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When love and skill work together, expect a miracle. John Ruskin




Showing posts with label Franklin Aretha. Show all posts
Showing posts with label Franklin Aretha. Show all posts

Thursday, September 17, 2020

They Lifted Their Voices

Women of distinction on an international, national, community or familial level achieve this designation by taking a stand.  They stand firm in their beliefs and in following their individual calling.  No challenge, large or small, deters them from their life-long pursuits.  They are an inspiration to many during their lives, and for those who follow in their paths.

During the recent Democratic presidential candidate process, one of the women who later withdrew is now running as the Democratic candidate for Vice-President.  Kamala Harris: Rooted In Justice (Atheneum Books for Young Readers, August 25, 2020) written by Nikki Grimes with illustrations by Laura Freeman looks at this accomplished woman's life from her birth to present day.  It gives readers a deeper understanding of how her beliefs and calling were shaped. 

Eve slammed the door when she
got home from first grade.
"Eve!" You know we don't slam doors
in this house," her mom said.
"What's going on?"

Eve is upset about an incident at school.  When asked what she wanted to be when she grew up, she said she wanted to be President.  Another classmate, a boy, said girls can't be President.  

With this introduction, the mother begins the story of Kamala Harris.  During the narrative, from time to time, Eve and her mother converse about a word or an important event Kamala experiences.  We first learn of the meaning of Kamala's name.  The explanation of a lotus flower's beauty and roots is an apt comparison.

Kamala's mother was born in India and her father was born in Jamaica.  She was born in Oakland, California.  Even as a baby, yet unable to walk, Kamala was a part of her parent's involvement in seeking social equality.  She and her younger sister, Maya, learned the same lessons when visiting their maternal grandparents in Zambia when her grandfather was a diplomat.

When Kamala was seven her parents divorced.  From her new home in Berkeley she was bused to school at Thousand Oaks Elementary where she met students from diverse ethnic and social backgrounds. Her days were filled with studies, outside interests including evenings at a cultural center showcasing Black Americans in the arts and literature.  Kamala, her sister, and mother were deeply involved in their local church, the girls attending on Sundays when they did not visit their father.

When she was in middle school, Kamala's world took another turn when her mother got a job in Montreal, Canada.  Trading sun for snow was a huge shift.  Kamala returned to the states to attend college at Howard University where she won her first election.

Month after month, during her time at Howard University and in the subsequent years every choice, every career decision, lead Kamala Harris to her present place in politics as the second African American woman to be voted into the United States Senate.  Her focus, learned from her family, has been service for the people she represents. In less than two months, we will all see if her dedication will be amplified.


The literary technique of having Kamala Harris's story told through the conversation between a mother and her daughter is highly effective when used in the masterful hands of author Nikki Grimes.  Her careful research is obvious in the specific details she includes.  She takes readers step by step, using her gift with words, to build this distinctive woman's life layer by layer.  Here is a passage.

Once, when tiny Kamala was fussing,
her mother couldn't figure out
what was the matter.
"What do you want, little girl?" she asked.
"Freedom!" said Kamala,
and a waterfall of laughter
sputtered from her mother's mouth. 


The strength of Kamala Harris's character, the people who shaped her life, and her commitment to serving people and this country is depicted with excellence on the front, right, of the open and matching dust jacket and book case.  The design is eloquent in every respect, as are the color choices.  The text is raised.  

To the left, on the back, a much younger Kamala is seated at a neighbor's table, a red-and-white checkered tablecloth in front of her.  Her head is tilted as she listens to the woman (who we can't see) speak.  Behind her are portraits of famous African American woman and African face masks on the wall.  (This is a portion of an interior illustration.)

The opening and closing endpapers are a bright yellow.  On the title page a younger Kamala Harris, wearing a backpack, is headed to her home.  Two signs in the yard display the title and subtitle.  

These illustrations by Laura Freeman rendered digitally are bold, rich, and warm.  They are double-page pictures and single-page pictures, edge to edge.  Our focus is always maintained by the vivid depictions of Kamala, regardless of her age or the setting in which she finds herself.  Laura Freeman has portrayed her so well, we expect her to come to life at any moment.  If we pause at each illustration, we can see the individual elements included which are all a part of who Kamala Harris is today.  

One of my many, many favorite illustrations is at the beginning of the book.  It is when Eve's mother is starting the story of Kamala Harris's life.  Across two pages is a collage of large lotus flowers, left to right, among teal water with floating smaller lotus flowers and pads.  In the first large lotus flower is baby Kamala grasping a small lotus blossom.  In the second large flower is little girl Kamala, eyes closed, as she smells a larger lotus blossom she holds in both hands.  On the other side of the gutter, a much older Kamala, among large lotus petals, is studying.  This leads us to present day Kamala.  She fills nearly half of the right side, smiling, and with her eyes wide open.  The lotus pattern is overlaid on her clothing.


This woman has left her mark in each portion of her life which is clearly defined in Kamala Harris: Rooted In Justice written by Nikki Grimes with illustrations by Laura Freeman.  Each time you read this title; your respect continues to grow for her commitment to her calling.  You are inspired.  At the close of the book is a timeline of significant occurrences in her life.  A small list of sources is included.  You'll want to have a copy of this book in your professional and personal collections.

To learn more about Nikki Grimes and Laura Freeman and their other work, please follow the link attached to their names to access their websites.  Nikki Grimes has accounts on FacebookTwitter, and YouTubeLaura Freeman has an account on Instagram.  The cover reveal for this book was hosted by Scholastic's Ambassador of School Libraries, John Schumacher, at Watch. Connect. Read.  I believe you will enjoy the conversation between Nikki Grimes and John Schumacher.  At the publisher's website you can view multiple interior images, several of which are my favorites.



This next woman's words still ring with clarity in the music she made.  You can't read or hear her name without one of her songs keeping you company throughout the day in your mind.  You might find yourself humming one of her tunes.  Her voice, like her persona, is larger than life.

As the first woman inducted into the Rock & Roll Hall of Fame her place in the world of music is forever etched in history.  R-E-S-P-E-C-T: Aretha Franklin, the Queen of Soul (Atheneum Books for Young Readers, August 25, 2020) written by Carole Boston Weatherford with art by Frank Morrison is a tribute in words and art to the power of a single person to effect change for the greater good on a worldwide scale.  Even at this moment, I can hear her singing. 

B-L-E-S-S-E-D
Cradled by the church, rocked by an ebony sea,
Aretha says a little prayer each night on bended knee.

This introductory sentence is the first of fifteen single hyphenated words followed by one or two explanatory sentences. We learn of the strong foundation of faith present in Aretha's life.  We learn of the family's move to Detroit where the parents and children lift their voices in Gospel song.

Aretha's parents separate, but her musical talent soars.  She is a gifted pianist, playing by ear.  She also listens to her father's voice in the fight for equality across the spectrum.  

At the age of fourteen, Aretha records her first album.  Her father knows true talent when he hears it, a voice able to span 

three-plus octaves.

This woman is not only a strength in the world of music, but a source of power in the civil rights movement.  She gives concerts for free to raise funds.  A moment everyone will remember is her singing of "My Country 'Tis of Thee" at President Barack Obama's inauguration.  Throughout her life Aretha Franklin returns to the foundation from which she rose, deep in her religious beliefs, the Queen of Soul, using her gift from God.


The manner in which author Carole Boston Weatherford unfolds her appreciation for Aretha Franklin in this narrative is akin to a call and response.  A single definitive word is presented, followed by a factual, but lyrical rhyming description. Only twice during this book does she break this cadence to use quoted phrases.  Here is another passage.

G-I-F-T-E-D
Young, gifted, black, Aretha hears a melody.
Then she plays the tune by ear---plinking perfectly.


You cannot help but gasp, at least inwardly, if not aloud, when you view the opened dust jacket of this book.  Artist Frank Morrison displays Aretha Franklin young, vibrant, and definitely a queen from left to right in a majestic depiction.  Her feathered coat, continuing over the spine, barely flows past (on the left) her hand holding a microphone.  In a word, this is beautiful.  The single word main title is raised in gold foil.

On the book case on a canvas of rich, golden brown, orange, and red is a child on the front.  Her lovely, black hair frames her smiling face.  In both her hands she holds an album reading:

QUEEN OF SOUL

with the face of a singing Aretha above the words.

On the opening endpapers is a collage, as if we are looking down, of album covers, records and a record player.  Two people, one a child, and the other older are holding albums.  On the closing endpapers is the image from the book case.

These illustrations rendered in oil paint by Frank Morrison are stunning.  Across the title page is a double-page picture of a pink Cadillac from fins to front.  With a page turn the verso and dedication pages feature Aretha and her siblings playing a game of hide-and-seek at their home in Tennessee.  

Each of the following double-page images are glorious paintings portraying significant portions of her life story.  We see these occasions from multiple perspectives, as observers or participants.  The range of real emotions on the people's faces increases the very personal points of view.  With his artwork, Frank Morrison takes us completely into the experience.

One of my many, many favorite paintings is for the passage above noted.  We are looking directly down on a young Aretha Franklin.  At the top of the page, the piano keyboard extends from edge to edge.  Aretha's fingers are placed on the left and right side of her body on the keys.  We see her arms, elbows lifted, coming from the sleeves of her yellow dress.  We see the skirt of her dress spread out over her legs as she sits on a black bench.  All we see of her face is the top of her head.  The floor is wide-boards and wooden.  Along the lower edge of the image is a fringed, red patterned rug.  It's like we've stepped back in time.


This ode in pure poetic perfection enhanced by powerful paintings will be read and treasured for years to come.  In R-E-S-P-E-C-T: Aretha Franklin, the Queen of Soul written by Carole Boston Weatherford with art by Frank Morrison we get informative glimpses into greatness.  At the close of the book there is an author's note which further informs readers.  There is also a list of Chart-Toppers: Aretha Franklin's Biggest Hits.  I highly recommend this title for your professional and personal bookshelves.  You might want to pair this title with A Voice Named Aretha written by Katheryn Russell-Brown with illustrations by Laura Freeman.

To discover more about Carole Boston Weatherford and Frank Morrison and their other work, please follow the link attached to their names to access their websites.  Carole Boston Weatherford has accounts on Facebook, Instagram, and TwitterFrank Morrison has accounts on Facebook, Instagram, and Twitter.  At the publisher's website you can view the entire dust jacket, back to front.





Be sure to visit Kid Lit Frenzy hosted by educator Alyson Beecher to view the other titles selected this week by participants in the 2020 Nonfiction Picture Book Challenge.



Wednesday, January 22, 2020

Respect

Music permeates every aspect of our lives.  Daily there is a cadence and chorus of sounds.  The hum of a furnace, air conditioner, a clothes or hair dryer, or a refrigerator inside our homes blend with the whistle of wind, birdsong, the howl of coyotes or the ringing of wind chimes.  Reading or hearing a single word can add an entirely new series of notes to this familiar symphony.

Anyone who grows up near the Motor City and spends their life in Michigan has sung and danced to the music made by the Queen of Soul.  All you have to do is hear her name and the sound of her voice singing the words of one of her songs will play in your mind all day long.  A Voice Named Aretha (Bloomsbury Children's Books, January 7, 2020) written by Katheryn Russell-Brown with illustrations by Laura Freeman pays tribute to this extraordinary musician's life in memorable words and images.

Folks came from miles around to hear Reverend C. L. Franklin preach at New Bethel Baptist Church in Detroit, Michigan.  The famous preacher gave soul-stirring sermons that could make you shout, moan, or nod and whisper "Amen."

As some of the most famous names associated with African American arts and civil rights visited the Franklin home in Detroit, Michigan, quiet Aretha watched and listened.  Aretha and her siblings all sang gospel music in their father's church, but little Aretha had a voice that was pure magic.  Twice deep sadness entered the child's life before she was ten; first for the end of her parent's marriage and then the death of her mother.  Aretha sang through her sorrow with her first solo.

More than a thousand people heard Aretha sing that beautiful uplifting song.

At twelve she traveled with her father.  He preached and she sang.  Both sent out a riveting message to those gathered to listen.  At eighteen she moved to New York City and signed with a record company.  In keeping with what she had been taught, Aretha never performed unless everyone was allowed to attend.

Before too long Aretha realized she needed to switch record companies.  She did this and got a new band.  Her song "I Never Loved a Man (The Way I Love you)" rose to the top of the charts selling one million copies.

Aretha Franklin became the first woman to enter the Rock & Roll Hall of Fame.  The year was 1987.  Do you know why Aretha Franklin's signature style of wearing a fur coat on stage began?  (Readers of this title will learn.)  To everyone who heard her perform in person or listened to her music on their radios or stereos or today, through their devices, she lifted (and still lifts) them up.  Everywhere Aretha Franklin went, the world was enriched for her having been there.


Meticulous research and an abiding respect for Aretha Franklin inspired and directed the writing of Katheryn Russell-Brown.  This is evident in every word we read.  As we move from passage to passage through Aretha Franklin's life, it's as if there is a soulful beat similar to her music captured and presented on the pages.  Here are two separate passages.

Before she went on tour with her band, Aretha was warned that club owners sometimes tricked singers out of their money.  No way was she going to let that happen!  She demanded payment in cash, before the show.  And when she went on stage, she always put her handbag where she could see it.  Aretha could put on a show and take care of business.

Each one of her songs is like a sermon, with a story and a lesson, seasoned with life wisdom, hard work, and always, lots of soul.  They remind us of the greatest joy or the deepest pain.


The warmth of the colors, the vibrant reds, purples and golden yellows, shown on the open and matching dust jacket and book case, convey the essence of Aretha Franklin, the Queen of Soul, and her music.  The portrait of her singing as a little girl and as an adult with the album between them symbolizes the length and breadth of her talent.  Both facial expressions depict a revelation and release of her gift into the world.

The curtain on the front continues over the spine to create another stage with these words between the two curtains.

Aretha's songs inspire
us to think, love, and
respect ourselves
and one another. 

On a regal purple a collection of 45 records of Aretha Franklin's songs are displayed on the opening and closing endpapers.  Aretha Franklin stands clothed in a yellow gown, singing with a microphone in her hand on the title page against a canvas of white.

The illustrations, rendered digitally with Photoshop, by Laura Freeman are presented on single pages and as double-page pictures.  Laura Freeman places the elements in her images close to us or farther away to fashion an emotional moment.  When young Aretha learns of her mother's passing, she is shown smaller, standing in front of a dresser with the gift from her mother of a nurse's kit on top.  She is hugging a picture of her mother.  There is an abundance of white space around her.  When she is recording one of her first songs, she is shown larger than life before a hanging microphone in the studio.  Her face and upper body fill the page as she stands, eyes closed.  To her right two other accompanying singers are shown in shades of gray.  Readers will note the attention to detail as to historical correctness in architecture, clothing, automobiles and hair styles in the illustrations.

One of my many, many favorite pictures is a double-page picture.  For the background a "sea" of seated people is spread in faded colors.  From right to left is a stage, widening a bit on the left.  On the left side is a piano in blue.  Behind a red podium is ten-year-old Aretha Franklin.  Dressed in yellow, hair in two braids and standing on a chair to be seen with her arms outstretched, she is singing her first solo.  Her back is to us.


This book, an acclamation to the life work of the Queen of Soul, A Voice Named Aretha written by Katheryn Russell-Brown with illustrations by Laura Freeman, is one to have on the shelves of your professional and personal collections.  At the close of the book are two pages titled More About The Queen Of Soul.  This is followed by A Note From The Author, A Note From The Illustrator, Songs By Aretha Franklin, Notes For "More About The Queen Of Soul" and Sources.  Once you've read this individually or to a group, be prepared to be singing and dancing to her songs for days.

To learn more about Katheryn Russell-Brown and Laura Freeman and their other work, please follow the links attached to their names to access their respective websites. Katheryn Russell-Brown has an account on Twitter.  Laura Freeman has accounts on Instagram and Twitter.  Katheryn Russell-Brown wrote a post at the Nerdy Book Club and was interviewed at Book Q&As With Deborah KalbPlease enjoy these two musical videos.  I've been singing them in my mind for several days.




Take a few moments to visit Kid Lit Frenzy hosted by educator Alyson Beecher to view the other titles selected this week by participants in the 2020 Nonfiction Picture Book Challenge.