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When love and skill work together, expect a miracle. John Ruskin




Showing posts with label Julie Morstad. Show all posts
Showing posts with label Julie Morstad. Show all posts

Friday, April 1, 2016

Poetic Observations

Mother Nature and the calendar may have designated the vernal equinox as March 20, 2016 in the northern hemisphere but the first day of April heralds an event in the literary world which cements this annual change.  National Poetry Month is celebrating its twentieth anniversary this year with a host of activities available for participants on their website.  There is no better time to collect words expressing the shift in seasons than the renewal of life after a winter's rest.

As the days move forward the noticed differences are sometimes subtle, slight and soft and other times loud, large and vibrant.  In her first work of poetry author Julie Fogliano (And Then It's Spring, If you want to see a whalebeginning with spring follows the seasons documenting her observations with dates.  The illustrations of Julie Morstad (This Is Sadie, Swan: The Life and Dance of Anna Pavlova) delicately portray defining moments.  When Green Becomes Tomatoes: Poems for All Seasons (A Neal Porter Book, Roaring Brook Press, March 1, 2016) is a collection of thankfulness, gentle, simple and straight from the heart.

march 20
from a snow-covered tree
one bird singing
each tweet poking
a tiny hole
through the edge of winter
and landing carefully
balancing gently
on the tip of spring

A first bird, a first flower, and forgotten remnants of winter fun emerge from the snowy weather.  Clouds release rain and buds on branches release flowers.  Sensations, sights and sounds increase.  There is a focus on flowers, sunshine, bees, breezes and berries.  Then...it's summer.

july 28
if you ever stopped
to taste a blueberry
you would know
that it's not really about the blue, at all

Languid lounging in cool water helps dim the heat.  Life is in constant motion all around you even at night inside your home when a small glowing insect may visit.  Your garden grows; green is replaced with other colors.  There are beach picnics, oceans of water and sand, seagulls and swimming.  There will be stargazing; long nights of stillness and staring upward.  Then...it's fall.

november 20
there is nothing left to bloom
or sprout
or bud
or grow
these showers will not bring you flowers at all
these showers are practice for snow


As much happiness as June, July, August and most of September bring, there is a time when sweater weather is welcome.  In shades of brown, orange, red and yellow leaves fall, form patterns and are raked into piles; piles and piles of crunchy, crinkly fragments of a summer spent.  Patches of dirt are spotted with brilliant globes.  Trees reach silently.  Quiet is coming.  Then...it's winter.

december 29
and i woke
to a morning
that was quiet
and white
the first snow
(just like magic) came
on tiptoe
overnight

What would it be like to fall like a snowflake falls?  What would it be like to stand alone, a single cow among many snowflakes?  Outside wind and snow change the landscape frosting the familiar into something entirely new.  Inside a cozy fire and warm blankets shelter inhabitants from a storm that never ends.  But, then it does.

march 20
from a snow-covered tree ...


Reading the poetry penned by Julie Fogliano is like taking the feelings from your best day and swimming through them page after page.  Without punctuation the breaks come in the placement of the lines; a steady stream of thought fueled by sensory inspection.  Through her use of words the simple, everyday things mentioned become royalty worthy of wonder.  Here is another poem

may 10
lilac sniffing
is what to do
with a nose
when it is may
and there are lilacs
to be sniffed


The image on the front of the dust jacket continues to the left on the back.  Children look, carry, pick and reflect among the delicately depicted fruits of the season.  One of the darker hues of green covers the book case with a deep forest green along the spine.  On the front a single green tomato is embossed into the cover.  The warm, early red of a ripening tomato covers both the opening and closing endpapers.  Tiny fruits and vegetables are gathered under the title.  A wee little nut-carry squirrel is featured on the verso.  Between the dedications a child is shown eating a slice of watermelon.

Rendered in gouache and pencil crayon by Julie Morstad most of the illustrations span two pages, edge to edge.  There are fine lines, intricate details, soaring vistas and close perceptions but most of all her pictures are brimming with remembered emotions relative to those specific seasonal experiences.  There are no adults in these visuals, only children, a dog, the flash of a rabbit, a firefly, birds, a bee, a frog, butterflies, an inchworm, squirrels, a cat, a white duck and a cow.  It's a lovely world in which she asks us to wander.

One of my favorite pictures of many is beneath a summer sky without moonlight. There are so many stars to be seen overhead.  Two children, a boy and a girl, are seated on a hillside looking at the stars. They and the hill are shown in silhouette.  Above them are streaks of deep, dark blue.  You can almost hear the crickets breaking the silence with their chirping.


Forty-eight poems some as short as two lines, others as long as two pages walk us through the four seasons, reminding us to appreciate those things most noticed as children.  When Green Becomes Tomatoes: Poems for All Seasons written by Julie Fogliano with illustrations by Julie Morstad is pure delight from start to finish. I highly recommend this for your personal and professional bookshelves.  They are absolute magic to read aloud.

To learn more about Julie Morstad please follow the link attached to her name to take you to her website.  At the publisher's website you can view four interior images.  Julie Fogliano pronounces her name for us at TeachingBooks.net  Make sure you visit Jama Rattigan's blog, Jama's Alphabet Soupfor a wonderful review of this title and interview of Julie Fogliano today.  Scholastic's Ambassador for School Libraries John Schumacher showcases a guest post by Julie Fogliano at Watch. Connect. Read.  Author, reviewer and blogger Julie Danielson highlights art by Julie Morstad at Seven Impossible Things Before Breakfast.


For more resources for National Poetry Month please visit Jama Rattigan's blog Jama's Alphabet Soup.  You won't lack for things to do, read or write.  Teacher librarian Shannon McClintock Miller has created a Symbaloo for Poetry.

Friday, October 9, 2015

Gliding With Grace

For a young girl growing up with the family nickname of Moose the chances of her parents spending their hard-earned money on dance lessons was slim.  Instead she watched her younger sister go to ballet lessons year after year.  She attended each and every recital amazed at the beauty of not only her sister dancing but the others with her on the stage.

You have to wonder if there had been another book other than the classic Hans Christian Andersen's The Ugly Duckling would this girl have persisted in following her desires.  Swan: The Life and Dance of Anna Pavlova (Chronicle Books, August 18, 2015) written by Laurel Snyder with illustrations by Julie Morstad is a book this child would have cherished.  She would have read it over and over feeling the hope and inspiration found in this dancer's life.

The city is big,
Anna is small.
The snow is
everywhere
and all around.

One winter's night Anna and her mama ride in a sleigh to the ballet.  Seeing a story told by dancers on a stage, watching their movements convey emotion, changes Anna's life.  Now her arms, legs and body twirl, dip and sway from place to place gaining even the attention of tiny creatures outside their apartment window.

Mama finally takes her to the ballet school but Anna is not accepted.  Two years pass.  Anna still twirls, dips and sways among the hanging laundry her mama washes for a living.  When they visit the school this time Anna's flair for expression draws the attention of the instructors.  Every position is precisely practiced repeatedly.

It is intense work.  It is exactly what Anna has wanted to do.  When she takes the stage the audience knows they are seeing a ballerina unlike any other.  Her style, her interpretation, is unique.

As Anna dances alone the first time as a swan, the swan, those in attendance feel the magic of her transformation.  Traveling around the world her fame continues to increase.  While Anna enjoys performing for the rich and famous, she does not forget from where she came.  She brings her dancing to those less fortunate in places ballerinas would normally not go.

Anna believes in spreading the joy of ballet everywhere to everyone.  She teaches.  She dances.  And then...  A train stop and a walk in the snow slow her steps.  Wings fold.  Breathing stills but her flights are remembered.


Sometimes we cry in sadness.  Sometimes we cry at the breathtaking elegance touching our lives.  Sometimes we cry in sheer delight.  When reading the words written with truth and respect by Laurel Snyder in this book, readers will find themselves deeply moved to tears for all those reasons.  Snyder's love of language is evident in each sentence on these pages.  Some of them are short and descriptive; others string together like sections of a symphony.  We become Anna and watch her life at the same time.  It's an incredible experience.  Here is the passage as Anna and her mama attend the first ballet together.

Then---ah!
The lights.
The lights!
Something is happening ...
There's a swell of strings,
a scurry of skirts.
A hiss and a hum and ...
HUSH!
It's
all
beginning!


If you close your eyes when first holding this book and opening the pages, you will feel the softness of the matte finished paper and heavy stock.  Your sensory experience with these illustrations has started.  Opening the matching dust jacket and book case Anna as a child, one arm extended with a wing, holds promise for the passion which will willingly consume her life and which she will gladly share with the world.  You can't see it but on the dust jacket the feathers are etched in iridescence.  To the left, on the back, is a single black chair, flowers painted on the back, with a pair of pink ballet slippers hanging from the top rail.

The opening endpapers, on a white background except for the floor in a shade of gray, show Anna gazing out the window of her home.  Laundry hangs from a crisscross of lines.  On the wall is a portrait of her and her mama.  This design is carried forth on the closing endpapers with changes to the items hanging from a line and the larger portrait on the wall.  The chair...oh, the chair.

On the initial title page, a single word, Swan, in graceful cursive is tipped with rose branches.  On the formal title page Anna practicing before being accepted to ballet school poses within the text.  Rendered in ink, gouache, graphite, pencil and crayon Julie Morstad exquisitely portrays each scene with authenticity, warmth and emotion.

Morstad's use of white space as an element in her design is exceptional drawing our eyes into the moment regardless of the size of the image.  Varying from two-page pictures to a series of smaller vignettes to depict the passing of time, each can be viewed individually or as part of a seamless whole.  Soft muted colors in a limited palette pair perfectly with the settings and historical period.

One of my favorite illustrations, besides the striking swan picture, is of Anna dancing in their apartment with a broom as her mama hangs up laundry.  We are on the outside looking through a window.  Two squirrels sit watching on the sill as snow falls.  It's a peaceful scene full of love.


You have to remind yourself to breath as you turn each page of Swan: The Life and Dance of Anna Pavlova written by Laurel Snyder and illustrated by Julie Morstad.  All readers will be inspired by the life choices of this woman dedicated to the art of ballet.  It's a remarkable portrait by this author and illustrator.  At the close of the book Laurel Snyder includes two pages of additional information along with a bibliography and quotation sources.

To learn more about Laurel Snyder and Julie Morstad please follow the links to their websites attached to their names.  At the publisher's website is a teacher's guide.  John Schumacher, the Scholastic Ambassador for School Libraries, talks about his love of this book in one of his Saturday video chats with Colby Sharp and Lauren Castillo.  This book is highlighted by teacher librarian Jennifer Reed on her blog, Reederama.  Southeast publisher rep Teresa Rolfe Kravtin featured this title on her blog, A Rep Reading.  Laurel Snyder is interviewed and the book is showcased at this picture book life.  Julie Danielson, author, reviewer and blogger at Seven Impossible Things Before Breakfast speaks about the book and shows us some art. Teacher librarian Matthew C. Winner speaks with both Laurel Snyder and Julie Morstad during the Let's Get Busy podcast number 179.


This is my first post for the 2015 Nonfiction Picture Book Challenge hosted by Alyson Beecher at Kid Lit Frenzy in six weeks.  I am happy to be back to more regular blogging.  Stop by her site to see what the other bloggers have highlighted this week.


Tuesday, May 26, 2015

Imagining Yourself

Children rarely have to dig as long or as far as do adults.  It's much closer to the surface.  For them within seconds, they are transformed and transported to roles and worlds of their own choosing.  Their minds are free of life's accumulated clutter.  They dream big all day long.

We had several vacant lots on our street when we were growing up.  The one, wooded and tall with weeds, was a paradise for all of us.  As soon as we crossed the boundary, we were no longer within the confines of our neighborhood.  In This Is Sadie (Tundra Books, May 12, 2015) written by Sara O'Leary with illustrations by Julie Morstad a little girl reminds us of the potential of creative imagining.

This is Sadie.
No, not that.  That's a box.
Sadie is inside the box.

To Sadie it's not a box.  To Sadie it's a boat; a big boat traveling across a sea so vast there's nothing but water as far as the eye can see.  There might be land nearby but Sadie is content to ride the waves.

Even before a single soul in her home, other than herself, is awake, Sadie has traveled a distance.  She's quiet until she selects her favorite dress to wear for the day.  Her playmates are not all real.  Some of them are characters from stories.

Sadie selects where she goes and who she becomes, diving, howling, sipping and riding.  She has conversations with those others cannot understand.  She soars gliding on wind currents.

No minute in Sadie's day is wasted.  They are brimming with bits and pieces from her collected thoughts.  They are inspired by the inventiveness of others.


In this story Sara O'Leary has given readers a character to cherish.  Through Sara's words we see a girl who looks at her world, making it larger with her making, doing and being.  The best thing is readers are invited to join Sadie in her adventure with the first three words.

The unseen narrator speaks warmly using informal sentences.  When Sadie talks we are intimately aware of the wonder she finds wherever she goes.  Here is another sample passage.

And then she chooses a dress.
"Don't tell the others," she whispers,
"but you are my favorite."


When you open the dust jacket, the first thing you notice is the delicate flowers filling the field across both sides.  Sadie is featured in her fox mask on the front with her stuffed toy fox companion sitting in the grass in the lower right-hand corner of the back, to the left.  Tiny details like the flower dotting the "i" in Sadie are found throughout this title.  When you flip the dust jacket to the inside one of the gorgeous nighttime scenes from the interior becomes a poster with a quotation from the story.  The book case is identical to the jacket with one exception.  The opening and closing endpapers are a deeper forest green with a triangular three dot pattern in white.

The light, lyrical feel of the words is continued with the title page illustration.  The text letters are hanging from a string across the top.  Beneath this the beloved toy is sleeping in cheery bedding.

Rendered in gouache, watercolor and pencil crayon Julie Morstad's fine lines supply exquisite elements in all the illustrations.  Most of the images extend over two pages but for those smaller pictures or larger ones with a white background, the white gives a new dimension to the colors used.  Morstad depicts playfulness in her visuals in contrast to the narrative.  We read

When it is time to start the day,
Sadie tidies her room.

We see Sadie standing among a pile of clothes on the left.  To the right is her bed nicely made but underneath we see her interpretation of tidy.

One of my many favorite illustrations is of a small hill sprinkled with little flowers.  Slightly off center to the right is a large tree with a rounded top.  Bluebirds have gathered among the branches.  We see Sadie's bare legs dangling through the leaves.  Her red bicycle is leaning against the trunk with her fox sitting in the wire basket. You wish you were one of those bluebirds

chit-chatting

with her.


This Is Sadie written by Sara O'Leary with illustrations by Julie Morstad is one of those books where the word delightful immediately springs to mind.  We all need a bit of Sadie in us.  Some of us need more than others.  Read this to a group at story time, one on one or to your neighborhood fox family.  (A baby fox was spotted last week.)  I guarantee your listeners will be checking for wings.

To discover more about Sara O'Leary and Julie Morstad please follow the links attached to their names to access their online presence.  Julie gives us views of two interior images.  Sara has created another space dedicated to this book at Tumblr.  Teacher librarian extraordinaire, John Schumacher, hosted Sara O'Leary on his blog at Watch. Connect. Read.  A link to an activity kit is provided along with the book trailer and a series of questions and answers. Enjoy.  

These two tweets offer more for you about This Is Sadie.  






UPDATE:  Sara  O'Leary is a guest on the podcast, Let's Get Busy, Episode #230 hosted by teacher-librarian Matthew C. Winner