Love Sees With New Eyes

The first things we see when we step outside each morning are a multitude of elements composing one unique scene next to or layered on another scene.  These visuals are full of shifting colors, lights and darks and blends of various hues.  If we are able to dim our other senses momentarily we can see harmony in these presentations, regardless of the season or setting. 

There is unity between the colors as they work together complementing each other.  MIXED: A Colorful Story (Henry Holt and Company, July 3, 2018) written and illustrated by Arree Chung celebrates this cooperation and respect.  It's a call for us to step beyond the realm of color and recognize differences, similarities and the beautiful found in each individual.

In the beginning, there were three colors.

There were Yellows, Reds and Blues, each with their prevalent characteristics.  They worked and played together in a single city.  One day, a grumpy Red declared

REDS are the BEST!

The Yellows were not happy about this, challenging this announcement with one of their own.  The Blues felt this entire discussion was beneath them and remained quiet.  Before too long, the three groups decided it was best to live in three cities instead of one.

Later a Yellow was out and about one day and spotted a Blue seated on a bench.  The attraction was instant and mutual.  Of course, other Yellows, Reds and Blues were not happy about this relationship but that did not bother this Yellow and that Blue.  They felt nothing but love and married.

Their new baby was named Green.  She had the best parts of Blue and Yellow in her but also was her own singular self.  This little miracle got the attention of other Yellows, Blues and Reds (even the grumpy one).  Her existence gave others permission to see new choices and make changes.  She was hope.


Using a mix of narrative and dialogue Arree Chung tells an important and timely tale.  His short declarative sentences give readers a clear sense of reality in the world of the three original colors focusing on their strengths.  It is one of those unique abilities found in the one Yellow which bridges the resulting divide.  In the conversational asides Arree supplies common arguments which readers realize have no value when stacked against love and acceptance.  Here is a passage.

But then, one day, a Yellow noticed a Blue

And something happened.

I feel so
happy
when I'm 
near you!

And I feel so
calm when
I'm with you!


Placing the beginning central characters, a Red, a Yellow and a Blue on the crisp white background brings our attention to the individual facial features, body postures and added details in black highlighted here.  We know by these three individuals something big is going to happen inside this book especially when we look to the title and see the result of combining red and yellow and yellow and blue. To the left, on the back, four other titles by Arree Chung are showcased beneath a group of colorful characters.  The main title text and the three characters are varnished and raised.

On the book case smiling circular faces in all sizes look at readers.  They are a blend of the primary colors in all the resulting hues.  The opening and closing endpapers are rows of smiling faces, the first in the primary colors and the second a replication of the book case.

Using liberal amounts of white space Arree Chung is able to create a focus on his characters.  All the details on each of them, their hats, scarves, sunglasses and glasses, and additional elements like a microphone and a car are done in black and white.  This minimalist approach is highly effective.

The black lines are bold creating realistic cityscapes. They become thicker in times of crisis or during strong moods and moments such as the closing image.  When the emotional content is lighter, the lines are finer.  The use of visuals in varying sizes provides a wonderful pacing from small pictures surrounded by white to full, two-page pictures powerful in their depictions.

One of my many favorite pictures is after the birth of Green.  She is shown in three separate images on a single page.  In the first she is doing a happy dance because she is

bright like Yellow.

In the second she is leaning against a pillow reading a book because she is

calm like Blue.

In the final scene she is framed by flowers (in black and white) as she stands in a garden.  She is holding a tiny shovel and wearing an over-sized straw hat.  A basket is placed next to her.  A teeny ladybug crawls along the ground.  She is joyfully waving at us.


If asked to give a single word to the result of reading MIXED: A Colorful Story written and illustrated by Arree Chung, it would be uplifting. It is indeed a book about colors but it is much more.  It's about us and the ability to see beyond color.  We are shown how individual qualities can build bridges and break down walls.  It's about honoring singularities and generating one city for all.

To learn more about Arree Chung and his other work please visit his website by following the link attached to his name.  I believe you will enjoy reading past posts on his blog.  Arree maintains Twitter, Instagram, and Pinterest accounts.  At the publisher's website you can view interior illustrations.  There is also an activity guide.  On June 12, 2018 Arree visited the Children's Book Podcast #443 to chat about this title.  Arree is featured on BookPage in an Icebreaker article.  Here is a link to Arree's YouTube channel where you can view two videos (trailers) for this book.

Listen And Learn

It's hard not to think about what-ifs sometimes.  What if I was not on social media?  What if I was not a friend with a particular person?  What if I had not checked posts on a specific day?  The facts are I am on social media, friends with a special author and I did read my feed on August 10, 2014.  Based on three sentences written and shared, I went to my bookshelves remembering a title I had purchased.  As soon as I opened the book, my known world slipped away.

Newbery Honor winning author, Margarita Engle presents readers with a remarkable piece of historical fiction in one of her 2014 titles.  Silver People: Voices from the Panama Canal (Houghton Mifflin Harcourt) spans the years 1906 to 1914 in the country of Panama.  The past is speaking to us and we need to listen.

MATEO from the island of Cuba

JOB HUNT
Fear is a fierce wind

that sends me reeling

down to the seashore,

where I beg for work,

any work at all,

any escape 

to carry me far

from my father's

furious fists.

Fourteen years old, strong for his size, willing to tell a number of lies to leave, Mateo, believing the propaganda about working conditions and wages paid to diggers of the Panama Canal, finds himself on a steamship bound to that very place.  Plagued by hunger, the humiliation of segregation by skin color, travel by railroad flatcars and living in boxcars, he realizes he is trapped by a mistaken decision.  The only brightness shining in what is and will become a bleak existence is Anita, a local girl, a seller of native herbs and plants. 

As Mateo moves tracks daily, deeper and deeper into the Serpent Cut, another voice is heard.  Henry, from the island of Jamaica is a digger.  Instead of twelve to a boxcar, eighty of his comrades live together in one room.  At lunch break each day he sees how the Americans eat in comfort under a tent, the medium-dark workers sit on the train tracks and he and other diggers must stand with no place to rest.  

Pay days come; restless workers wander around in Silver Town made of mud, loneliness, anger and not much else.  Draw to a boxing ring by the ghosts of his past, Mateo find himself the loser in a fight with Henry.  The two now know one another.  They meet in the ring on a regular basis, strangers battling with fists for no apparent reason.

A landslide, an arrest, and a visit from President Roosevelt, define shifted loyalties.  The agony is lessened by another speaker, the voice of Augusto from the island of Puerto Rico, educated in the United States, working as a geologist on this mammoth endeavor.  Augusto sees Mateo's special gift, giving him at least one day a week to hope. 

Official visitors, official changes, jungle living, the suffering brought by fever and freedom found alter all their lives.  Chapter after chapter we readers are drawn further into this huge undertaking filled with choices and consequences.  Nothing remains the same then or now; especially for us having read these pages.

As a novel in verse, Margarita Engle is able to create intimate portraits of Mateo, Anita, Henry, Augusto and even Old Maria.  Usually one or two pages long, their voices, thoughts, are realistic portrayals based upon her research.  We build in our minds an understanding of their physical and emotional statuses throughout the narrative.  

Interspersed among their chapters are placed real persons, John Stevens, Theodore Roosevelt, George Goethals, Jackson Smith, Gertrude Becks and Harry Franck creating a more intense authenticity.  Margarita Engle sets aside pages, in eight different sections, for flora and fauna from the rain forest, the howler monkeys, glass frogs, a Blue Morpho butterfly, the trees and many others. They each reflect upon (or shout out) the impact of the Canal on their habitat. This technique of adding historical figures and allowing those with no voice to speak gives readers a more complete picture of all the aspects of the building of the Panama Canal during these eight years.

Very early in my reading of this book, I began marking passages until my copy soon had what I call the "porcupine look" from so many added sticky notes.  Here are a few of those many marked words.

Hunger at sea for three days

feels like a knife in the flesh---

twisted blade, rusty metal,

the piercing tip of a long

sharp-edged

dagger

called regret.  ...

...My hands feel like scorpion claws,

clamped on to a hard hard shovel all day,

then curled into fists at night.

At dawn, the steaming labor trains

deliver us by the thousands, down into

that snake pit where we dig

until my muscles feel

as weak as water

and my backbone

is like shattered glass. ...

THE TREES

WILDERNESS

We are fewer

than before,

but each of us

is just as alive

as ever,

our leaves

hungry for sunlight,

our roots thirsty

for rain,

our fruit and seeds carried far

by flying birds and roaming animals

so that young trees can spout and grow,

our shared forest once again spreading

like music.

Highly recommended for upper middle school on up, Silver People: Voices from the Panama Canal written by Margarita Engle is beautiful in its sadness, truth and hope.  Your understanding of the impact of this cut through a country on the place and people there, and those brought from afar, will be long remembered.  Margarita Engle gives depth and breadth to these events changing every reader.  

To learn more about Margarita Engle please visit her website by following the link embedded in her name.  This link takes you to a recent interview at Watch. Connect. Read., a blog hosted by the talented teacher librarian, John Schumacher.  UPDATE:  Here is a link to an amazing guide at the Poetry for Children website. 

Silver People Excerpt by Margarita Engle