Quote of the Month

When love and skill work together, expect a miracle. John Ruskin




Friday, June 15, 2012

Mothers Never Really Leave

Through acts demonstrated again and again in all walks of life, love is truly the tie that binds.  One of the strongest loves is between mother and child.  For that reason a child, when faced with the loss of a mother, is frightened; a space once full is empty and what was normal is not.

Author/illustrator Gianna Marino in her newest title released this spring, Meet Me at the Moon (Viking, March 22, 2012), uses the plains of Africa as a backdrop for a story of love. 

Beneath the shade of the baobab tree, Little One sang, the calling song, and Mama came with a loving nuzzle.

It is in this closeness that Mama tells Little One she must go, climbing the tallest mountain to seek from the skies rain for their parched land.

Naturally, Little One doesn't want Mama to leave but she tells her child her love is everywhere, surrounding Little One.  She reassures Little One's questions with replies reflecting this belief; hearing her song on the wind, feeling her love in the sun's warmth, and seeing the same bright star in the night sky.  When Little One wonders how Mama will find Little One again, Mama says:

"When the night sky is bright, Little One, meet me at the moon, where the sky touches the earth.

With final spoken words of love, Mama leaves on her journey.  In her absence the young elephant listens to the wind, searches the starry dark and feels the warm of the sun knowing Mama's love.  Days pass with the land ever growing more dry.

Rains finally pour from the sky but Little One is unable to hear Mama on the wind, see their star or without the sun, feel her love.  As the sky clears, evening descends with the moon rising.  But how is Little One to reach the moon so high?  Remembering, a song floats into the night air.

Gianna Marino's text in this gentle story has a lyrical rhythm; as if one were reading a poem.  Mama's answers to Little One's doubts are exactly as one would expect from a creature close to the beating heart of Earth.  Readers will find comfort in the narrative as well as an expression of faith and hope.

In an interview given at Seven Impossible Things Before Breakfast, Marino describes her process for creating the mixed media paintings for this book also including the story behind this story.  Front endpapers show a glowing orange sunrise sky with the rolling plains in silhouette along the bottom.  A deepening night sky is depicted on the closing endpapers signifying a passage of time.

Throughout the story all the visuals are panoramic, two page spreads conveying the vastness of the setting.  Rich, warm hues of red, orange, and yellow dominate the pages with the land changing color indicting the presence or lack of rain.  The larger than life place of the sun and moon on many of the pages, a circle, illustrates the "no beginning, no end" idea of the love between Mama and Little One.  The final illustration of the pair beneath the moon continues that shape with Mama encircling Little One.

The illustrations of Little One and Mama are not done with them in isolation; zebras and giraffes are in constant motion in the background or framing the mother and child.  Knowing Little One is alone they are given a larger importance in the paintings.  Expressions on the faces of all the animals are a thing of beauty.

Meet Me at the Moon by Gianna Marino is a marvel of breathtaking detail set among the savannahs of Africa conveying the link of love that separation can not break.  Paintings and text work as one telling a story, timeless and true.  Share this book with everyone, with someone you love.

Thursday, June 14, 2012

A Powerful Thing...

I have found over the years the very best things, pure excellence, are more than worth the wait.  When I read the post on Julie Danielson's blog, Seven Impossible Things Before Breakfast, titled Philip C. Stead Visits 7-Imp to Share Where a Story Comes From...Or:  How a Toad Named Vernon Ended Up Sailing a Teacup into the Great Unknown, I truly wondered, if just this once, time might fly.  The thirty-three days did pass quickly. What a joy it is to hold my own copy of A Home for Bird (A Neal Porter Book, Roaring Brook Press, June 5, 2012) written and illustrated by Philip C. Stead.

I usually speak about the storyline followed by focusing on the illustrations (which I will still do) but in this title I have to say, the visuals speak volumes, the text is art.  Prior to the first written line readers see an old rattlebang truck, bumping down the road, loaded up with someone's worldly possessions.  A "arm" extends from a cuckoo clock shooting the bird in an arc from the truck's bed.

Vernon was out foraging for interesting things when he found Bird.

Vernon is an inquisitive toad with a huge heart.  In his toady mind the ever silent Bird might be in need of a friend.  Vernon invites him to be a part of his life introducing him to his friends Skunk and Porcupine and sharing with him all the wonders of his world.

Bird's persistent lack of speech is a puzzle to Vernon and his two chums.  Thinking he might be missing his home, the adventurous amphibian, using his gathered treasures, sets sail with Bird down the river.  Along the way a variety of possible homes, birdcage, birdhouse, mailbox, bird's nest, are shown to Bird who never utters a single word in response.

Saddened but nevertheless faithful to his task, Vernon, while sitting with Bird on a telephone wire with other winged companions sees a red balloon whose string is tangled.  From boat to basket a teacup takes the duo further along their journey.  Chatting with a rooster weathervane Vernon notices him pointing a response to his comments.

Gazing into the distance Vernon can see a little, happy-looking home with a rattlebang truck tooting and honking away down the road.  Making their way to the window sill Vernon spies a potential place for his pal.  Will this door break open Bird's silence?  In the brightness of a new day, Vernon receives his answer.

Philip C. Stead's careful, singular word selection not only tells the tale but evokes in readers a strong emotional attachment to Vernon's quality of character, his compassion, his unconditional love for his new friend. 

"I hope this is a good idea, " said Vernon.
Bird said nothing.
"Bird is very brave," thought Vernon.

His narrative guides us from place to place as a home is sought for Bird but this tale is also building the structure of true friendship.

Stead states the illustrations in this title were not created in his usual medium of collage.  He began each with an under-drawing in water-soluble crayon then painted over with gouache resulting in a specific and unique texture filled with an airy luminosity.  Colorful hues continue that lightness, a sense of hope and happiness. 

I love the little extra details in his visuals; the three-leaf clover stems stuck in the tin can but the one Vernon is holding is a four-leaf clover, the sail fabric is the same as the curtains in the blue board house and the cuckoo clock is a mirror image of the home.  Picturing Vernon using items at hand to create his sail boat, a curved straw, teacup, a slip of fabric and a spoon for an oar, further reveals the toad's will to succeed, to make do with what's at hand.  The subtle hints at humor, the name on the truck's door, Careful Moving Co.,  are the finishing touch.

A Home for Bird written and illustrated by Philip C. Stead is one of those books you want to put under your pillow at night knowing all your dreams will be sweet or carry around with you like a treasured stuffed toy or favorite blankie; not wanting to be parted.  Vernon is the kind of best friend everyone should have once in their life, a selfless champion.  Any of the illustrations would find a welcome place on my walls as framed marvels.  I absolutely love this joyous, wonderful book.  I am adding it to my Mock Caldecott list for 2013.

Here is a link to the Macmillan site for more illustrations in addition to those in the interview linked above.  Please read the interview at Seven Impossible Things Before Breakfast;  offering insight into the creative process for this book.  By following the link to Philip C. Stead's site you can download the music he wrote for this book trailer.


Wednesday, June 13, 2012

Virtual Post-It Boards-Clipboard

The variety of virtual post-it-boards for personal or professional use is continually expanding.  Ease of use, special features, provisions for collaboration and options for sharing determine which will serve each individual's needs.  On June 1, 2012 Richard Byrne posted on his blog, Free Technology for Teachers, of a new application called Clipboard.  A year ago a team met with an idea stated on their blog:

This vision is deceptively simple but deep in its implications. We believe that you need to easily save parts of the web in order to accomplish meaningful goals. As you save ever more parts of the web, your personal collection of clippings starts to form a more accurate reflection of where you've been, who you are, and where you're going.

Keeping this vision in mind Clipboard went public on May 31, 2012.  This free service is available to users 13 years of age or older providing they have read and accept the Terms of Service and Privacy Policy. (It would appear based upon a statement in the Privacy Policy that users under 13 are allowed with parental/guardian consent but I would always check first.)  Begin by clicking on the green Sign Up button. 

Users can register with their Facebook account or with an email address.  You enter in your real name, provide a profile picture and a little bit of biographical information (all of these are optional) followed by the required email, username, and password.  Step 2 asks if you wish to follow any previously created clipboards (shown with #hash tags) or connect to friends on Facebook, Twitter, Google, Yahoo or LinkedIn.

To complete the signing up process add the bookmarklet, Clipper, to your browser Favorites Bar.  For some reason I was unable to drag it to the bar in IE (easily dragged it to the bar in Google Chrome) but did add it to my Favorites menu. You will also receive an email to confirm your address. 

At the home page users can see tags they have used as well as the sites clipped on the left.  An initial board has been created by Clipboard with five introductory helpful clips about the application.  Across the top along with the home page (all clips public or private attached to your account), are the shared (what you have shared or what has been shared with you) and public (public clips by other users including subscribed feeds) pages.

Going toward the right a box provides for searching clips by title, content, hash tags and mentions.  Clips can be seen individually in their entirety, as a text only list or tiled together as a whole.  By clicking on the people icon suggestions are made of people to follow.  Adding Clipper and other styles of the Clipper button are shown when clicking on the tools icon.

PLEASE NOTE:  When initially using Clipper the third-party cookies option must be enabled.  Clipboard gives complete instructions for completing this within a variety of browsers.  You must be logged in for the Clipper bookmarklet to function.

When you have found a website to clip click on the Clipper icon in your Favorites.  An overlay will appear with a series of four icons on the right. The first allows you to mouse over a portion of the page to clip it or bookmark the entire page.  Also, using this icon with the embedded font, by highlighting a section of text, it will clip it.  The next icon, a wrench, modifies your clipping preferences.  You can open your Clipboard home page in a new window or with the final icon hide the Clipper.

With the area selected a click will cause another screen to appear asking if you wish to add tags, mentions or an annotation.  You can publish it publicly to Clipboard, on Facebook or Twitter.  I added annotations to all my clips and clicked save.

When mousing over clips on a board, it asks if you want to visit the site, like the clip or offers to publish it.  When selecting individual clips on a board, across the top are those same three icons plus the ability to flag a broken clip or freeze it, or share it via Facebook, Twitter, email, a URL link or an HTML embed code.

It is interesting to note when adding #hash tags Clipboard will only accept those already a part of the application.   My hash tags of virtual post-it-boards and mind-mapping created two boards, one for virtual and mind.

Clips are automatically private.  Each clip must be marked to be seen publicly.  A permalink is provided for an entire board but not an embed code. The link to my board for all those virtual post-it-boards reviewed on this blog (with the exception of Stixy which would not clip no matter which browser I used) is here.  I did add a YouTube video about Stixy.

Clipboard is an application with ease of navigation, great features, and visual appeal.  I'm adding it to my list as recommended for use.


Tuesday, June 12, 2012

If Wishes Were....

We make wishes when we blow out candles on a birthday cake, get the largest piece of a turkey bone, see the first star of the evening or perhaps one falling from the night sky.  When telling stories in the library media center my students and I will light the magic lamp before beginning (a gift from a parent decades ago in the shape of Aladdin's lamp).  As we finish a student is selected to blow it out as everyone makes three wishes; for someone anywhere in the world needing something good, for someone they love and the final wish for themselves. 

Wishes are a sign hope is alive; reaching toward goals or satisfying a yearning.  I am always quick to remind my students (and myself) to be careful for what they wish.  Wishes may come true but not quite the way expected as the main character in the new graphic novel Pandemonium (Graphix, an imprint of Scholastic) by Chris Wooding and Cassandra Diaz discovers.

As the story begins Seifer Tombchewer (his last name is a nickname given to his grandfather for keeping his teeth sharp by gnawing on tombstones), takes to the skies, the skilled captain of the Skullball team garnering another victory for his village, Crowscale. Despite his father's lack of support for anything other than Skullball, Seifer longs to leave; exploring what lies beyond the mountains. As evening descends Seifer visits and leaves his grandfather's home only to be snatched by the Velvet Spies, agents of the royal family Pandemonium.

An aging, somewhat batty, Queen, is supported by her grandchildren Princess Sarcoma, Prince Talon and Princess Hypoxia.  The children's parents were killed in an invention they failed to perfect.  As the firstborn male, Prince Talon is the Lord Defender of the Realm, leader of the armies.  Why has Seifer been kidnapped?  Prince Talon is missing and Seifer looks enough like him to be his twin.

Rather than be an appetizer for the Psycho Carnage Beasts, against his will, Seifer agrees to masquerade as Prince Talon.  Duty-bound assistance to Princess Sarcoma with the larger problem of imminent invasion by their enemies is complicated by royal advisor, Lumbago, trying to scare him into being a Prince Talon clone, the real Prince's cat (about the size of a Stegosaurus) swallowing him whole repeatedly, Lady Carcassa Malefica, a maker of Magika and his new love interest, his fiance, Lady Asphyxia, and those who want him dead...now. An unforeseen circumstance, a right of challenge combat, reveals his true character, placing others before himself, the opposite of the real prince. 

Tension intensifies as those who want Seifer dead increase their efforts, a battle for the Darkling Realm's rule is waged and intrigue deepens with help from an unlikely source.  Can a Skullball champion, a commoner from the mountains, play the role of Prince Talon successfully? Action speeds ahead quickly toward an ending of the definite, drastic dilemma variety.

All the classic elements of fantasy are skillfully woven into the story's fabric by Chris Wooding; good versus evil, a hero, magic, a secondary world, special characters and the use of a fantastical object.  What sets this apart from others are the players, complete with wings, strengths and flaws, the snappy dialogue between them, the generous helping of humor throughout and the feeling of being about to cross over to the dark side at any given moment.  Wooding reels readers in with a plot promising more of the same to come; hints that all is not as it seems to be.  Here are a couple of narrative samples.

There's no spell on the door anymore, you know.  It only works once.  You won't get roasted again.
It's not the door I'm worried about.
Awwww! Are you afraid of the cat?
Of course I am.  She's three times my size and she wants to kill me.
But Mog-ra wouldn't hurt you.  You two have always been best friends.  Besides, she's such a cute little thing.
You haven't been inside her mouth.  

...Oh my there it is that's Fang where the chieftain of the  Ologs lives I can't wait to meet him I'm so excited  EEEEEEEE!
You know the Psycho Carnage Beasts eat girls too.
Don't tempt me.

The graphics employing an edgy, darkened palette, by debut illustrator, Cassandra Diaz, partner well with Wooding's storyline. Her character depictions, the world in which they are placed and action sequences are completely captivating.  There is a strength, a boldness, about her illustrations attracting readers to the Darkling Realm, those who reside within its borders and the lives they lead.

Stepping into the world created by Chris Wooding in his first graphic novel, Pandemonium, ablaze with visuals by Cassandra Diaz, is a walk well worth taking.  Keen pacing, fierce action and characters you will learn to love or hate, not to mention an ending assuring another volume, is a winning combination.  Be prepared...you'll be hooked and will be hard pressed not to read this in its entirety at one sitting.


Monday, June 11, 2012

Oh, Those Cats...

There really is no middle of the road when it comes to the relationship between cats and dogs.  When I even whisper the "C" word around my canine companion, she is off like a shot.  Sometimes they will tolerate one another by giving each a wide berth when passing or in those rare, exquisite instances they will become fast friends.

In her picture book debut, Michael L. Printz Honor (Fat Kid Rules the World) award winning author, K. L. Going, tells the tale of Dog In Charge (Dial Books for Young Readers) with illustrations by Dan Santat.  Not being a cat owner myself, I was curious as to what Going would bring to the story as her family is in the possession of two very wily cats.  What I do know is, no one is ever in charge of cats; therein lies the humor.


Dogs will do anything for a treat; come to think of it, everyone likes treats but not as much as dogs.  Dog, for a single treat, sits, stays and dances in a circle.  His human praises him.

"Good Dog.  Smart Dog.  The very best Dog...."

Needing to go to the store the family places Dog in charge of five, not one, two or three, but five cats.  Seeing them lined up in a row on the living room sofa, all wide-eyed and still, he imagines them sitting and staying as he does.  In a flash they vanish.

Dog discovers each of them throughout the house exactly where they should not be; lapping up milk on the kitchen counter or pawing through the bathroom clothes hamper.  When Dog barks he is issuing one word commands but readers will be fully aware the cats understand those barks to be something else entirely. Chaos ensues.

Frustrated to say the least Dog wonders whether he will still be the stellar dog worthy of treats.  Treats!?  What about the cat treats?  He's sits, stays and dances for treats, why not the cats?

The unthinkable happens; dogs will be dogs.  What's the saying about Lay's potato chips?   Exhausted Dog falls asleep as those five frisky felines slink into the kitchen surrounding him before they execute the purr-fect plan.

K. L. Going knows cats...and dogs.   Her ability to depict Dog's thoughts and the cats actions places her in the "whisperer" category.  Her word choice is "on the nose" every time;

 scrumptious dog treat.

Repetition of phrases,

No cat.  Or was there?,

and action adjectives,

FWOMP,  KERPLOOIE!

give readers the opportunity to be active participants in the storytelling. 

Dan Santat designs a front and back cover picturing two completely different scenarios foreshadowing events in the story.  His endpapers are reminiscent of the pictures taken in a photo booth; twelve varying expressions on Dog's face.  Readers will be chuckling before the first page is turned. (I was laughing out loud.)

His illustrations enhance K. L. Going's already present humor; placing a bow on Dog's head with a tutu around his waist as he sits, stays and dances.  The layout of visuals is altered giving this book the feel of a comic or graphic novel; insets, overlaps, and the four illustrations on a two-page spread tied together by a clock in the center.  From beginning to end there is never any doubt about each character's emotions; the closeups say it all.

Dog In Charge written by K. L. Going is a story with a capital "H" for hilarity that dog and cat lovers will enjoy not once, not twice, not three times but maybe five times noticing details cleverly inserted by illustrator Dan Santat.  Picture books are never better then when two talented artists such as Going and Santat collaborate.  This book is meant for sharing.

It would be a great idea to tell the story of Why Dogs Chase Cats found in the book How Many Spots Does a Leopard Have? And Other Tales by Julius Lester, illustrated by David Shannon before reading this title.  Following the telling/reading children could add action adjectives to a virtual post-it board acting them out randomly.  I'm also thinking that sugar cookies cut in the shape of dog biscuits would be a good closing.

Saturday, June 9, 2012

Twitterville Talk #52

Twitter was humming this week.  The best was the BEA in New York City.  I have a huge list of new book recommendations. 

Many years ago I immediately went out and bought my own set of The Dark Is Rising series as soon as I could afford it; the writing, the stories were that good.  I have been a fan of Susan Cooper from the very beginning.  It was with pleasure I saw, Staying Power:  Edwards Award winner Susan Cooper has been working her magic for more than 40 years. 

June 5, 2012 was an eventful day; SLJ 2012 Day of Dialog:  Walter Dean Myers's Keynote Address.

Thanks to School Library Journal for these tweets.


Here's a new social networking site for elementary school age children for books and reading, BiblioNasium Launches Virtual Reading Village for Younger Readers.

The Horn Book in May posted a Summer Reading Recommendations list.  It's loaded with surefire winners.

Jennifer L. Holm, award winning author, posted A Parent's Guide to the Best Kids' Comics.

Thanks to John Schumacher, blogger and librarian at Watch. Connect. Read.


Perfect for summer reading is the new Revving Up Read Alouds list in SlideShare by Donalyn Miller, teacher, author and blogger.


For those feeling guilty about the occasional overdue book, stop...Oops I forgot-library book returned after 80 years.

Larry Ferlazzo of Larry Ferlazzo's Websites of The Day... is responsible for this tweet.


One of many things I have learned about authors and illustrators is so many have a wonderful sense of humor.  On June 5-7, 2012 the BookExpo America was held in New York City.  Check out authors Jon Scieszka and Mac Barnett in this picture.

Thanks to The Pigeon for the tweet.


Take heart Hogwarts fans, J. K. Rowling Writes New Harry Potter Content for Video Game.


Why Is Storytelling Important? is a video made at the recent 2012 International Conference of Indigenous Archives, Libraries, and Museums.

Thanks to Richard Byrne at Free Technology for Teachers for this tweet.


Can't decide what to read next (never been a problem for me), check out What You're Reading This Summer:  The Results of Our Survey.

This is an interesting infographic on the Summer Slide and suggestions on how to help.

Thanks to The Learning Network, a blog, at The New York Times.

2012 Boston Globe-Horn Book Awards for Excellence in Children's Literature were announced on June 7, 2012.  I love the picture book winner, Extra Yarn by Mac Barnett with illustrations by Jon Klassen.

Thanks to The Horn Book.

Remembering Ray Bradbury

Twitter came alive with the news of Ray Bradbury's passing at age 91.  The remarks, the remembering, are all as unique as the individuals making them.  For me the writing of Ray Bradbury is life changing.  Once you've read one of his titles, you won't forget it...ever.