Quote of the Month

When love and skill work together, expect a miracle. John Ruskin




Showing posts with label Donkeys-Fiction. Show all posts
Showing posts with label Donkeys-Fiction. Show all posts

Tuesday, January 7, 2020

An About Face

Throughout our lives, regardless of our age, it's perfectly normal to set, accomplish and shift goals.  We greet each day working to fulfill these ambitions.  And we dream dreams outside of what we see as possible, elaborate ponderings dependent on miracles.  These keep us hopeful.

During these mental, and sometimes vocal deliberations, our closest companions endeavor to help us.  They elevate our hope into the realm of maybe-this-could-be-real.  Cowie (A Paula Wiseman Book, Simon & Schuster Books For Young Readers, January 7, 2020) written and illustrated by Elizabeth Rose Stanton is another charming, heartfelt title by a wise and talented woman who has given us Henny, Peddles and Bub.

This is Cowie.

Everyone called him Cowie
because Cowie loved everything about cows.

Their physical attributes and mental view of life were revered by this donkey.  More than anything else, their position in the grass, 

the green, green grass
on their side of the fence,

was cherished by Cowie.  By grazing in the grass, they avoided carrying humans and other goods on their backs.  And they definitely didn't pull any wagons.  

Cowie made up mind.  If he wanted to be a cow, he had to do cow-like things.  He tried several activities, but he still felt more like a donkey than a cow.  Then he tried to say MOO.  Yikes!  It came out backward.  No matter how many times he tried, the sound was reversed.  How does something like this happen?

His two friends, Duckie and Mousie, sensed their friend's sadness.  Their first approach was to speak their sounds in reverse, but this did not make Cowie happier.  They thought maybe something was physically wrong with Cowie.  Everything was checked from bottom to top.  He was A-okay except when he tried to moo again it came out 

OOOOOOOOM.

After a couple of ideas and more attempts, Cowie's two pals knew exactly what to do.  And they did it . . . with considerable effort.  And you, readers, will laugh and laugh and laugh.


When Elizabeth Rose Stanton brings another of her gentle, lovable creatures into our lives, we welcome them willingly.  In the persona of Cowie, we connect with the dilemma of wanting something which seems improbable.  As the reasons for his love of cows are told to us, we understand his desires.  Who among us has not wanted to emulate another, so as to be like them?  As the story progresses with a blend of narrative and conversation, we are utterly surprised and completely delighted with his two friends' resolution.  In fact, it's guaranteed you'll laugh out loud.  Here is a passage.

Out came:
OOOOOM

Everyone stopped chewing
and swishing and mooing
and looked at Cowie.

I am making too much of a donkey of myself, he thought.
I will never be a cow. 


The use of white space as an element in this book is outstanding.  As you can see on the front of the dust jacket, even though the colors of the animals are soft, the white space lifts them up, as it does with the varnished title text. (All the animals are varnished on the front, also.)  To the left, on the back, an interior image from the book has been placed.  It is the scene which accompanies the text previously noted.  All the cows are looking at Cowie with astonishment.  Cowie's back is to readers, as he faces the group of cows.  

The opening and closing endpapers are the same hue of blue as the title text on the front of the dust jacket.  (I am awaiting my hardcopy, so I am working with an F & G.)  Before the verso and title pages, Elizabeth Rose Stanton has placed a cowbell, looped with a pale blue ribbon, in the lower, right-hand corner.  This is a foreshadowing.  The image from the front of the dust jacket appears on the title page.

Rendered in pencil and watercolor, the illustrations are endearing and expressive.  Elizabeth Rose Stanton also adds labels to two of the pictures to place emphasis on Cowie's reasons for loving cows.  Her delicate lines, shading with the colors and facial expressions reveal her skill in using this medium.  Careful readers will notice the inclusion of two previous characters in one of her pictures.

The care given to details is marvelous.  When Cowie is sad, Mousie offers up a daisy and a tiny chick offers him a worm.  When Duckie and Mousie are examining Cowie for any physical problems, Elizabeth Rose Stanton's refreshing sense of humor is seen in this series of images.

One of my many, many favorite illustrations is on a single page with a crisp, white background.  Cowie is seated with his red halter hanging to the ground and his red-ribboned tail trailing behind him.  Duckie is seated in front of him with a wing raised in question.  The tiny chick is standing on his tail.  Mousie is on top of Cowie's head with arms raised in triumph with a glowing lightbulb above Mousie's head.  Cowie has his eyes raised up toward Mousie. 


For readers who want a book to hug because they love the characters, one they'll want to read over and over, and one which will make them giggle, Cowie written and illustrated by Elizabeth Rose Stanton is a superb choice.  While we'll not always be who we want to be, good friends can lend a paw or wing to make even our most unlikely dreams a reality.  They'll have to add a healthy dose of silliness to the mix, too.  I highly recommend this title for your personal and professional collections.

To learn more about Elizabeth Rose Stanton and her other work, please follow the link attached to her name to access her website.  Elizabeth Rose Stanton has accounts on Facebook, Instagram, Pinterest and Twitter.  Enjoy this video interview.

Monday, June 15, 2015

You Said What?

As a parent with young children or an educator working with elementary students, you develop a particular set of listening and translation skills.  When the little gals and guys are first learning to speak, what they say and what they mean are sometimes open to interpretation.  More than once I've stood still for a few seconds running a phrase over in my mind trying to match what I've just heard with what I know.

When it finally dawns on me what they are attempting to communicate, I repeat it back correctly.  Sometimes they will smile along with me in recognition.  Other times they repeat the original sentence.  I YAM A DONKEY! (Clarion Books, an imprint of Houghton Mifflin Harcourt, June16, 2015) story, pictures and bad grammar by Cece Bell is a hilarious sequence; the rules of language broken with every utterance.

I yam a donkey!
What did you say?
"I yam a donkey"?
The proper way to 
say that is "I am
a donkey."

After the bespectacled Yam points out the error of Donkey's speaking, Donkey replies with an equally cringe-worthy phrase.  What makes it even funnier is he thinks Yam is a donkey; a tad weird-looking but a donkey.

Yam immediately clarifies his true status.  Donkey again hears what he wants to hear and asserts his belief the yam is a donkey.  With increasing frustration Yam tries to correct Donkey's mistake.

Donkey switches gears focusing on

"I yam a donkey."

This makes Yam crazy.  He says am over and over hoping Donkey will not use yam when he should say am.

To add to Yam's growing agitation, Donkey messes up his use of pronouns, using a singular when he should be using a plural.  Donkey thinks Yam's repetition of the subject and plural verb combination is a hee-haw gone wrong.  Stomping his feet Yam says once and for all he is not a donkey.  He is a yam.  Donkey's wordy assessment of the situation causes Yam to fall to the ground in exhaustion.  He is at a breaking point.  All Donkey can do is make jokes.

In the middle of a heated discussion between Donkey and Yam, three green beans, a carrot and a turnip stroll up to the duo.  In full professorial mode, Yam uses a series of labeled pictures to prove his point.  Donkey's take is that everyone is a donkey.  Yam's last-ditch effort to rectify Donkey's bad grammar is met with a surprise no one could have predicted. Donkey's mind works in mysterious ways.


Told completely in dialogue Cece Bell exhibits a gift for word play.  With the addition of a single letter, y, to a declarative sentence she has fashioned a story using characters displaying contrasting knowledge of the use of language.  With each exchange between the two the tension, humor and pace increases.  Donkey's misconceptions multiply in equal measure to Yam's annoyance.  Here is another sample passage.

Okay.  So what you is saying is that you is a donkey, right?

NO! I am not a donkey!
And it's not "you is"!
It's "you are"! You are,
you are, you are!


Rendered in china marker and acrylics on vellum the bold colors and thicker black outlines seen on the matching dust jacket and book case grab your attention.  Hands on his hips Yam is obviously disgusted.  To the left, on the back, the three beans are featured in a small circular image.  The opening and closing endpapers are done in a spring green.  Each has a pattern of carrots, end to end in rows, and the three beans framing the single turnip.  Are these indicative of the conclusion?

Cece Bell begins the story on the title page with Donkey's proclamation.  On the verso and the first page in a double-page illustration we read Yam's reply.  With only five exceptions all of the pictures are two-page; the others are framed as if panels in a graphic novel or are single-page pictures.  The dialogue between Donkey and Yam is shown in speech bubbles.

Donkey's big toothy grin, large yellow teeth highly visible, and his eyes drawn with a circle and a dot depict his singular personality.  With his arms, legs and glasses Yam manages to look downright scholarly.  His body language portrays his every mood.

Two of my favorite illustrations are horizontal panels, one over the other, on a single page.  In the first with an orange background Donkey is taking a long, loud SNIFF! of Yam.  In the second with a teal background Donkey speaks to Yam in several sentences questioning whether Yam is a donkey or not.  Yam is looking rather resigned which sets the tone for his outburst on the next page.


At home or in an educational setting  I YAM A DONKEY! written and illustrated by Cece Bell is sure to ignite laughter in readers and listeners alike.  For sheer entertainment, a lesson on the power of story or to introduce a unit on grammar, this book provides opportunities.  This would make an excellent reader's theater.

If you would like to learn more about Cece Bell, please follow the link attached to her name to access her website.  At this publisher's page you can print off a set of stickers about this title. Update: July 19, 2015 Cece Bell and art from the book are featured at Seven Impossible Things Before Breakfast hosted by author, reviewer and blogger, Julie Danielson.