When I was growing up my Dad who worked as a carpenter for years as his first job, made sure I had the fundamentals of hammer, nails, nuts, bolts, saw, pliers and wrench use down pat. It came in handy when in 1976 after acquiring twenty acres of wooded property outside a city in northern Michigan, my husband and I found ourselves building our own home. We each had our own chain saws to clear an area for the house; cutting down dozens of trees which provided heat in our wood stove for years.
A crew dug the basement and laid the foundation, drilled the well and put in the septic system. We had hired a construction crew but when my husband found their work to be less than plumb, with the framing barely started, they were dismissed and we proceeded to finish the home ourselves. We lived in a tent until it became too cold, then moved to one room in a motel. Working at jobs and building a house with the remaining time each day is an experience I will never forget. Looking back, I can't believe we did it.
For this reason (among others) after reading a post at Seven Impossible Things Before Breakfast about a new Jonathan Bean title, I knew I had to have it. Building Our House (Farrar Straus Giroux) is written and illustrated to honor his family and is founded on his own parents building a house for their family. As his parents painstakingly built the home step by step, Jonathan Bean builds this story picture by picture, word by word.
Today is moving day. We left our old house in the city and are moving to the country.
Told in the voice of his older sister we follow the Bean family as their resourcefulness and spirit of self-sufficiency guide them on their adventure. A field purchased from a farmer at the end of a dirt road is the site for a home they will build. Tools, plans, Mom, Dad, a younger brother and a truck named Willys arrive ready to begin.
Essentials, running water and electricity, are first and foremost followed by the arrival of a small trailer. The family of four will live in this small home on wheels while we build our new house. Working together with the help of Willys materials are gathered; wood, rocks, sand and stone are piled about the field.
Grandpa provides the backhoe for digging the basement, the family builds forms for the foundation filling them with those collected items, then Mom measures and Dad cuts beams. People, extended family, friends and neighbors, come for a frame-raising day and party. Knowing winter is not far away as summer days grow cooler, the little family works harder than ever.
Siding, windows, floors, a door, roof, and chimney are pieced around the frame fashioned by many. As snow and wind swirl outside, the house becomes more whole as the inside is filled with plumbing, electrical wires, insulation and walls shape rooms. The seasons shift bringing a new addition and a very special day, moving day. Family of five...house...home...contented, happy hearts...
There is no other way to describe the writing and illustrating of this book other than as a labor of love. The narrative voice is youthful, matter-of-fact but observant noting parental axioms and day-to-day details of the construction process. Readers will notice the word choice, placement and pacing provide a certain soothing rhythm not unlike that of the house's changes through the months. Here are a couple of selected sentences from one of my favorite parts.
On a clear, cold night Dad sets the corners of the foundation by the North Star. One wall will face north to ward off the wind, one east to welcome the morning, one south to soak in the sun, and one west to see out the day.
From pencil sketches, to ink and watercolor, the pictures by Jonathan Bean are individual masterpieces, small captured moments in his family's life. An identical jacket and cover feature a close-up of the building in progress on the front while the back shows the completed home in the early evening, lights in the windows. Opening endpapers in tones of tan provide a vista of the countryside as it was before their arrival. The same colors are used in the closing endpapers but the home, shed, gardens, laundry on a clothesline, a tree house and a foal with the horse in the farmer's field have been added to the original scene.
A heavier matte-finished paper adds to the warmth of the visuals which begin the story on the title page showing the family loading Willys up for the move into the country. Some of the illustrations extend across two pages, edge to edge, while others are smaller as the steps in the process are related; these having rounded edges as an invitation to the reader. Still more pages are a series of pictures blended together as if links on a chain with the text woven among them.
With every viewing more details can be noticed; details adding to the life-affirming nature of the venture, a dream fulfilled through determination and love. A cat appearing at their arrival is adopted and has kittens. A tiny evergreen tree is placed on the peak of the roof after the frame-raising. During a rain storm Mom is holding an umbrella for Dad as his works on the roof; the children seeking shelter beneath the overturned wheel barrow. Despite all the hub-bub a groundhog continues to build his home nearby as the months pass. It's these little things that contribute to this title's excellence.
Jonathan Bean in writing and illustrating Building Our House has invited readers into his past; a past filled with the best kind of memories, a cherished childhood. This beautiful book in addition to being featured at Seven Impossible Things Before Breakfast (the array of artwork in various stages is a must see) is showcased at Kirkus and at The Horn Book here and here. Make sure this title is on your must- purchase list. You'll want to read it again and again.
A place where students, educators and parents can exchange and express views about the best of books, new technologies and libraries.
Quote of the Month
When love and skill work together, expect a miracle. John Ruskin
Showing posts with label family life. Show all posts
Showing posts with label family life. Show all posts
Tuesday, February 26, 2013
Monday, November 5, 2012
hurray! hurray!
I've known it was coming for months, ordering it as soon as I heard. Then the starred reviews and insightful, informative interviews followed. First Publishers Weekly closes their review saying:
The vision of Lydia and her escape is a glorious image of her liberation; it's required reading for any kid with a phone.
A month later Kirkus Reviews begins their opinion with:
Into a family's device-dominated existence, Cordell inserts this tribute to the realms of nature and of imagination
Author/illustrator David Small's review in The New York Times Sunday Review, September 14, 2012, says in his concluding sentence:
While the message was perhaps the main reason for baking, it comes along not as the cake itself, but as the icing.
By now I can hardly wait for the release date having read and reviewed Matthew Cordell's earlier work this year, Another Brother. On October 30th John Schumacher, teacher librarian and blogger at Watch. Connect Read. talks with Matthew Cordell about this new title. In the course of the seven question interview, Cordell states:
But it is equally as important to use our own minds to create something for the people we love and for ourselves. Express yourself. Make something. Never stop using your imagination.
The anticipation is building when I read this chat on November 1st between Matthew Cordell and Julie Danielson (Seven Impossible Things Before Breakfast) at Kirkus Reviews.
During their virtual conversation, Cordell says:
Right away, I knew that the picture book was the perfect platform to tell this story.
I had to be away from my home for most of the day on Friday, November 2nd. Checking Twitter that afternoon this exchange took place.
Even after reading the reviews and interviews, I found myself unprepared for the impact of reading for the first time hello! hello! (Disney Hyperion Books) written and illustrated by Matthew Cordell. If someone had been in the room and snapped a picture of my face when I closed the cover, my mouth would have been forming a big "O" as my eyes were alight with wonder. Ever so slowly I felt this big grin, that would have given the Cheshire Cat a run for his money, slowly spread across my face before I read it all over again.
A young girl finds no satisfaction using any of her electronic gizmos, a handheld video game device, a laptop computer or cellphone. There's even reruns on television. Leaving her bedroom she finds her Mom, Dad and brother, Bob, completely engrossed using their own gadgets, barely responding to her greetings of "Hello".
Feeling discouraged and at a loss, she notices a single leaf twirl upward through the slightly open door. Not stopping to put on shoes, she walks barefoot out the door into the falling leaves.
Hello...
...leaf.
It's as if she's wakened from a dream and rediscovers the out-of-doors as she encounters a ladybug, flower, and a horse. This horse is no ordinary horse either....the horse greets her by name,
Hello, Lydia.
As she gallops through the field of flowers on the back of her new-found friend, page after page, they are joined by other creatures from the world, animals who have crossed the barriers of time and habitat. The exuberance, the glory of this freedom, as they all greet one another with "hello" is spectacular until... technology intrudes. A conversation, greetings, outdoor treasures exchanged and then...the spark that electronics can extinguish, if not carefully guarded, is fanned into a fiery ride of the stuff of dreams or a small girl's splendid imagination.
The word hello having more than one meaning, a greeting at meeting, a call for attention or questioning inquiry, is used repeatedly in Matthew Cordell's sparsely worded narrative, effectively bringing in those subtle differences. Choosing to use a limited amount of other words increases the power of the single word, hello. From my perspective, Cordell's story is saying it's when we pause, step back and look around in the stillness, that the true beauty right in front of our eyes is noticed.
If you are one of those picture book people who pour over every single detail, noticing the jacket, cover, endpapers, title, publisher information, dedication and all the goodness in between, hello! hello! is a total delight. The jacket showing Lydia chasing after the leaf, leaving her techno-world behind with the multiple-hello pattern in her wake, is repeated on the cover with a major exception. She is still running but through the field of flowers across a sunny landscape, birds in the distance, in silence.
The beginning and closing endpapers employ the use of opposites, hands, page position and text message; a nod to the storyline. Five pages of the story pass even before the title page is shown. The publishing information and dedication page are at the near end. The placement and pacing of every single item is impeccable.
Matthew Cordell uses a bamboo pen and India ink, a bit of pencil, a Macintosh computer, a large format waterproof inkjet printer, and watercolor on paper creating illustrations that alternately are surrounded by large amounts of white space on single pages to full-color visuals bleeding off two- page spreads. It is mind-boggling to think he hand-lettered all the text within the story, shifting from a more stylized, digital font inside the family home to the looser flowing hellos in the natural world. Color choices again reflect the disparities between inside and outside; the one nearly in black and white, the other ablaze in soft, warm, varied hues that shout joy and life.
As much as I love, Another Brother, having placed it among my Mock Caldecott selections, hello! hello! has secured a huge spot in my mind and heart as well as my Mock Caldecott. Matthew Cordell's significant skills as an author and illustrator have never been more apparent than in this labor of love. Read this with or to people who are important to you, again and again. I can't help but think this would make a great reader's theater presentation.
Be sure to follow all the embedded links above to read the reviews, interviews and Matthew Cordell's blog posts about this title.
The vision of Lydia and her escape is a glorious image of her liberation; it's required reading for any kid with a phone.
A month later Kirkus Reviews begins their opinion with:
Into a family's device-dominated existence, Cordell inserts this tribute to the realms of nature and of imagination
Author/illustrator David Small's review in The New York Times Sunday Review, September 14, 2012, says in his concluding sentence:
While the message was perhaps the main reason for baking, it comes along not as the cake itself, but as the icing.
By now I can hardly wait for the release date having read and reviewed Matthew Cordell's earlier work this year, Another Brother. On October 30th John Schumacher, teacher librarian and blogger at Watch. Connect Read. talks with Matthew Cordell about this new title. In the course of the seven question interview, Cordell states:
But it is equally as important to use our own minds to create something for the people we love and for ourselves. Express yourself. Make something. Never stop using your imagination.
The anticipation is building when I read this chat on November 1st between Matthew Cordell and Julie Danielson (Seven Impossible Things Before Breakfast) at Kirkus Reviews.
During their virtual conversation, Cordell says:
Right away, I knew that the picture book was the perfect platform to tell this story.
I had to be away from my home for most of the day on Friday, November 2nd. Checking Twitter that afternoon this exchange took place.
@cordellmatthew Lovely...
— Margie Myers-Culver (@Loveofxena) November 2, 2012
@cordellmatthew (scurry to open boxes delivered in my absence today)Oh My Gosh!It's here!Hurray!
— Margie Myers-Culver (@Loveofxena) November 2, 2012
@cordellmatthew I know, Matthew.So very glad.
— Margie Myers-Culver (@Loveofxena) November 2, 2012
Even after reading the reviews and interviews, I found myself unprepared for the impact of reading for the first time hello! hello! (Disney Hyperion Books) written and illustrated by Matthew Cordell. If someone had been in the room and snapped a picture of my face when I closed the cover, my mouth would have been forming a big "O" as my eyes were alight with wonder. Ever so slowly I felt this big grin, that would have given the Cheshire Cat a run for his money, slowly spread across my face before I read it all over again.
A young girl finds no satisfaction using any of her electronic gizmos, a handheld video game device, a laptop computer or cellphone. There's even reruns on television. Leaving her bedroom she finds her Mom, Dad and brother, Bob, completely engrossed using their own gadgets, barely responding to her greetings of "Hello".
Feeling discouraged and at a loss, she notices a single leaf twirl upward through the slightly open door. Not stopping to put on shoes, she walks barefoot out the door into the falling leaves.
Hello...
...leaf.
It's as if she's wakened from a dream and rediscovers the out-of-doors as she encounters a ladybug, flower, and a horse. This horse is no ordinary horse either....the horse greets her by name,
Hello, Lydia.
As she gallops through the field of flowers on the back of her new-found friend, page after page, they are joined by other creatures from the world, animals who have crossed the barriers of time and habitat. The exuberance, the glory of this freedom, as they all greet one another with "hello" is spectacular until... technology intrudes. A conversation, greetings, outdoor treasures exchanged and then...the spark that electronics can extinguish, if not carefully guarded, is fanned into a fiery ride of the stuff of dreams or a small girl's splendid imagination.
The word hello having more than one meaning, a greeting at meeting, a call for attention or questioning inquiry, is used repeatedly in Matthew Cordell's sparsely worded narrative, effectively bringing in those subtle differences. Choosing to use a limited amount of other words increases the power of the single word, hello. From my perspective, Cordell's story is saying it's when we pause, step back and look around in the stillness, that the true beauty right in front of our eyes is noticed.
If you are one of those picture book people who pour over every single detail, noticing the jacket, cover, endpapers, title, publisher information, dedication and all the goodness in between, hello! hello! is a total delight. The jacket showing Lydia chasing after the leaf, leaving her techno-world behind with the multiple-hello pattern in her wake, is repeated on the cover with a major exception. She is still running but through the field of flowers across a sunny landscape, birds in the distance, in silence.
The beginning and closing endpapers employ the use of opposites, hands, page position and text message; a nod to the storyline. Five pages of the story pass even before the title page is shown. The publishing information and dedication page are at the near end. The placement and pacing of every single item is impeccable.
Matthew Cordell uses a bamboo pen and India ink, a bit of pencil, a Macintosh computer, a large format waterproof inkjet printer, and watercolor on paper creating illustrations that alternately are surrounded by large amounts of white space on single pages to full-color visuals bleeding off two- page spreads. It is mind-boggling to think he hand-lettered all the text within the story, shifting from a more stylized, digital font inside the family home to the looser flowing hellos in the natural world. Color choices again reflect the disparities between inside and outside; the one nearly in black and white, the other ablaze in soft, warm, varied hues that shout joy and life.
As much as I love, Another Brother, having placed it among my Mock Caldecott selections, hello! hello! has secured a huge spot in my mind and heart as well as my Mock Caldecott. Matthew Cordell's significant skills as an author and illustrator have never been more apparent than in this labor of love. Read this with or to people who are important to you, again and again. I can't help but think this would make a great reader's theater presentation.
Be sure to follow all the embedded links above to read the reviews, interviews and Matthew Cordell's blog posts about this title.
Labels:
books and reading,
communication,
family life,
Matthew Cordell
Subscribe to:
Posts (Atom)
