Quote of the Month

When love and skill work together, expect a miracle. John Ruskin




Thursday, March 20, 2014

The Summer Of 1941

All one has to do is look at human history to realize the impact a single individual can make for good.  A community is created rallying around them in support of their endeavors.  For whatever reason, sometimes, this person rises to noteworthy status when needed the most.

During the summer of 1941 baseball yielded such a person.  A sense of unease had settled over most Americans; Europe was at war.  With illustrations by Terry Widener, well-received nonfiction author, Barb Rosenstock, has written The Streak: How Joe DiMaggio Became America's Hero (Calkins Creek, an imprint of Highlights).

It all started quietly, like a conversation with Joe DiMaggio himself.  One shy single, hit to left field, smack in the middle of May, the fifteenth.

The Yankees lost that day so no one took any particular notice of that one shy single delivered by Joe.  It didn't take long though for it to come to people's attention when one week passed with Joe continuing to get hits.  Pretty soon he had hits in twenty games.  Someone might have softly suggested streak.

When Joe had hit in thirty straight games, he started to make newspaper headlines, replacing the attention given to the war.  Here was a man from a large family, generations of fishermen, raised in San Francisco, no stranger to hard work, making a name for himself in a sport Americans loved.  For each game (and for games only), Joe used a very special bat, given great care and named Betsy Ann.

Joe followed a ritual of sorts for each at bat; rubbing dirt on his hands, giving home plate a single tap and standing wide waiting for the right pitch.  With the best pitchers giving their best pitches, still nothing got by Joe.  As Joe got closer to breaking the record of a forty-one game hitting streak, the pressure really started to take its toll on him off field.

On June 29, 1941 the New York Yankees were playing the Washington Senators in Washington, D. C.  During the first of two games, Joe tied the record.  During the break between the games, the unthinkable happened.  Betsy Ann was stolen!

As the top of the seventh rolled around things looked grim for the baseball hero; three at bats, three strikeouts.  A teammate offered hope.  Joe DiMaggio proceeded to do what he did best, work hard.  The record results are unbroken to this day in baseball history.


Baseball fan or not, you will be caught up in the excitement of this retelling of Joe DiMaggio's hitting streak.  Prior to the narrative's start, Barb Rosenstock includes a quote from Joe DiMaggio to set the stage for the type of ball player he is.  Each portion of the story builds on this, creating an ever-increasing tension.  Rosenstock writes as if she is a sportscaster relaying each portion in snippets of details.

These elements are of the personal, insider, nature.  Readers are taken back in time to those ballparks; you believe you are a spectator witnessing the actual events.  Here is a sample passage.

Joe kept hitting.  A triple and a home run in the next game, one or two more every game that week.  When he hit in 20 straight games, the word "streak" whispered from the bleachers to the press box---DiMaggio was on a hitting streak.  
Joe kept the streak alive the next week and the next.


Although the matching dust jacket and book case images differ on the front and back, they extend into the flaps on the jacket. In the front we are closer watching the ball fly after a swing.  On the back Joe is standing ready at the plate with the perspective shifting, zooming back.  The turquoise shade in the upper left hand corner deepens and brightens on the endpapers, providing a background for large font quotes in white about Joe DiMaggio from Ted Williams, left fielder, Boston Red Sox and Ty Cobb, outfielder, Detroit Tigers.  

The red lettering used in the title appears repeatedly throughout the book drawing the reader's attention to the significant text within each of the two-page illustrations rendered in acrylic on bristol paper by Terry Widener.  You might be seated in the bleachers looking out at the field, seeing all stages of Joe's batting style, going in close to see only his hands sanding the handle of Betsy Ann as she rests on his lap, or getting a bird's eye view of Griffith Stadium on the fateful day in June.  The color palette is a softened, textural blend of white, gray, brown, blue, and green hues; taking us perfectly into the past.

One of my favorite illustrations is more introspective than the other action pieces.  On the right it shows Joe seated in the locker room next to his locker, head bowed in thought.  From the left newspapers with headlines of the day cross the gutter at the bottom.  Above is a cityscape, full moon shining on a saxophone player to depict the music of 1941.


Hand The Streak: How Joe DiMaggio Became America's Hero written by Barb Rosenstock with illustrations by Terry Widener to sport fans, history buffs or anyone who enjoys a well told tale.  No matter where you are or the time of year it is, you will hear the crack of the bat and the chorus of cheers from the fans as Joe DiMaggio gets another hit.  You might even be yelling out in pure joy yourself!

Please be sure to follow the links embedded in both the author's and illustrator's names to access their official websites.  At the conclusion of the book an extensive author's note, a list of records, source notes, newspaper headlines, a bibliography of books, articles, websites, and additional sources is given.  You couldn't ask for a better nonfiction picture book about America's baseball hero.


I am pleased each Wednesday to participate in the 2014 Nonfiction Picture Book Challenge hosted by Alyson Beecher at Kid Lit Frenzy.  Please take a moment to follow the other blogger links listed there to get connected to some of the best nonfiction titles available.

PLEASE NOTE:  I extend an apology to my faithful readers for this post being so late today (or early morning) as my presence was needed for a family emergency.

Tuesday, March 18, 2014

Flashcards With Flippity.net

Toward the end of February on Twitter Shannon Miller, teacher librarian, consultant, presenter and blogger at Van Meter Library Voice and Heather Moorefield, Education Librarian at Virginia Tech and chairperson for the American Association of School Librarians Best Websites for Teaching & Learning, both mentioned a neat website for creating flashcards.  Use of the site is free of charge but it is supported by ads.  Javascript must be enabled for it to work in Google Chrome, Mozilla Firefox, Apple Safari and Microsoft Internet Explorer.  

Flippity.net takes items entered into a Google Spreadsheet converting them into flashcards.  The first step in this process is to modify the template provided on the home page of the site.  You are asked to place the template in your Gmail or Google apps account.  When selecting the link you are taken to this screen next.


The template which appears in your Google account is that used by Flippity.net in their example on the first page at their site.  What you need to do is to remove their entries, adding as many as you like for your set of flashcards.  Make sure at the bottom on the left hand side you rename your created flashcards.



When filling in the spreadsheet be sure to put the query on the left and the correct reply on the right.  If you want to use an image or YouTube video in one of the columns, add the correct URL link.  When you are finished, in the upper left-hand corner, select File, Publish to the web and Start publishing.  You then need to copy the link under Get a link to the published data.



Take the copied link back to the Flippity.net home page pasting it into the box under number 3 in the instructions.  As the instructions indicate, choose Go.  Your brand new set will appear at the top of the page.



When using the new set you have plenty of options.  They are as follows:
  1. a list of your cards showing side one and side two
  2. the ability to generate a quiz from your cards
  3. remove a card
  4. shuffle cards
  5. switch sides
  6. reload cards
  7. flip/next card
  8. next card
  9. flip card and
  10. previous card.
As you can see in the image by selecting the Share button you are given a URL link to your set of flashcards created using Flippity.net.  Here is the link to my set of flash cards titled Parts of a Book/Fiction Call Numbers.  Your flashcards can be shared on Twitter, Google+, Facebook and Pinterest.  You can also generate a QR code for your flashcards.



All you need to use this website application is a Google or Gmail account.  There is no cost or registration.  If you have the components needed to plug into the spreadsheet outlined prior to accessing the site, you can have your flashcards created in a matter of minutes.  There is a FAQ page including contact information.  

We know that one of the best methods for learning something is to teach it.  This would be a great vehicle for students to design flashcards to provide information to their classmates.  I can see using this to teach new vocabulary or basic information about a variety of topics.  Flippity.net will definitely be placed in my virtual toolbox. 

Monday, March 17, 2014

A Dream, Wishes And Hope

We all have dreams regardless of or depending upon our age and current circumstances.  Some dreams like wishing we would sprout wings, flying to parts unknown, or twitching our nose like Samantha on Bewitched to work our magic are less than realistic.  Others can be realized over time with hard work, having the right people in our lives and a touch of luck.

On November 13, 1951 something wonderful happened in New York City...at the Metropolitan Opera House.  It was a first.  It was witnessed by a little girl with hope as big as the sky.  It's a beautiful, uplifting story found in Kristy Dempsey's A Dance Like Starlight: One Ballerina's Dream (Philomel Books, an imprint of Penguin Group (USA) ) with illustrations by Floyd Cooper.

Stars hardly shine in the New York City sky,
with the factories spilling out pillars of smoke and streetlights spreading bright halos round their pin-top faces.

Even though no stars are seen night after night a young girl sits on the rooftop of her apartment building searching overhead, her lips moving, speaking softly of her wish.  Her Mama says wishes don't make dreams come true.  The fulfillment of dreams is about having hope.

Continuing Mama says hope is not an easy thing but requires work, hard work.  Not only does the girl's mother take in laundry to earn extra money but she has been employed at the ballet school cleaning and sewing costumes before her daughter was born. This woman is no stranger to doing what needs to be done.

The world of the ballet school becomes a part of the girl's heart.  Trying on costumes her Mama sees her dream begin to grow.  When she dances backstage during a recital the Ballet Master sees her dream getting bigger.

Noticing her talent he allows her to attend classes with the other girls even though as an African American she will not be allowed to perform with the white girls. The part in her heart becomes larger and larger, day after day, as she nourishes her hope with hard work.  One day a headline in an old newspaper catches her attention.

Money set aside for one thing is spent on another.  On a Tuesday evening this little girl and her Mama are watching Janet Collins perform as the first African American prima ballerina in the Metropolitan Opera House.  Once hope takes hold it won't let go.


The language used by Kristy Dempsey swirls out from the pages of this book, wrapping right around you with promise on every page.  Narrated by the young girl, within the reading of the first two pages, you are emotionally connected to the lives of her and her mother.  Readers can't help but enjoy learning about the performance of Janet Collins, of the significance it held then and now, through the heart and mind of this character.  Here is a sample passage.

"Brava, ma petite," he told me.  "Brava."
That's when hope picked my dream up
from the floor of my heart,
just like Mama said,
and it started growing.


Floyd Cooper is a master of a very unique artistic technique; a subtractive process using mixed media.  The quality found on the two-page illustration of the matching dust jacket and book case, the glow along the building tops, the sky at dusk with a few stars, the sense of softness, the feeling of flow and the contentment on the girl's face is on every picture in this book.  Each painting, a full two pages, captures the essence of the setting, the people or a moment.

The chosen color palette provides rich warmth.  You can't help but feel the longing, the commitment, and love, different kinds of love, portrayed through the facial features and movement of the characters.  Details take readers back to the time period; a model of car, clothing styles, and architecture.

One of my favorite illustrations is a close up of the girl's face being held by the hands of the Ballet Master after he sees her dancing.  The position of his hands and the look on her face takes my breath away.  It's absolutely stunning.  Another glorious picture is of the little girl imagining herself dancing along with Janet Collins on the stage.  They look as if they are floating above the audience near the ceiling.


In her author's note at the end of the book Kristy Dempsey states:

I hope many women, regardless of their age or the color of their skin, are inspired to achieve their own dreams through her historic performance.  

A Dance Like Starlight: One Ballerina's Dream written by Kristy Dempsey with paintings by Floyd Cooper is one of those books which makes your heart feel lighter than air filling it with possibilities.  With this combination of narrative and illustrations you can't help but believe anything can happen.  Please read this book as a group read aloud or in a one-on-one setting.  I know it will make a difference to those who experience this story.

Saturday, March 15, 2014

Twitterville Talk #143

With the switch to daylight savings time, we lost an hour of reading time.  That does not seem to have slowed down the exchange of recommendations for best books to read nor the constant professional development on Twitter.  There are many new book releases coming in 2014.  The offerings in children's literature are better and better every year.  Several more inches of snow fell here last night and the winds are howling again.  This is going to be a reading weekend.  I hope your weekend is restful, relaxing and for those at conferences, just plain fun.  Enjoy the gathered tweets.  Good luck with the giveaways.


Are you ready for the March #SharpSchu Book Club?  Get all the details here.

Settle in, grab snacks and something to drink.  Here are the book trailers and chats with authors and illustrators about their work.
























Here are some new poetry books you might want to consider using during any poetry study.  I have currently reviewed two of them on this blog.  Poems to Launch the Imagination

There are more thank you videos from the ALA Youth Media Award winners.  Go here.

Every minute of the inauguration ceremony for Kate DiCamillo as the National Ambassador for Young People's Literature is worth watching.  But her speech begins at about minute 43:17.




Are you ready for School Library Month and Poem in Your Pocket Day?

Put these new titles on your list---High-Demand Hot List For Youth

There are some exciting winners to still be determined.  Check out the 7th Annual Children's and Teen Choice Book Awards and 

Thanks to John Schumacher, teacher librarian, co-host of the monthly #SharpSchu Book Club, 2011 Library Journal Movers & Shakers, 2014 Newbery Medal Committee member, and blogger at Watch. Connect. Read. for these tweets.






A new dot appeared this week at Celebri-dots.  Check out the creation of Melissa Morse. As a reminder, it's never too early to start getting ready for the next International Dot Day.

Thanks to Terry Shay, 5-12 vocal and computer teacher, college adjunct, FableVision Learning Ambassador and blogger at T J On a Journey for this tweet.







This is a great article for using digital tools with reading and writing in the classroom, Corkulous for Read Aloud.  

Thanks to educator and blogger at A Year of Reading, Franki Sibberson for this post and tweet.





It's crucial to keep educating ourselves and our students about our online presence.  Here are 11 Tips For Students To Manage Their Digital Footprints.

Thanks to Joyce Valenza, librarian, teacher, learner and blogger at NeverEnding Search for this tweet.








If you are gearing up for National Poetry Month in April, you might want to check out this Poetry Poetry Poetry Symbaloo filled with resources.

Here's another excellent resource for teaching students copyright, Copyright BriefNOTES for Students.


Thanks to teacher librarian, presenter, consultant, and blogger at Van Meter Library Voice, Shannon Miller for these tweets.






It's been an exciting week at School Library Journal's 2014 Battle of the Kids' Books.  Several rounds have been decided, Round 1, Match 1: All The Truth That's In Me vs The Animal Book, Round 1, Match 2: Boxers and Saints vs A Corner of White, Round 1, Match 3: Doll Bones vs Eleanor and Park, and Round 1, Match 4: Far Far Away vs Flora and Ulysses.



Thanks to the Battle Commander for these tweets.






For fans of Adam Rex's The True Meaning of Smekday here is a four-minute sneak peek at the movie adaptation.

Thanks to author illustrator Adam Rex (Moonday) for this tweet.







File this in the food for thought category, Think We No Longer Need Libraries?  Think Again.



Thanks to Tasha Saecker, librarian and blogger at Waking Brain Cells, for this tweet.








Take note of this list of fantastic book titles; Dorothy Canfield Fisher Children's Book Award: Master List 2014-2015

Thanks to teacher librarian, technology integrationist, VSLA board member and ISTE SIGLIB President-elect, Donna Macdonald for this tweet.






Author Sarah Lean (A Dog Called Homeless) is sponsoring a contest on her website.  Is your pet a hero?  There are fabulous prizes.


Thanks to Sarah Lean for this tweet.








Are you using any of the 10 Must Have Google Chrome Extensions?


Thanks to Ben Gilpin, elementary principal and blogger at The Colorful Principal, for this tweet.






As more applications become available for using screencasts in an educational, professional or personal setting, this might be useful---The Teacher's Guide To Using Screencasts In The Classroom



Thanks to Brian C. Bailey, Learning Technologies Senior Analyst, for this tweet.








This looks like pure fun to me.  It could be used in a classroom setting too!  Children's Book Themed Birthday Parties

Thanks to Debbie Alvarez, teacher librarian and blogger at The Styling Librarian, for this tweet.








Don't miss this chance to win all three books from the outstanding series written by Julie Sternberg with illustrations by Matthew Cordell.  Like Carrot Juice on a Cupcake by Julie Sternberg|Book Series Giveaway



Thanks to The Publishing Guru for this tweet.







If you are not familiar with some or all of these web tools, you might want to check some of them out when you get a chance, The Top 10 Free Web Tools (As Chosen By You)  I have reviewed four of them here but will try to get to all of them.

Thanks to Edudemic for this tweet.





Wouldn't it be great to have one of these on every single school playground?  The Treehouse Library Or better yet...in your own backyard.

Thanks to Book Riot for this tweet and post.









Five Reasons to Read Aloud is a great post from author Sudipta Bardhan-Quallen (Duck, Duck, Moose!).

Thanks to her for this tweet and post.





Have you seen this trailer?


Thanks to Schwartz & Wade Books for this tweet.




Enjoy the gathered quotes, tweets and announcements from this week.


































Friday, March 14, 2014

Buzzy As A Bee

Perhaps in preparation for the long, record-breaking cold and snowfall depths in northern Michigan this year, perennials and flowering shrubs bloomed in profusion last summer.  During an entire day I had the pleasure of watching hundreds and hundreds of honeybees swarm around a bush overhanging my deck railing.  They graciously allowed me to get close enough to see the pouches of pollen collecting on their legs.  Their humming was a peaceful, pleasing melody.

If you were to ask even the youngest reader what food bears crave more than anything else, you would hear a chorus of honey.   Even though winter is spreading her cold quilt, Little Bear is not quite ready to settle in for a long nap.  The Bear's Song (Chronicle Books, September 2013) written and illustrated by Benjamin Chaud follows him on one last undertaking, a quest for his favorite sweet treat.

Deep in his den, Papa Bear starts to snore.  Winter whistles through the forest. Hibernation has begun.

Little Bear is not in the den.  Oh, no.  He is merrily following the sound of a single bee.  Despite his youth, he has learned that a bee will lead him to honey.

With an instinct as old as time, Papa Bear suddenly wakes knowing Little Bear has vacated the premises.  Searching left, searching right; Papa Bear can't get the errant youngster in sight.  From the forest he runs until he finds himself among streets lined with buildings and filled with people, lots of people.

Could that be Little Bear's ears?  Could that be Little Bear following a solitary bee?  Racing into the opera house Papa Bear goes.

Up, down and all around the father sniffs and scurries trying to locate Little Bear.  Whoosh!  Smash!  What do Papa Bear and a chandelier have in common?  Not about to let stage fright deter him in the slightest Papa Bear opens his great toothy mouth to sing a lullaby sure to lure the smaller bear to him.

When the proverbial dust has settled, there sits Little Bear in the middle of the audience seating.  He has a surprise for his Papa.  Certain sightings are meant to be shared.


Clever word choices by Benjamin Chaud replicate the sound and flight of the bee.  Page turn pacing mirrors the frantic search of Papa Bear and the determined pursuit of Little Bear. Tying together the alliterative and rhythmic language is a liberal dose of humor throughout.  Here is a single passage.

Looking rather dapper indeed, Paper Bear darts across the hall.
Now where could that bee and that Little Bear be?

Using a subdued, understated color palette of blue, gold, green, black, brown and cream with bits of rustic orange and red, Benjamin Chaud appeals to readers' sense of adventure.  With the matching dust jacket and book case we are introduced to his meticulous details, intricate designs and embellished architectural interiors and exteriors.  His opening and closing endpapers featuring a cream and gold honeycomb populated by bees foreshadows events to come.  Even the small oval illustration on the back continues the story's conclusion.

Each of the twelve two-page illustrations stretch from page edge to page edge filled with stories within the story.  Reader's eyes will first be scanning for Papa Bear, Little Bear and the bee.  Then they will see the multitude of extraordinary tiny visuals that will captivate and entertain; the lumberjacks leaving their saw stuck in the tree as they watch from the limbs as Papa Bear runs by them, the advertisements for honey on a sign and on the side of a bus in the city, the child wearing a bear hat who seems to be the only one to notice Papa Bear, bees engraved in the opera building exterior, or a lone shoe left on a ledge in the opera house.

I found myself smiling at every single illustration but the one which is the funniest to me is Papa Bear running through the forest after Little Bear and the bee.  To see the reactions of every other being as he approaches is laugh-out-loud hilarious.  It's a study in contrast; they are focused on Papa Bear, he is centered on his search for Little Bear.


If you are looking for a humorous adventure, jam-packed with delightful details, then The Bear's Song written and illustrated by Benjamin Chaud is a must read for you.  Be sure to pair it with Sergio Ruzzier's Bear and Bee for a story time that will hum with joy.  You might consider extending it even further by reading from Sandra Markle's The Case of the Vanishing Honeybees:  A Scientific Mystery.

Thursday, March 13, 2014

Soothing Slumber

If we trust our instincts, follow a hunch, the results are frequently surprising in the best possible way.  It's almost as if some unseen hand is guiding our way.  Untold treasures await us.

Twenty years ago, Amy Gary, editor of the Margaret Wise Brown Estate, on a whim asked Brown's sister, Roberta Rauch, if she knew of any unpublished works.  Can you imagine hearing an affirmative reply? Stacked in a trunk kept in the attic of the barn on her Vermont farm were pages and pages of poems, stories and musical scores.  Last week some of those gems were released into the world, collected in a title, Goodnight Songs: Illustrated by Twelve Award-Winning Picture Book Artists (Sterling Children's Books, March 4, 2014).  The words of Margaret Wise Brown have been visualized by Jonathan Bean, Carin Berger, Sophie Blackall, Linda Bleck, Renata Liwska, Christopher Silas Neal, Zachariah OHora, Eric Puybaret, Sean Qualls, Isabel Roxas, Melissa Sweet and Dan Yaccarino.

Appealing to the inherent musical nature of children these twelve lyrical poems cast a gossamer net pulsing with a gentle cadence around all who read them.  They encourage dreams of playful fantasy uninterrupted by nothing until the morning dawns.  Any cares of the daytime will float away as evening falls through the text and pictures.  Margaret Wise Brown's simple repetitive phrases float and dance off the pages.

Readers find themselves traveling by balloon in the company of a bear, baboon, monkey, troll and mole.  They are lulled to sleep by a very particular melody or in following the nighttime rituals of a goat, or a rabbit and a bear.  I'll wager most readers are unaware of the man in the moon's youth.

Safety on the seas is found in the arms of another.  They learn of those who see what others do not.  Roads travel vertically through an abandoned town constructed entirely of wood.  One by one a donkey, a monkey, a sheep, a pig, birds, a black cat and a child are asked to close their eyes.

What do you see when you close your eyes?  What do you hear in the night?  What might a mouse ask for in a prayer?  Blissful peace is assured.

Two pages are dedicated to each song; illustrations extending edge to edge on heavy matte finished paper.  While the color of the font may vary the same is used in all the text.  The text is tucked within each picture, noticeable but not a distraction.  Tiny white stars seen on the dust jacket and matching book case pattern the opening and closing endpapers.

Renata Liwska captures the soft slumbering characters of The Noon Balloon nestled in fluffy clouds suspended in a pale blue sky.  Intricate lines, exquisite architectural details and a boat riding the waves beneath a full moon ease a child into dreamland drawn by Sophie Blackall in Mambian Melody.  Goats with teddy bears and stuffed toy rabbits and drinking from large pink tea cups populate mountains and hills where skunks carry lanterns and hedgehogs huddle in Goat on the Mountain visualized by Linda Bleck.

Sleep like a Rabbit illustrated by Isabel Roxas pictures a pig-tailed girl in a red dress sleeping near a bear and a rabbit adrift in a sea of stars.  This is also the jacket and case illustration.  Unique, painted, collage-like clouds and stars float around a mustached man in the moon as his younger self runs across his surface when Sean Qualls pictures When the Man in the Moon Was a Little Boy. As if surrounded in a wispy fog Song to Estyn, illustrated by Eric Puybaret, shows a man in a long golden all-weather coat, captain's hat on his head holding a child in a sailor suit on board a ship.

Melissa Sweet's signature style, of pastel collage with splashes of red, pieces together The Secret Song.  White block-like houses, one on top of the other, are strung together by a ribbon road of red among green tulips on a midnight blue background by Christoper Silas Neal for Wooden Town.  An orange, blue, black and white palette feature creatures looking upon and living in a town as a child gazes out his window in Little Donkey Close Your Eyes portrayed by Zachariah OHora.

Blue and white striped curtains billow around the stage set with green birds, blue clouds and rows of cut-out houses in Carin Berger's interpretation of When I Close My Eyes. Bold, bright orange-yellow, orange, green, purple and shades of dark blue mesh perfectly to create the quiet found in Sounds in the Night pictured by Dan Yaccarino.  It's a windy, winter night, leaves and snow swirling about under a full moon as a child sleeps beneath a large leaf and a mouse stands in the doorway of his cozy home in The Mouse's Prayer depicted by Jonathan Bean.

Stunning pictures lift the words of Margaret Wise Brown toward dreamland in Goodnight Songs: Illustrated by Twelve Award-Winning Picture Book Artists.  As if the text and visuals are not enough to hold readers spellbound, a CD with the words set to music by Tom Proutt and Emily Gary is included.  I have listened to it twice as of this writing.  It is truly lovely.  You could not ask for a better book for closing out your day or bringing a small measure of calm into an afternoon.

Two pages at the book's conclusion include thumbnails of the illustrations along with comments about or by the illustrators.  A note from the musicians and credits are inserted on the closing endpapers.  An introduction by Amy Gary begins this title.

I hope you enjoy these videos.  I was made aware of some of them through tweets by the illustrators.



Goodnight Songs: Chris Neal, contributing illustrator from Sterling Publishing on Vimeo.



Goodnight Songs: Sean Qualls, contributing illustrator from Sterling Publishing on Vimeo.



Goodnight Songs: Sophie Blackall, contributing illustrator from Sterling Publishing on Vimeo.



Goodnight Songs: Carin Berger, contributing illustrator from Sterling Publishing on Vimeo.



Goodnight Songs: Isabel Roxas, contributing illustrator from Sterling Publishing on Vimeo.


Goodnight Songs: DanYacarino, contributing illustrator from Sterling Publishing on Vimeo.



Goodnight Songs: Amy Gary, editor of Goodnight Songs by Margaret Wise Brown from Sterling Publishing on Vimeo.

Wednesday, March 12, 2014

Piecing Together A Life

Some people have the gift of looking at something, realizing its potential to be almost anything.  They see the world in hues of color, assorted textures and a plethora of designs. These colors, textures and designs are gathered into their minds; many times they are literally collected to be used later. Their life is lived outside the box.

For nearly three decades author illustrator Lois Ehlert has created, with her wonderful sense of color, use of texture and uniquely designed collage illustrations, picture books for people of all ages.  We are entranced by their beauty as we follow a story or learn more about the simple, everyday things which surround us inside and outside our homes.  In her newest title, The Scraps Book:  Notes from a Colorful Life (Beach Lane Books), page by page, picture by picture, she takes us on a joyous journey, the evolution of her life as an artist, an author and an illustrator.

When I was little,
I read all the books
on the library shelf,
and I thought
maybe someday
I could make
a book.

Fortunately for Lois, both her parents encouraged her artistic undertakings.  As a seamstress her mother had many pieces of fabric and embellishments she shared with Lois.  From her father's workshop she was given pieces of wood.  Both passed on their skills to her and shared their tools. (She still uses her Mom's pinking shears and her Dad's paintbrush.)

A cherished childhood art table, art school, a job in an art studio by day and nights filled with book ideas, fed this artist's soul.  Grocery stores, gardens, a mischievous squirrel, a visit to an aquarium or a family member's home provided ideas which became stories.  Once written she sketched out the entire book page by page.

It was (and still is) a slow process perfecting the precise combination of text and images to tell the envisioned story.  Then the art was (is) painstakingly formed; cutting, painting, shaping and gluing everything into its predetermined space.  Bits and pieces were everywhere as Lois worked; a portion of a pizza pan became a dog's tag, a zipper his mouth and a pop can top his nose.

Photographs, painted, real and found objects, crazy tools for one-of-a-kind patterns all contribute to the style that is Lois Ehlert's alone.  If what she needs is not in her work space, she walks outside until she finds the special necessary element.  A page is not complete until it's utterly flawless.  All you have to do is open any of her books to know this is true.


Using the same informal simple sentences found in all her books, Lois Ehlert explains to readers how

Art chose me. 

from the time she was a little girl. In addition to these one, two or three sentences expressing a thought or process, she has labeled photographs, illustrations from previous books, artistic materials, notes, dummies, sketches, and personal collections on every single page.  On the final four pages she poses a query, offers encouragement and like a fairy godmother sends a wish out to the reader.

Using white to make the cheerful colors on the matching dust jacket and book case call out a welcoming hello to readers, Lois Ehlert envelopes us in her artistic world.  The opening and closing endpapers feature collages of photographed good stuff.  The formal title pages continue this theme; a collection of fonts spelling out Scraps.  With a page turn we are greeted with a frog found in two of her books on the left.  On the right in a bright, bold square text we read:

DON'T 
READ
THIS
BOOK
(unless you love books and art)

Pages are illustrated with photographs, artwork from her books, artistic tools, materials, notes, sketches, preliminary narratives, word lists, and book dummies; many held in place with paperclips.  Some of them convey a single thought on a single page with a separate visual.  Many of the illustrations cross the gutter in a splendiferous array.

I enjoyed every page in this book.  Those including sketches and book dummies with the finished artwork are wonderful.  One of my favorite two pages of illustrations are taken from Ten Little Caterpillars and Waiting for Wings.  They are filled with warmth and vibrancy.


During my first day at the American Library Association Annual Conference and Exhibition 2013 in Chicago last June, I had the unexpected pleasure of meeting Lois Ehlert.  As I was waiting in line to speak with her, I was given a mock-up of this book to read by her (I think) editor, Allyn Johnston.  At the time I knew it would be an amazing book.  Trust me when I say, The Scraps Book: Notes from a Colorful Life written and illustrated by Lois Ehlert is amazing with an A+!  It's a museum of her life's work.  It will find a place in my selection of Mock Caldecott books for 2015.


For each of the years I have worked with elementary students, I have done an author study of Lois Ehlert during the time when I am conducting the Mock Caldecott unit with the older students.  One of the highlights of this time is the viewing of her video Get to Know Lois Ehlert (Harcourt Brace).  As with Skype visits this personal connection to authors and illustrators makes their work come alive for readers.

In my personal collection of Lois Ehlert books I have nineteen of the thirty-five titles pictured at the end of this book.  I feel very luck to have one of the original Hands books in the shape of a glove.



Please follow this link to the publisher's website to see pages from this book.  Here is a link to an interview conducted by Julie Danielson at BookPage.  Robin Smith conducted an interview at The Horn Book.  Enjoy the video interview conducted by Reading Rockets.  Here is the link to their site where there are five videos all together.  





I really enjoy participating in the 2014 Nonfiction Picture Book Challenge hosted by Alyson Beecher at Kid Lit Frenzy each week.  It is one of the best spots to see what nonfiction picture books others are reading.