sandy Hook Elementary School in Newton, Connecticut.


On June 30, 2013 when attending the American Library Association Annual Conference & Exhibition, I found myself sitting at a table with Nerdy Book Club friends for the Random House Fall 2013 Preview Tea.  Two of the authors present were Patrica MacLachlan and Steven Kellogg.  That afternoon I received a f & g of their beautiful collaboration, Snowflakes Fall (Random House, October 29, 2013) and had the opportunity to chat with each of them.  To all present they both spoke about their desire to create this book for the children, prompted by the heartbreak felt by all on and after December 14, 2012.

After the flowers are gone
Snowflakes fall.

The mysterious beauty of snowflakes is they are all different.  As they cover the buildings, bushes and trees in our communities, the coats of our beloved dogs and gently land on our out-stretched  tongues, we marvel at their potential.  They are small but together they can transform a landscape.

They are carried on a breeze like sound.  Wild winds during the night, shape them like sculptor's hands as we lie awake listening in the dark.  With gladness we greet the new day, sun shining on fresh wonders.

Imprints are left in the snow by animals, sleds and children.  Men, forts and angels are made of and on the snow.  Weeks pass, the season changes.  Imprints, men, forts and angels disappear, replaced by warmth, green grasses and blooming flowers.  Even in the midst of a new season, the one passed will be not be forgotten.


Today as I write, it's snowing here again.  The wind is mingling dry, feather-light leaves with flakes of whiteness.  What I see outside is reflected in the words of Patricia MacLachlan.  Having read this book over and over again, I still continue to be carried from page to page by the gentle rhythm of each phrase, some repeated, one connected to the other.

Readers are transported to those snowy days, bundled from head to toe in winter wear, laughing and playing with others outside in the snow.  Readers can imagine the cozy comfort of snuggling under the covers in a warm bed as a storm  passes through in the night.  Readers are reminded of the flow of life and the power of memories.  The words of Patricia MacLachlan take you where you need to be.


When you first look at the front matching jacket and cover, you know you are looking at pure bliss; it's familiar and freeing to make angels in the snow, no matter your age.  On the back cover of both is a single snowflake set in a circle.  Close inspection shows a pattern with diamonds, hearts and snow hats.  This is enlarged, set within a square of snowflakes, for showcasing the title on its page.

Opening endpapers show children playing a game of hide-and-seek in the autumn woods.  One child is running off the page in the upper right-hand corner in a swirl of snow.  The closing endpapers are done in shades of blue, snow covering the land, snowflakes scattered about, twenty snow angels weave their way from one corner to the opposite; from land to the air.

The artwork of Steven Kellogg is as unique as a single snowflake.  All of the illustrations, two page and single page, are filled with the joys of childhood or in two, looks of questioning.  You can hear the chatter of children coming from the pages as they seek, discover and enjoy.  A couple of my favorite illustrations are a two page spread of children running up and down hills among the trees as their dogs scamper along with snow falling and a single page close-up of branches framing a window, a boy being tucked in by his mother for bedtime, the warm glow of inside contrasted with the icy chill of night.


Winter has always been one of my favorite seasons but watching the world get covered with snow will be different now after reading Snowflakes Fall written by Patricia MacLachlan with illustrations by Steven Kellogg.  In the stillness of a wintry walk I will be listening for the laughter of children, gone but remembered.

No two the same---
All beautiful.

For more information about Steven Kellogg please follow the link embedded in his name above.  Follow this link to the publisher website for more information about the title, a couple of downloadable activity pages, a teacher's guide about life, renewal, grief and memory, and a peek at some of the pages from the book.


Saturday, November 16, 2013

Twitterville Talk #126

With Picture Book Month past the half-way point, many educators also have their Mock Caldecott units in full swing; Skype sessions are beginning and lists are being exchanged weekly.   The spring preview posts are appearing more frequently.  AASL is in full swing in Hartford, Connecticut with tweets popping up almost faster than they can be read.  Underneath all the sharing, all the exchanging of information, is the sense of anticipation.  The ALA Youth Media Award selections are less than two months away.  I hope everyone had a great week.  Enjoy your weekend and the tweets gathered here.  Take time for reading.  Look for the giveaways.


Well, this premise is too much fun not to note---If Books Ruled The World.  I think it might be a great writing opportunity with students too.

Watch the First Full-Length DIVERGENT Trailer

Thanks to Book Riot for these tweets.







This is a resource definitely worth exploring; making sure of course, you have a ton of time. TED Playlists: a librarian's friend

There are great books on this list---Best Audiobooks: 20 Must-Have Titles for Tweens and Teens

Thanks to School Library Journal for these tweets and posts.








Most of the people I know have read her books and read them aloud to others.  How Cynthia Rylant Discovered The Poetry of Storytelling is a new interview on NPR's All Things Considered.  

Thanks to NPR Books for this tweet.









Make sure you take a minute to read a tribute, a reflection about, Maurice Sendak by Paul O. Zelinsky.  Author & Illustrator Paul O. Zelinsky Remembers His Teacher, Colleague and Friend Maurice Sendak

Thanks to author illustrator Paul O. Zelinsky for this tweet and this post.




This is a very powerful essay written by author Matt De La Pena, Sometimes The 'Tough Teen' Is Quietly Writing Stories.  It is very important that every single one of you read it.

Thanks to Colby Sharp, educator, co-host of the monthly #titletalk, co-host of the monthly #SharpSchu Book Club, co-founder of the Nerdy Book Club and blogger at sharpread for these tweets.





File this post under food for thought.  On Eliminating Internet Distractions 

Thanks to author illustrator, Stephen McCranie (Mel and Chad graphic novels) for this tweet and post.








Author and readiologist, Esme Raji Codell (Sahara Special) has created a Pinterest board, PlanetEsme Picks: Best Children's Picture Books of 2013 While I've read many of the titles listed here, it's a great spot to find some new ones.

Remember to keep checking back for updates on 2013 Best Books Lists

Random House Spring Kids 2014|Preview Peek I may have to take out a loan.

Mark down the dates.  Jarrett J. Krosoczka is hosting virtual booktalks.

Follow links here, and here to get ready for World Read Aloud Day.

Have you listened to this NPR All Things Considered feature? Roald Dahl Wanted His Magical 'Matilda' To Keep Books Alive


Here are the book trailers and author illustrator videos for this week.  Enjoy!













Thanks to John Schumacher, teacher librarian, co-host of the monthly #SharpSchu Book Club, 2011 Library Journal Movers & Shakers, 2014 Newbery Medal Committee member, and blogger at Watch. Connect. Read. for these tweets.






And the previews just keep on coming, week after week.  Librarian Preview: Lerner Books (Spring 2014)

Thanks to Elizabeth Bird, New York Public Library's Youth Materials Collections Specialist, author and blogger at A Fuse #8 Production for this tweet.







This looks to be a comprehensive list, 38 Of The Best Learning Apps For Elementary Students

Thanks to elementary principal and blogger at The Colorful Principal, Ben Gilpin for this tweet.





Listening to these podcasts further acquaints us with the most amazing authors and illustrators.  This week listen to Let's Get Busy with graphic novelist Ben Hatke.

Thanks for the podcasts and tweet go to elementary library media specialist, co-founder of #levelupbc, 2013 Library Journal Movers & Shakers Tech Leader and blogger at The Busy Librarian, Matthew C. Winner.





I will never, ever forget reading Walter Dean Myers' The Fallen Angels.  In this interview he reflects on that title in light of his new release, Invasion.  Walter Dean Myers on Fallen Angels
To the first person who can tell me the title of the second book in this trilogy, I will send a copy of Donalyn Miller's Reading in the Wild: The Book Whisperer's Keys to Cultivating Lifelong Reading Habits.  Please leave your answer in the comments below or send me a DM on Twitter. (This title has been won.)


Thanks to The Horn Book for this post and this tweet.






It would seem that Elizabeth Bird is asking for Mock Me. Repeatedly.  What does this mean?


Thanks to teacher librarian, 2014 Caldecott Medal Committee member and blogger at 100 Scope Notes, Travis Jonker for this tweet.










Our imaginations are wonderful things.  Did you see this sixteen minutes of wonder written by Neil Gaiman?  A Dream of Flying


Thanks to author Neil Gaiman (Fortunately, The Milk) for this tweet.







Enormous auction taking place---Authors for the Philippines  There are some awesome options being presented.

Thanks to author Tom Angleberger (Origami Yoda series) for this tweet.






You can never really know too much about copyright.  8 things educators need to know about copyright and open resources

This looks like it's filled with ideas to use in our libraries.  Library Center Startup Kit


Thanks to Jennifer LaGarde, teacher librarian, 2012 Library Journal Movers & Shakers, ALA/NYT I Love My Librarian winner, co-founder of #levelupbc and blogger at The Adventures of Library Girl, for these tweets.





This is a fantastic resource for all educators planning an author visit---Things I Love Thursday



Thanks to author Barbara O'Connor (How to Steal a Dog) for sharing her expertise in this post and for this tweet.







Here's an essay to consider written by a notable author---On Gender and Boys Read Panels

Thanks to author, Anne Ursu (The Real Boy) for this post and this tweet.





It's interesting to read about those books which have endured and the decisions made by the editors of each.  Inside Stories About Memorable Books

Have you seen The Winter 2013-2014 Kids' Indie Next List Preview?  I'm almost afraid to look.
To the first person who can tell me the title of Kadir Nelson's book on this list, I will send a copy of Snowflakes Fall by Patricia MacLachlan with illustrations by Steven Kellogg.  Please send me a DM on Twitter or leave your answer in the comments below. (this title has been won.)

Thanks to Children's Bookshelf of Publishers Weekly for these tweets.






This has got to be one of the neatest advent ideas ever---A Bookish Advent Calendar

Thanks to author Bonny Becker (Bear and Mouse series) for this tweet.





This reinforces the power of writing and sharing---All Because We Shared Our Stories

Thanks to educator and blogger at Read, Write, Reflect, Katherine Sokolowski for this tweet.





These are a collection of tweets, quotes and magic moments in classrooms.  I had nothing to do with the dog tweets; Xena is getting very clever. 


















Friday, November 15, 2013

Pick Me...Please

Knowing real life does not always end happily ever after, makes looking for a silver lining all the more important.  It also makes those moments when everything seems perfectly in place all the sweeter.  A single decision can tip the scales.

So many depend, so much depends, on the myriad decisions each of us makes on a daily basis.  With the pet population in shelters ever growing, a choice to adopt may mean the difference between life or death for one of the temporary residents.  Using events from her own life, author Meg Kearney has created Trouper (Scholastic Press) with illustrations by Caldecott Honor Book winner, E. B. Lewis.  

Back in the before time, 
before I licked your nose
or sniffed your shoes,
before you bought my bed and bowl,
before the place you picked me out,
I ran with a mob of mutts.

Though free to roam, survival is hard for a group of dogs, living on the streets, scrounging for food in the garbage left by humans, and evading the rocks thrown by boys.  When offered the choice of eating steak, they readily enter the back of a stranger's truck.  Taken to a place with dogs, cages and dogs in cages, this canine company is separated.  Eight plus one now receiving food and water are no longer running at will.

Day after day people walk along the row of cages.  One by one the number nine drops until only one remains, Trouper.  No one wants a dog with three legs. 

Someone sees beyond the three legs.  Someone sees the kind soul shining through those big eyes.  Someone wants this last dog.  It's a boy.  A boy whose compassion far exceeds the meanness of those others.  

Now he has his own bowl.  Now he has his own bones.  Now he has his own bed.  Trouper can hardly believe his good fortune.  The best thing of all is a game he and his boy play.  It's a game called...

In 2005 Trooper (his given name) was moved from a shelter in Puerto Rico to live in New Hampshire with author, poet, Meg Kearney.  Written in verse, narrated by Trouper, she imagines how life might have been for this dog; waiting for the right person to notice him.  His voice describes each incident in accurate canine awareness.  Here is another example.

We got water and kibble
from the lady who cared for us.
We got walks,
but wished
we could race
the way we used to.


Everything about the front jacket and cover beckons the reader to open this book.  You don't know what the circumstances are yet, but it's easy to see the boy is with a forever friend.  Rendered in watercolor, the artwork of E.B. Lewis is nearly photographic in capturing the essence of the subjects; each is rich with emotion.  

Nearly all of the illustrations span two pages.  The smaller vignettes and single page pictures convey loss of freedom, sadness, hopelessness, individual dog personalities, and love.  Lewis' dogs are so lifelike you expect them to start barking any minute.  My favorite illustration is of Trouper enjoying his first meal in his new home, bowls on mats, with his boy kneeling, chin resting in his hands as he watches his new pal.  The play of sunlight streaming into the room, the angle used to portray the two friends, the placement of other items in the room, all combine to create a feeling of intimacy.


Trouper written by Meg Kearney with paintings by E.B. Lewis is a very special book; a labor of love about love.  The blend of narrative and illustrations compliment and enhance one another to tell a story of a bond formed by an act of kindness.  It's about the magic of second chances.  This title is meant to be shared often.