A Delightful Doughut Duo

A circle is much more than a geometric shape.  Symbolically, it has more than one interpretation.  When we are seated in a circle, no one is more important than another.  All are equal.  A circle is said to represent eternity, having no beginning or no ending.  It depicts wholeness.

It signifies perfection.  For those who love the sweet fried circles known as doughnuts, this meaning rings true.  Two book publications at the end of September focus on this delicious pastry.  Donut Feed The Squirrels (A Norma And Belly Book)(RH Graphic, an imprint of Random House Children's Books, September 29, 2020) written and illustrated by Mika Song is a charming and comical, five chapter graphic novel about two best friends who develop an obsession for doughnuts.

Belly!

Wake up.

I'm making 

pancakes!

You are?

I am.

Yes!

Yesss!

The problem is Belly and Norma are so excited about their pancake breakfast, the pancakes burn to a crisp.  Belly suggests chestnuts for their morning meal.  This is their plan until Norma gets a whiff of 

crispy, sugar, oil,

and a hint of 

linden flowers.

Belly and Norma plus the entire squirrel population in their community smell it.  It's a doughnut food truck.  Now they all want doughnuts.  Norma and Belly have another scheme.

It seems the cook and owner of the truck does not consider chestnuts a good form of payment.  Norma and Belly end up soaking wet after being sprayed.  They dry out so fluffy their mentor, Gramps, thinks they resemble dandelions.  Gramps, Norma, Belly, and another youngster devise a strategy to get inside the truck and gather a bunch of doughnuts.

As with many ventures, things do not go smoothly.  One hilarious incident, inside and outside the truck, after another are certain to have you laughing and cheering at the same time.  Later, while a festive squirrel gathering is happening, the frustrated food truck baker makes a startling discovery.  Surprises come in all shapes and sizes.  Yum!

Told entirely in dialogue with some sound effects, author Mika Song prepares a textual feast for readers.  The snappy conversations between Belly and Norma and the other characters are tinged with friendship, love of community, humor and valuable insights on life.  Characters' traits are revealed through these exchanges.  Here are two adjoining passages.

Yuck.

I hate being wet.

It's sunny---we'll dry

in no time.

See!

Mr. Spritzer

better hold on to 

his donuts.

Let's just play

Frisbee and

forget about

the donuts.

I can smell

them, Belly.

Come on! I have a plan.

Have you ever seen more animated, happy-go-lucky looking squirrels than Norma and Belly on the front of the open book case?  You know based on the title and the placement of a doughnut above them, escapades are in the offing.  To the left, on the back, Norma and Belly are placed on the upper portion with words reading:

Norma and Belly

Would Really Really Really Really Like

A Dounut.

The bottom portion contains text you would usually find on a front flap of a dust jacket.  On the back the colors are reversed, green on top and yellow on the bottom.

The same green is used for the opening and closing endpapers.  Norma and Belly in lively positions are shown on both title pages.  On the dedication page, the food truck is on its way to the park.

Rendered

with pencils, sumi brushes, sumi ink, and watercolor on watercolor paper

the illustrations in the various sizes of panels depict warmth, a form of casual coziness.  Mika Song changes the perspectives to further engage readers in the intimate details of the story.  There is a narrow black line framing the panels and the speech bubbles.  Many of the panels are wordless and guaranteed to make you laugh out loud.

Two of my many, many favorite illustrations are after Norma and Belly dry out from being spritzed and when Belly is inside the food truck.  The first one is a half-page picture.  It's when we first see the duo after they are dried.  Their fur is so fluffy, their size is doubled.  They are extra-poufy, everywhere.  In the second image, a bit larger than a half page, Belly has started up one of the machines.  The doughnuts are moving up on a belt.  One moves off the top into the air.  Belly is riding it and screaming

Wheee!

Readers will be reading Donut Feed The Squirrels (A Norma And Belly Book) written and illustrated by Mika Song repeatedly.  They will be thrilled to know Apple Of My Pie is the second planned adventure with this twosome.  You'll want to have several copies of this book in your professional collections and at least one in your personal collection.

To learn more about Mika Song and her other work, please follow the link attached to her name to access her website.  Mika Song has accounts on Instagram and Twitter.  At the publisher's website you can view multiple pages.  Mika Song reads all five chapters aloud.  Below you can view the first one where she presents it in 

Kamishibai-style using her original watercolor pages.

More than seventeen years ago, readers met an irresistible character with appealing opinions.  This effervescent personality is coated in chocolate and colorful candy sprinkles.  His name is Arnie, and he is a doughnut.  In HELLO ARNIE!: An Arnie The Doughnut Story (Christy Ottaviano Books, Henry Holt And Company, September 29, 2020) written and illustrated by Laurie Keller readers are treated to a bit of a mystery. 

Hi, Plain!

Good

morning,

Glazed!

Hey,

Long John!

Arnie is moving through the bakery shouting greetings to all his pastry pals.  And they reply in one loud chorus.  Arnie is proud he knows everyone in the bakery until Cinnamon Twist points out he does not know everyone.  He does not know the reader.  YIKES!

Arnie is quick to point out that the reader (you) is the largest doughnut he has ever seen.  In fact, he makes several references as to how big you are.  His thinking then evolves to the type of doughnut you are.  

He is eager to help you find your proper place on the doughnut trays.  Through a series of comparisons, Arnie reaches an astonishing conclusion.  (He does take a few moments to discuss the virtues of sprinkles and the lack of them on you, the reader.)

Arnie decides, rather reluctantly, you are not a doughnut.  How is this possible?  Well then, what are you?  Is it possible you are a __________________!?  

By using Arnie's voice as narrator, author Laurie Keller, places readers directly in his story.  His genuine commentary, questions and answers strike the center of readers' hearts.  You'll probably be laughing, too.  His brief conversations with Cinnamon Twist and Long John and the choral responses of the entire bakery of doughnuts add extra sweetness to this tasty tale.  Here is a passage.

What kind of

giant doughnut

ARE you anyway?

WHAT?!

You don't 

know what 

kind?

The tiny, printed pattern (mini doughnuts) spreads across the front, spine, and back of the open dust jacket.  The hues of those small forms shift from teal to purple and to pink, almost like reflected sunlight.  Arnie with his wide-eyed look, open mouth, and animated arms and legs is in his full glory.  He makes an appearance on the back to talk about this book and to point out the four other books in which he stars.  On both the front and the back of the dust jacket, Arnie is varnished, along with the thumbnails of the other titles, and the main title text on the front.  This text is also raised.

The book case back is identical to the dust jacket.  On the front we have moved closer to Arnie.  His face fills the entire front of the book case, his grin lighting up our lives.

On a white background, the opening and closing endpapers are covered in red, yellow, blue, pink, and green sprinkles.  On the verso, dedication, and title pages, illustrator Laurie Keller has created a double-page picture of a doughnut machine and a large dough bowl with a curved chute dropping doughnuts into hot oil.  Can you spy a character from another of her popular books walking across the top of the title page?

Each illustration rendered

with markers, colored pencils, pen and ink, acrylic paint, collage, and digital drawing

is highly animated spanning either two pages, single pages, or two smaller visuals on a single page.  The backgrounds shift through a series of pastel shades or feature the checkered colors of the bakery.  Sometimes there are two different backgrounds on a single page like panels to separate moments.  Laurie Keller's collage technique is fabulous.

One of my many, many favorite illustrations covers two-thirds of a page.  Arnie is looking closer at the reader, at you.  In his left hand he is carrying a clip board and blue pencil.  This is how he is keeping track of observations.  His left eye is closed in concentration.  In his right hand he is holding a magnifying glass held up to his right eye.  This eye, as seen through that glass, is HUGE!  He is trying to see if you have filling coming out of your head.

Written and illustrated by Laurie Keller, HELLO ARNIE!: An Arnie The Doughnut Story shows us a character at his personal best.  He tackles the mystery of who we are with his usual exuberance.  When he reaches a conclusion, he embraces it with his truth.  Arnie is a character to love.  I know you will want to have a copy for your professional and personal collections.  (And wouldn't it be great if there was an Arnie The Doughnut plush toy?)

To discover more about Laurie Keller and her other work, please follow the link attached to her name to access her website.  Laurie Keller has accounts on Facebook, Instagram, and Twitter.  At the publisher's website you can view interior images.  Laurie Keller was recently featured at Only Picture Books and author Tara Lazar's Writing For Kids (While Raising Them).  Enjoy the charming book trailer.

An Apparition In Need

Caregivers and educators tell you, regardless of the time of year, when given the choice most children overwhelming request scary stories.  Of scary stories, stories about ghosts are in high demand.  In fact, children are eager to share their own ghost stories based on personal experiences or family legends.

By definition, ghosts are the souls or spirits of departed beings.  Their ability to be seen or unseen varies.  Gustavo: The Shy Ghost (Candlewick Press, July 14, 2020) written and illustrated by Flavia Z. Drago and the Spanish edition Gustavo: El Fantasmita Timido released on the same date is the story of a ghost who wants and needs the other monsters to see him.

Gustavo era

un fantasmita.

Como a cualquier otro ser paranormal, le gustaba

hacer las cosas que le eran normales: atravesar

paredes, hacer volar objetos o brillar en la oscuridad.

Gustavo was a ghost

He enjoyed doing the normal things that

paranormal beings do---passing through walls,

making objects fly, and glowing in the dark.  

Of all the things in Gustavo's world, he loved playing the violin the most.  He had a secret. He loved Alma, another monster in town, but he never declared his affections to her.  

Gustavo was much too bashful.  He wanted to join the other youngsters in their activities, but it frightened him.  Yes, it did.  He disguised himself as other objects to get near them, but they did not notice him.  This saddened him.

The little ghost knew he had to be proactive if he wanted friends.  He wrote a letter to all the other monster children, inviting them to a violin concert in the cemetery during the Day of the Dead. A full moon was expected.

When the date arrived, Gustavo went to the cemetery. No one came.  Gustavo decided to do what he loved most, he played and played and played his violin.  He gleamed with happiness.  Imagine Gustavo's surprise at hearing sounds he longed to hear.  His life was never the same after that Day of the Dead night under a full moon.  Neither were the lives of anyone else.

Gustavo may be a ghost, but author Flavia Z. Drago's depiction of him and his problem creates an instant connection with readers.  She describes something and someone he loves, just like us.  She explains his fear with examples and his attempts to overcome it.  When he chooses to be brave, we find ourselves cheering for him, especially when he decides to perform his concert for an empty cemetery. Flavia Z. Drago, through Gustavo, shows us how to make a dream come true.  Here is a passage from the book.

As the days went by, Gustavo

couldn't stop thinking . . .

What if no one shows up?

What if they don't

like my music?

What if they don't like me?

Except tonight was The Night

And this time, he couldn't hide.

Conforme el tiempo pasaba,

Gustavo no podia dejar de

pensar . . .

?Y si no llega nadie?

?Y si no les gusta mi musica?

?Y si no les gusto yo?

Pero esta noche era La Noche.

Esta vez no podria esconderse.

The color palette is dazzling in the contrast between brilliant pink and orange.  On the front of the dust jacket, the framing around Gustavo, in his home, features papel picado, a form of art known in Mexico.  Delicate, elaborate patterns are cut into tissue paper.  This framing around Gustavo is varnished.  When you run your fingers over the items in this part of the image, they are raised.

On the back, the theme of papel picado is used to fashion the entire illustration.  The colors are reversed with orange being the prominent color.  Pink is the cut-out places.  The main part of the picture shows Gustavo and Alma in the cemetery together, both smiling. The skeletons, musical notes, lacey edging, and the same border at the top as the front are part of the back illustration.

The book case is white on the front and back.  On the back in pink are the same words shown on the back of the dust jacket.  They are:

GUSTAVO IS A GHOST.

A VERY SHY ONE.

MORE THAN ANYTHING,

HE WANTS TO MAKE A FRIEND!

On the front big and bold are the eyebrows, eyes, smile, and rosy cheeks of Gustavo.

In two hues of gray, rows, vertical and horizontal, of symbolic skeletons pattern the opening endpapers.  Along the right side is a set of photo booth pictures, four portraits of Gustavo with different facial expressions, curious, smiling, startled, and sad.  For the closing endpapers, the color of the design is two shades of rosy red.  The photographs, numbering six, capture the changes in Gustavo's life.  

These illustrations,

done in mixed media

are enchanting, shifting in size to place emphasis on the story and its pacing.  The intricate details invite readers to pause at every page turn.  They are a reflection of a ghost's life within the Mexican culture.  Gustavo's father is a ghost, and his mother is a skeleton.

The fish in the fishbowl in their living room is a skeleton, but there are bubbles to indicate it is breathing.  A floating teapot is pouring tea into a floating cup for Gustavo's mother.  In the Spanish edition the word NEWS on the mother's newspaper reads NOTICIAS.  EYE-SCREAM on the dessert truck in town is changed to HELADOS YETI.  Little skulls with wings and antennae fly around Gustavo and the other monster children.  Every time you read this book; you will discover more wonderful elements.

One of my many, many favorite illustrations is on a single page.  It's when Gustavo is trying to get close to the other children by disguising himself as something else other than himself.  On a white background are a group of monsters, five altogether.  There is a skeleton girl wearing a frilly pink hat.  She is waving her arm where bubbles flow from a circle-shaped wire.  She is behind a Frankenstein character.  In front of him is a werewolf in a dress with a bow in her hair.  She is carrying a soccer ball.  Next to her with a hula hoop around its waist is a creature from the Black Lagoon.  Alma is on the far right, carrying a handful of colorful balloons on strings.  Gustavo's face is one of the balloons.  I love this scene.

Gustavo: The Shy Ghost and Gustavo: El Fantasmita Timido written and illustrated by Flavia Z. Drago is in a word, delightful.  Readers of all ages will be fascinated by the artwork and captivated by the story whether it is read in English or Spanish.  The Spanish when read aloud is musical.  For its portrayal of a ghost, a culture, and overcoming shyness, this book needs a place on both your personal and professional bookshelves in both languages.

To learn more about Flavia Z. Drago and her other work, please follow the link attached to her name to access her website.  At her website you can view interior images from this book, not shown in the illustrations at the publisher's website or at Penguin Random House.  Also at the publisher's website are an activity kit and author's note you can download.  Flavia Z. Drago has accounts on Facebook, Instagram, and Twitter.  This book and Flavia Z. Drago are showcased by librarian Matthew C. Winner at The Children's Book Podcast.  Please enjoy the video below.

Built To Restore

Repeatedly we humans go about our business, small and large, without regard for the effects on others around us.  We rarely tend to give thought to how our changes to the environment will impact those living in the wild.  Our alterations to their areas have a ripple response, upsetting long standing homes on the ground and in trees, feeding practices, and sleeping habits.  

One crucial element of their lives is how and where they move on a daily, seasonal, or yearly basis.  In our efforts to make our travel more advantageous, we have hindered their travel.  Crossings: Extraordinary Structures For Extraordinary Animals (Beach Lane Books, an imprint of Simon & Schuster Children's Publishing Division, October 13, 2020) written by Katy S. Duffield and illustrated by Mike Orodan is an extraordinary exploration of humans' efforts to make movement safer for the animals who reside with us on this planet.

Over, under, across, through.

Around the world, construction crews build

overpasses, underpasses, bridges, and tunnels---

ways for people to get from one place to another.

These overpasses, underpasses, bridges, and tunnels have greatly hindered the lives of animals.  Innovative thinkers across our globe have imagined, designed, and continue to build solutions.  In the north, along the Trans-Canada Highway, there are forty plus overpasses and underpasses which a variety of animals use.  Some of these animal pathways are fenced to safely direct those that use them.

Did you know that across the ocean in Africa, Kenya to be specific, an underpass now allows two separated groups of elephants to mingle?  Much like a giant spider web, rope bridges across a highway in Australia allow squirrel gliders to skillfully cross, protected from harm.  Have you heard of the red crabs who live on Christmas Island?  In numbers too high to count they leave the interior of the island making for the Indian Ocean to lay eggs once a year.  Bridges have been built for them.

Experts have conceived special little alleys for spotted salamanders, beneath human roadways, for them to use in the spring in the state of Massachusetts.  In Arizona coyotes and a host of other animals wander safely over a highway.  In case you might be wondering how they know where to build these special routes for animals, studies are conducted following prints and the scat left by local critters.

In order for pangolins to be able to get proper food, shelter, and find mates, a shapely bridge over the Bukit Timah Expressway allows them to maintain their lives in Singapore.  Through this book, we visit twelve spaces in twelve places around the world, fascinated by the strides made for our fellow animal companions.  It's an inspirational and hopeful look at what we can do if we make the right choices.

After the introductory sentences, questions and answers, for each entry Katy S. Duffield has a single bold statement on each two-page presentation.  Opposite or under each of these, she adds, in smaller print, a short paragraph offering more details.  Each of these sections are connected by repeating one (or more) of four important words which supplies a nice rhythm to Katy S. Duffield's informative narrative.  Here is one of those bold statements, followed by a partial paragraph.

Titi monkeys tightrope ACROSS blue rope bridges

that keep them safe above a Costa Rican road.

Costa Rica's smallest species of monkey, the

titi, is endangered.  A group of young people,

Kids Saving the Rainforest, found a solution to

help save them . . .

The dramatic open and matching dust jacket and book case quickly capture readers' attention.  The darkness of the overpass extends over the spine to the far, left side.  The setting sun highlights the movement of the adult cat over the road.  Lights from the fast-moving vehicles stream beneath it.  On the left section of the overpass on the back, two younger cats saunter behind their parent.  The color palette here is a prelude to the stunning artwork in the entire book.  The white title text is raised and varnished.

On the opening and closing endpapers, illustrator Mike Orodan features a single titi monkey sitting on a loop of blue rope, its long tail hanging toward the bottom of the page.  It is looking toward the sky in the background.  On the first set of pages the sky is streaked with dawn colors.  On the second set of pages, the sky has deepened in richer hues as the first stars twinkle above the single titi monkey with a child now clinging to its back.

On the title page with a white background, four animals highlighted in this book use the letters in the title text to move.  The majority of the images 

rendered by hand with graphite pencils and Adobe Photoshop

span two pages in breathtaking displays of animals around the globe, the dangers they face, and the structures made to assist them.  For these illustrations we are alternately brought close to the animals or move back for a more panoramic perspective.  

The details in the animals' characteristics are marvelous.  For many of them Mike Orodan uses a fine line of light to outline their forms.  His application of color fashions fabulous scenes.  Shadow and light are used masterfully.

One of my many, many favorite illustrations is a double-page picture showcasing the blue penguins found in Oamaru, New Zealand.  A lighted tunnel was built so they could feed at the sea during the day and travel back to their young in the evening without crossing a dangerous highway.  On the left side is a close-up view of one of the penguins now in the tunnel.  On the right side three more penguins are entering the tunnel at different points, their size appropriately shown.  Beyond the opening of the tunnel is an exquisite scene of cliffs, the beach, the turquoise sea and the sky glowing from the setting sun.  That fading sunlight circles inside the beginning of the tunnel and bathes the penguins in gorgeous colors.

You will be educated.  You will be entertained.  This book, Crossings: Extraordinary Structures For Extraordinary Animals written by Katy S. Duffield with illustrations by Mike Orodan, is one to encourage others to take similar steps when presented with these situations.  It will promote discussions and further investigation.  At the close of the book are two more pages with additional information about each of the animals.  There is a selected bibliography and further reading section.  I highly recommend this title for your personal and professional collections.

By accessing the website of Katy S. Duffield by following the link attached to her name, you can discover more about her and her work.  Katy S. Duffield has accounts on Facebook, Instagram, and Twitter.  Mike Orodan has accounts on Instagram and Twitter.  At the publisher's website you can view interior images, including the one I mention here as a favorite of mine.

This title and illustrator are featured at author, reviewer, and blogger Julie Danielson's site, Seven Impossible Things Before Breakfast.  November 22, 2020

Two Times The Glee

Laughter is a gift.  Life gives it to us in the form of unexpected incidents or antics, spoken and written words, facial expressions or visual representations.  We connect to these incidents, antics, words, expressions and representations because we have been in similar positions or because they are the exact opposite of what we anticipate.  Our sense of humor is enlarged. Our memories have an additional laughter factor to enhance our levels of happiness. Our view of the world is altered in the best possible manner.

There is no denying the place our stuffed animal toys have as companions in our lives, providing us with comfort and the most loyal of confidants.  Louis (Houghton Mifflin Harcourt, October 6, 2020) written by Tom Lichtenheld with illustrations by Julie Rowan-Zoch takes us into the inner sanctum of teddy bear musings. Louis is ready for change.

From day one . . .

things have gone downhill. 

Louis is a cushion for his boy's head.  When the child's nose needs wiping, Louis's arm is downright handy.  The teddy bear is used as an entree in prehistoric feasts.  Louis is perturbed.

Louis finds himself deep in sand, swirling in water, as the house canine's bed, and the victim of a needle and thread.  Wherever the boy goes, so does Louis.  He is forgotten on public transportation.  How is this possible?  Louis is ready for drastic action.

He has plans to leave.  At first the rain foils his efforts.  Then the younger sibling needs him for her tea party.  There is also the visit to school which is unavoidable.  Louis can hardly wait until that is over, so he is closer to bolting.

Finally, this longest of all days is nearing an end.  As soon as the boy is in bed, with the lights off, Louis is making his getaway.  Or is he?

It's not often we are inside the mind of a cherished teddy bear.  This much loved but also sometimes neglected, at least in the mind of the bear, toy gives voice to its frustrations through the words of Tom Lichtenheld.  Sentence by sentence this bear lists its grievances, building toward its plan (much like a disgruntled child) for an escape.  Then, with the gift of a skilled storyteller, Tom Lichtenheld shifts the narrative just enough to have readers wondering if the bear is as dissatisfied as it says.  It is here the humor heightens.  Here are two sentences, one following the other.

I can bear it no longer.

The next time this kid

squeezes me, I'm outta here.

In her debut as an illustrator, Julie Rowan-Zoch demonstrates her ability to enhance the words of a narrative through her playful, comic images.  On the white canvas of the open dust jacket her full-color illustrations engage our attention immediately.  Louis with his textured fur, peeking from the gift box with a wink and a smile, looks adorable.  The title text and the wrapped package are varnished.  To the left, on the back, after a bit of time with his boy, his expression has changed.  He is downright grumpy as the boy, oblivious to his disdain, gives him a hug.  The words here read:

A boy and his bear . . .

a love story? 

The book case is designed as the wrapped package.  The background is blue tied in a large red bow on the front.  The red ribbon crosses the spine perfectly, extending to the left as the crossed ribbon on the underside of the box.  

The opening and closing endpapers have a charcoal canvas.  In white is a pattern of the boy's toys, the household canine, and other items you see in the story such as the toy dinosaur, a pin cushion with pins, an umbrella, and a bowl of cereal.  On the title page, between the text is the wrapped gift box, unopened.

These illustrations rendered

in Procreate on an iPad.

(It is interesting to note

the text type was set in a font based on Julie Rowan-Zoch's handwriting.)

The sizes of the pictures vary from double-page pictures, some showing two different incidents in one image, to single-page pictures or to several smaller visuals on a single page.  The perspective changes for dramatic effect and increased humor.  The expressions on Louis's face and the boy's face convey a range of emotions.  Careful readers will notice the extra special details Julie Rowan-Zoch includes such as the toy pig being packed in a bindle by Louis when he is ready to run away.

One of my many favorite illustrations is a two-page illustration.  Streaks of blue hues on the background indicate a rainy day.  To the left of the gutter we move close to the boy in a yellow, hooded raincoat.  His eyes are closed with a slight smile on his face.  In his right arm, tucked inside his raincoat is Louis.  The boy holds a large red umbrella over them in his left hand.  The umbrella fills the upper left top and more than half of the right side of the image. 

Through the voice of this teddy bear in words and illustrations readers come to understand no decision is every set in stone.  Each choice, however dissatisfied we might be, needs to be carefully weighed.  Louis written by Tom Lichtenheld with illustrations by Julie Rowan-Zoch is a delightful story of the ups and downs of forever friends.  I highly recommend this title for storytime themes of bears, toys, humor, or friendship.

To learn more about Tom Lichtenheld and Julie Rowan-Zoch and their other work, please follow the link attached to their name to access their websites.  Tom Lichtenheld has accounts on Facebook, Instagram, and Twitter.  Julie Rowan-Zoch has accounts on Facebook, Instagram, and Twitter.  In her Instagram feed Julie has a lot of different costumes for Louis children will enjoy viewing.  As a debut illustrator Julie Rowan-Zoch is featured on Maria Marshall's site, KidLit411, Beth Anderson's site, the Soaring '20s, Jena Benton's site, Susanna Leonard Hill's site, and Critter Lit.

It is usually forbidden in most schools due to the fact its appearance, when not in use, can cause an assortment of problems, especially for the school custodians.  This rule, however, never matters to a select few students.  They can be caught smacking and chewing with abandon and are reminded to dispose of their gooey treat.  On those special days when the rule is temporarily lifted, in short order all are reminded of the detriments of gum.  

When it gets stuck where it is not wanted, it is disastrous.  On Account Of The Gum (Chronicle Books, October 6, 2020) written and illustrated by Adam Rex is a journal, in a day, of gum being in the wrong place at the wrong time.  As if having gum in your hair is not bad enough, be afraid.  It can get worse.

That's the gum.

Right there.

That you got in your hair.

Your dad has an answer to this problem . . . scissors.  Well, that does not work.  Now the scissors and the gum are stuck in your hair.  On the Internet, two sticks of butter are said to release the gum and the scissors.  Four items are now adhered to your hair.  Things are looking grim.

Auntie's antidote is wrong.  Grandpa's noodles and bacon sure don't assist in this issue at all.  Perhaps a rabbit to eat Auntie's grass will help.  Nope. 

Another animal is added to scare the rabbit.  A noisy household appliance does absolutely nothing about either of the critters now seated on the head of hair.  Somehow a cake enters the scene and becomes a mess on the floor.  Auntie is shown the door.

In what seems mere minutes, everything but the kitchen sink and everyone else (A guy with bees?) arrives to do their best to get the mess out of your hair.  You shout in our loudest voice.  You are heard and surprisingly enough, appropriate actions result.  In fact, something miraculous happens.  Who knew?  This is a day to remember.  It will be properly recorded, too.  HA!  

The words in this story roll out in conversational, rhyming word play.  Adam Rex has an unseen narrator talking with the child about the gum in their hair. This voice speaks as if they are right in the room with the child.  This elevates the comedy with every page turn until you are laughing out loud, unable to contain your mirth.  And some of the remarks made as an aside will have you rolling on the floor with exuberant elation.  Here is a passage.

Oh---

       I know what to do:

It's a little bit mean,

but the cat always gets

really scared when I clean.

Just watch---she'll run off

and hide under the bed

if the vacuum comes anywhere

close to your head.

The marbled pink canvas on the open and matching dust jacket and book case looks suspiciously like pink bubble gum.  It's a perfect choice for drawing our attention to all the items and critters in the child's hair.  At this point the gum is the least of their worries.  As if all the action in their hair is not funny enough, the expression on their face is sure to promote giggles and grins.  

To the left, on the back, is a Johnny Bubble and his Pals cartoon.  It refers to the child's current problem and one of the animals. This illustration looks like those comics you find inside bubble gum wrappers.

On the opening and closing endpapers a collage of all types of gum wrappers and gum is muted in hues of pink.  On the closing endpapers is the addition of five images.  These are in reference to the second to last sentence in the book.  This day is one for the history books, or at the very least, the family photo album.

The visual interpretation of this story starts on the inside of the opening endpapers with the child in bed blowing a bubble.  On the back of the title page, they are sleeping, mouth open and gum falling out.  By the time they wake up, get dressed and head for the kitchen on the title page, the gum in their hair is discovered.  

On the dedication and publication information page at the back we are told:

the art in this book was painted in Photoshop.

We also see that another member of the family is in a bit of a sticky situation, now.

Adam Rex alternates his image sizes between single-page pictures with text on the opposite side on a white canvas or two-page images with the text carefully placed within the illustration.  The wide-eyed looks on the child are comedy personified.  The family members' expressions on their faces and body postures are exaggerated to magnify the marvelous fun you are having reading this book.

One of my many favorite illustrations is a single page picture.  At this point there is gum, scissors, grass, noodles, bacon, a rabbit, a cat, and a vacuum cleaner in the child's hair.  The child is seated at the kitchen table, still wearing the cape thrown over them prior to the cut-the-gum-out-of-the-hair failure.  This bib thing is resting on the table.  The child, shoulders hunched, and lips in a grimace, has rolled their eyes upward.  You can almost hear them thinking---"Why has this happened to me?"

If you want to have a storytime, one on one or with a large group, laughing themselves silly, read On Account Of The Gum written and illustrated by Adam Rex.  The rollicking rhythm of his words with his funny illustrations are sure to prompt requests of "read it again."  I would pair this with Lisa Wheeler's Bubble Gum, Bubble Gum.  No collection will be complete without a copy of this book.

To discover more about Adam Rex and his other work, please follow the link attached to his name to access his website.  Adam Rex has accounts on Facebook, Instagram, Tumblr, and Twitter.  At the publisher's website you can view interior images.  On September 3, 2020 Deadpan, Page Turns, Storytelling & Digestion: An Interview with Adam Rex is hosted at School Library Journal, A Fuse #8 Production by Elizabeth Bird, the Collection Development Manager of the Evanston Public Library system.  I know you will enjoy this video posted by Chronicle Books.

Furry Friends Find Fun And Family

They are the ultimate companions.  Their distinctive personalities provide us with constant comfort and laughter.  Truthfully, without them our worlds would be incomplete.  They make us wholly human.

For this reason, let us look at three publications in the last five months with feline or canine characters.  In the first title, Joy (Candlewick Press, June 6, 2020) written by Yasmeen Ismail with illustrations by Jenni Desmond, a kitten shows us how to release merriment with total abandon.  You'll be ready to join this frisky feline in mere seconds.

Oh, boy! Oh, boy!

My favorite toy.

I feel joy!

A red ball of yarn caught in the paws of this mischief maker fashions a red tangled trail, until another object gets the scamp's attention.  A blue ball bounces across a room, over its other animal occupants, with the kitten close to it.  Momentarily pausing for an affectionate cuddle with a cat parent, the kitten, along with the ball, is off and running into a nearby lamp.

Kitten and ball go, go, go, until stopped by colliding into the large resident dog.  Several unplanned moves later, some due to the rambunctious dog, finds the youngster outside.  Down, down, down the steps of the porch, the little furry one boings and bounces.

This does not feel good.  This hurts.  The kitten wants its mom or dad.  In a quick minute, a parent is there, offering the necessary care.  Back inside they go, to curl up together in their bed.  Wait!  Oh, no . . . off the kitten goes.

Whether read silently or aloud the words by author Yasmeen Ismail will send your soul dancing with their rhyming, alliteration, and onomatopoeia.  Each carefully chosen word mirrors the antics of the kitten and her current favorite toy.  In addition to the tale of happiness the sentences tell, readers will be reassured by the gestures and care given by the parent to the kitten.  Here is a passage.

Shake,

rattle,

and

ROLL,

this happy soul! 

When you open the matching dust jacket and book case, you are introduced to the story's characters, and the use of full color on white which is prevalent throughout the book.  The kitten, beginning her dance of glee on the front is varnished along with the yarn and title text.  To the left, on the back, the adult cat holds the kitten close in their red, green, and blue plaid bed.  A single curled string of red yarn is on the floor to the left of and behind the bed. 

On the opening and closing endpapers done in the bright red shown on the jacket and case is a tangle of white yarn strung across both pages and coming to rest as a white ball of yarn in the lower, right-hand corner.  On the dedication, verso, and title pages we see a sleeping adult in the bed on the left.  Bouncing dashes indicate the jumping of the kitten that has left the bed to begin the chase with the red ball of yarn.

Illustrator Jenni Desmond using

mixed media

depicts all the elation this kitten feels and displays.  Her images span two pages, portions of single pages, or are grouped together on a single page to portray movement and passage of time.  Cleverly placed dashes indicate the movement of the kitten and its current favorite toy.  At times, the words follow the same path as the dashes.  The facial expressions on the animal characters, especially the kitten, convey their every mood.  The perspective is usually one of observer in the room, but several times to place dramatic emphasis on a point in the narrative, we move close to the kitten.

One of my many favorite illustrations is a double-page picture.  Across the bottom on a canvas of crisp white the lamp has fallen and is bent from left to right with the shade resting in the lower, right-hand corner.  Above the lamp in a series of loop-de-loops made by the dashes, the words on top, the kitten and blue ball travel.  Above the lamp and shade on the right, the kitten mid flip, is grinning in absolute satisfaction.

If you want to make your heart happy, experiencing the energy of that happiness, then this book is for you.  Joy by Yasmeen Ismail with illustrations by Jenni Desmond is a read aloud delight on every page.  I highly recommend this title for a storytime focusing on pets, playfulness, and to present how word play can create a mood or a moment.  You'll want to add this book to your professional and personal collections.

To learn more about Yasmeen Ismail and Jenni Desmond and their other work, please follow the link attached to their names to access their websites.  Yasmeen Ismail has accounts on Instagram and Twitter.  Jenni Desmond has accounts on Facebook, Instagram, Pinterest, and Twitter.  At the publisher's website you can view an interior image.  At Penguin Random House you can view other portions of the book.

It's not often a dog is categorized as a foodie.  Oh, we know how amazing it is that they can distinguish between the fruit, vegetable, and cheese drawer in the refrigerator.  When the cheese drawer is opened, they appear next to you, seated and ready for a treat, with the speed of light.  Their ability to distinguish one from the other is the stuff of legend.  They do love certain foods over other delicious delights.

In her debut picture book as author and illustrator Alexandra Thompson explores food, and the delectable life of a French Bulldog.  In A Family For Louie (Putnam, G. P. Putnam's Sons, June 6, 2020), we follow this canine foodie whose life is almost perfect, except for one thing.  He knows magical moments are better when shared.

Louie considered himself a

dog of very fine tastes.

He knew every chef in town.

He enjoyed the best restaurants and their finest fare for breakfast, lunch, and dinner.  He never missed dessert.  In a park fountain he bathed before retiring in the evening with a book and a cup of hot cocoa.  As far as Louie was concerned this life of his was as heavenly as a gourmet meal.

Louie did notice other dogs sharing their days with humans.  Louie decided it might be nice to have a family.  What he did not expect was how hard it was to find a family.  One had terrible food choices, and another one had . . . horror of horrors . . . a cat!

As the sun dropped beneath the horizon, Louie's spirits dropped too.  Maybe there was no family for him.  Louie wandered from the park to the town.  What was this?  A new bakery?

Outside the bakery was a little girl Louie did not recognize.  She was friendly.  Louie was uncharacteristically shy.  It seemed that a cupcake could win the heart of a very particular French Bulldog.

When the story begins author Alexandra Thompson paints an endearing picture of Louie with her words.  We immediately identify with the life he has made for himself.  This seemly perfect life is an ideal segue into what Louie needs most.  Humor plays an important part in his attempts to find a family leading us into a gentle, welcome resolution.  Here is a passage.

The next day, Louie saw

a family having a picnic

at the beach.

He thought he might ask to join them,

but when Louie approached . . .

they were eating Jell-O salad

and sardine sandwiches!

These digitally designed illustrations by illustrator Alexandra Thompson convey with detailed charm Louie, his love of food, and his search for a fuller life.  In looking at the open dust jacket readers get a glimpse on the front, right, and back, left, of what that life can be for Louie.  On the front he is looking into the new bakery window with the little girl and her mother as silhouettes.  The title appears as though it is the name of the bakery.  The framing on the window is framing his new beginning.  

To the left, on the back, is a circular, decorative frame around a picture of Louie and the little girl.  They are both holding cupcakes with the cherry on top already consumed.  There is sheer contentment on their faces.  The words above them read:

Life is sweeter

when shared with friends.

The book case is a double page image of a country scene.  The background is a pale blue sky with pink light and clouds.  To the right of the spine on a hillside with meadow flowers, Louie, the little girl, and her mother are seated beneath a tree having a picnic. 

The opening and closing endpapers tell a tale too.  They represent Louie's life before and after he meets his new family.  It's a scene in the city featuring a single arched window in a wall with lanterns on either side.  

Each visual is either a double-page picture, a group of smaller images, or a single-page illustration.  Due to the technique employed by Alexandra Thompson, your eyes are immediately drawn to Louie in each one.  His distinctive facial expressions and body postures depict his every mood.  You'll find yourself falling in love with this little dog.

One of my many favorite illustrations is a full-page picture.  It's nighttime in the town.  In the background stars glow in the sky as lights shine in building windows.  Two trees on the left side of the park stand in dark dusky purple silhouette.  On the right side is a large tree with roots extending across the entire page.  Beneath those roots Louie has carved out a space for himself.  We see it in a cutaway.  The sight of him reading, snuggled in a blanket with his cup of hot cocoa, is precious.

Readers will become attached to the character in this story who is looking for a family.  A Family For Louie written and illustrated by Alexandra Thompson is about finding the most valuable piece missing from the puzzle that is your life.  I know this book will be a favorite for storytimes.  Give your listeners their favorite stuffed toy dog to hold when you share this book with them.  You'll want to add this to your professional and personal collections and gift it to dog lovers you know.

To learn more about Alexandra Thompson and her other work, follow the link attached to her name to access her website.  She has accounts on Facebook, Instagram, and Pinterest.  Alexandra Thompson is a guest at author Katelyn Aronson's site.  At the publisher's website you can view the opening endpapers.  I believe you'll enjoy the reading of this book by its creator.

Sometimes our furry friends' personalities take zeal to an over-the-top level.  They see the world around them in an entirely different light than those with whom they share it.  It is this contrast which generates roll-on-the-floor hilarity.

There is a new cat in town who fits this description with excellence.  No Fuzzball! (Orchard Books, an imprint of Scholastic Inc., August 4, 2020) written and illustrated by Isabella Kung is a debut release certain to leave a lasting impression long after the final word is read.  Get ready readers for a riotous read on the wild side.

Hello, I am

NOFuzzball.

Perhaps you have never heard a name like this before,

but that is because you have not met

a queen like me.

This cat believes she is a queen because her humans, her subjects, scream at her, calling her name throughout the house.  She is certain they honor her every request when they are really going about their day. When she sees a packed suitcase, she is certain it is a present for her.

Her family is not happy she decides it is a new bed.  Tending to her ruffled fur after being lifted out of the suitcase, she is unaware they have left the house.  She is shocked at this discovery.  How could this happen?!

She muses about their possible reasons for leaving.  She is thrilled they took the dog, 

that disgusting slobbering mess.

Now she can nap in peace.

She is surprised to find them still absent after her nap, so she starts to roam around the house, worrying about possible scenarios in which they are hurt or kidnapped. In order to dispel these fears, she is determined to be a different kind of ruler.  She does her queenliest best as a cat of cats to spruce up the house.  Will they love what she has done to the place (palace)?  What do you think?

Told in the words of her queenship, humor is replete on every page. The authenticity of No Fuzzball's remarks, her point of view, is purr-fect.  As you read this story, it is hard not to think of author Isabella Kung as a cat whisperer.  Here is a passage.

A queen cannot tolerate such disrespect!

I demand a formal apology . . .

Wait, they left?

How dare they

forget their place?!

What has gotten into them?

There is no doubt in your mind when looking at the open book case, this cat is a bundle of energy, somewhat out of control to her humans, but having the time of her life.  She is a maker of messes.  A destroyer of calm.  And she will always cause you to giggle and grin.  The yellow ribbons on the right, front, cross over the spine to wind around, framing a collection of cat toys on the left, back.  In the center are sentences from the start of the narrative.  In a stroke of genius, a smaller No Fuzzball is casually leaning on the ISBN.

On the opening and closing endpapers readers are treated to the many moods of No Fuzzball.  The 15 images on the first set of endpapers are placed on a white canvas with red as an accent color.  The second set of 15 visuals with blue as the extra hue are also on a white background.  Here is also information about Isabella Kung.

On the verso and title pages it appears as though torn lavender paper reveals orange paper under it.  On the title page No Fuzzball is ripping the paper to reveal the No in the title.  She is at her catastrophic best.

These illustrations by illustrator Isabella Kung span two pages, single pages, or several smaller visuals are grouped on a single page.  No Fuzzball's fur is textured to the point you feel as though you might want to touch it, but you won't because this is No Fuzzball.  Shades of purple and red lend themselves to special marked moments.  It's the looks on the face of No Fuzzball and her subjects which will have you bursting into laughter.

One of my many favorite illustrations is a double-page picture.  It's when No Fuzzball is taking a nap.  Four lighted shapes of the sun shining through a window move from left to right, two on either side of the gutter.  These shapes are outlined in a golden orange color.  They are placed on a wooden floor in a muted purple.  No Fuzzball moves around in different positions which are typical but also comedic.

If you are looking for loads of fun and funny, No Fuzzball written and illustrated by Isabella Kung, her debut release, is a claw-some selection.  The constant comparison between the cat's beliefs and reality provide readers with a true page-turner.  You'll be asked to read it repeatedly.  I highly recommend this title for your personal and professional bookshelves.

To learn more about Isabella Kung, please follow the link attached to her name to access her website.  Isabella Kung has accounts on Instagram and Twitter.  Isabella Kung is a guest on Book Q&As with Deborah Kalb, The Soaring '20s and at Jena Benton Writer & Illustrator.  At the publisher's website you can view interior images.  Isabella Kung was part of a Scholastic Book Fair Book Joy Live event hosted by Scholastic's Ambassador of School Libraries, John Schumacher.  Please take a few moments to enjoy these two videos.

To Sit For Change

As a child, depending on your family and when you are born, you are somewhat shielded from events in human history unless they affect you, your family, or friends, personally.  For those growing up in the 1950s, based on the household income, the main form of information was print and radio with television starting to become more popular.  It was not until the 1960s when many homes could afford to own a television.  News was not reported as quickly as it is today, especially given the predominance of social media sites. 

Through the collaboration of esteemed authors and illustrators, nonfiction picture books thankfully disclose and showcase people, events, and the world around us which has not received the attention they deserve.  Above The Rim: How Elgin Baylor Changed Basketball (Abrams Books for Young Readers, October 6, 2020) written by Jen Bryant with illustrations by Frank Morrison is a fascinating account of a basketball legend who played with a signature new style.  At twenty-five years old he also took a stand against racial discrimination when few had the courage to do so.  His story is one you will long remember.

On a steamy summer day in 1945,

a boy and his brothers

played stickball in the street.

There were other parks hosting a variety of sports, but they were for whites only.  This little boy was black.  His given name, Elgin, represented his father's favorite watch.  At an early age he knew the value of time.  Time and change could work together for good.

At the age of fourteen Elgin and the neighborhood boys finally had a hoop they could use for a game of basketball.  Elgin was not much of a talker; he simply played his best game.  His technique was startlingly unique.  Everyone stopped and stared at Elgin.  He was a natural.  His jumping and leaping earned him the nickname of Rabbit.

Springarn High, an all-black school, was where Elgin starred in organized, indoor sports.  He could do anything from anywhere on the court.  Unable to attend a university in his hometown due to whites only, he headed to the College of Idaho.  People in Idaho were amazed at Elgin's display of basketball skills.  His first winter with the team brought them victories.  Another victory happened at the same time; Rose Parks refused to give up her seat on a bus.

Transferred to Seattle, Elgin continued to make the news with his playing.  So did black students in Arkansas who attended classes in an all-white school.  In 1958 Elgin started playing professional basketball.  It was a hard life with not the same perks or popularity it garners today.  Travel and sleeping accommodations were rarely the best.  While these players struggled, so did a group of young black women and men who chose to sit at a lunch counter in Wichita, Kansas for whites only.

In 1959 Elgin and his team arrived in West Virginia.  They walked away from all the whites only hotels.  Elgin ended up eating a cold meal alone in the guest house they found would house everyone.  When it came time to play the game that night, Elgin refused to dress in his uniform and play.  He sat on the bench during the game.  This action by Elgin Baylor changed the rules of the NBA.  No team would any longer frequent a hotel or restaurant that practiced racial discrimination.  During his career, Elgin Baylor made history with his singular moves on the court.  His move behind the court sidelines in 1959 created a lasting change, a win against practiced prejudices.

Research is evident in the intimate portrait painted by the words written by author Jen Bryant.  Descriptive adjectives and verbs recreate vivid moments in the life of this accomplished sport and activist figure.  At several crucial points in the narrative Jen Bryant repeats key phrases for emphasis.  Small bits of conversational remarks add to the authenticity.  Another superb technique is the parallel of Elgin's achievements with those of other civil rights figures and events.  Here is a passage.

He'd HANG there, suspended, floating like a bird or a cloud,

changing direction, shifting the ball to the other side,

twisting in midair, slashing, crashing,

gliding past the defense, up---up---above the rim.

And with a flick of his wrist,

or a roll off the fingertips,

he put the ball IN.

The way he played was so

different that people

stopped what they were doing

and watched.

Looking at the open dust jacket on the right, front, artist Frank Morrison gives Elgin Baylor a long body to place importance on his abilities on the basketball court.  He was a giant in his maneuvers and overall performance.  Elgin Baylor's body is varnished to shine.  To the left, on the back, an interior image is used.  It's a close-up of Elgin Baylor holding his NBA Rookie of the Year trophy with a sea of spectator faded faces to the left and right of him.

On the book case, a darkened canvas shows a younger Elgin Baylor playing on the basketball court alone at night.  On the left the hoop extends from the upper, left-hand corner with a basketball moving to go through it.  Along the bottom is the presence of a home and city lights in the distance.  On the right Elgin is leaping up and leaning back after the ball releases from his hands.  You can almost hear the air moving with the precision of the throw.

The opening and closing endpapers are a muted, dusty shade of blue mirroring the color of Elgin's uniform with the Lakers.  On the title page, the visual of his uniform number and name provides a background for this player leaping for a shot with one hand on the basketball.  It is a smaller version of the front of the dust jacket.  The verso and dedication pages use the illustration from the book case.

These striking images by Frank Morrison are rendered 

using oil on illustration board.

They are atmospheric, dramatic, poignant, and highly animated.  Their size enhances the narrative and its pacing.  They are single page, edge to edge, and double-page, edge to edge.  Their perspective shifts with the story.  (You will literally get goosebumps and gasp at some of the scenes.)

One of my many, many favorite illustrations, okay two of my many, many favorite illustrations are when Elgin Baylor is younger and first demonstrates his skills, and the day after he sits out the game in protest at West Virginia.  In the first against a pale blue sky with peach and pink clouds Elgin Baylor soars legs spread wide as he leaps, one arm down at his side and the other reaching up as the basketball leaves his fingertips.  Behind and around him is a starburst when the sun catches something shiny.  This is a single-page painting.  In the second scene, across two pages, a group of four black youth are gathered and reading an open newspaper sports pages.  Two are positioned on either side of the gutter.  The intensity in their faces is wonderful.  Behind them are city buildings and a fence indicating their court.  On a pole with a backboard is a wooden bucket held together with metal hoops.

Even after several readings I am astounded at the history taking place in this book when I was only a little girl. (Elgin Baylor retired from the NBA a year before I graduated from high school.)  This title, Above The Rim: How Elgin Baylor Changed Basketball written by Jen Bryant with illustrations by Frank Morrison is an exquisite nonfiction picture book biography.  The words can be read repeatedly, and the artwork invites scrutiny.  As a read aloud it will not only inform but promote discussions and research.  At the close of the book are an author's note, further book reading, websites, and audio recordings, special sources for young readers, notes, and a detailed timeline.  I highly recommend this title for your personal and professional collections.

To learn more about Jen Bryant and Frank Morrison, please visit their respective websites by following the link attached to their name.  At Jen's site there is a link to preview pages from the book.  Jen Bryant has accounts on Facebook and Instagram.  Frank Morrison has accounts on Facebook and Instagram.  At the publisher's website is a video with Frank Morrison speaking about the art for this title.  At A Fuse #8 Production, School Library Journal, Elizabeth Bird, the Collection Development Manager of the Evanston Public Library system, interviews both the creators of this book. 

UPDATE:  The Horn Book, Five questions for Frank Morrison, February 10, 2021.  It is an informative interview about this title.